Can I quote you on that? An open book blog hop post

  

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Do you have any favorite quotes about writing? 
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I love reading about writing. It's always interesting to me to learn about what processes other writers follow, especially if I admire their work. So, there are a BUNCH of great quotes about writing rattling around in my brain, but I'll stick to just two of them for this post: 

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Toni Morrison wrote some of my favorite books. Beloved broke my heart and scared me at the same time. I also loved The Bluest Eye and Sula. But you know what? She never wrote about Menopausal Superheroes and I wanted to read that, so I took her advice and I wrote it. At the most basic level, this is why I write what I write: I am my own intended audience. I'm writing what I want to read. 

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EM Forster might be best known for the opulent Merchant Ivory films made of his books: Howard's End, A Room With a View, A Passage to India and the like. They are fascinating for the way they capture a moment in time, and encapsulate class issues and explore humanistic themes. 

I don't remember where I first ran across this quote from him, but when I read it, it was like lightning in my brain. "Yes! Just like that!" I thought. Story is my major coping and processing mechanism in life. Whatever I'm going through or thinking about, writing is going to be part of how I pull myself through and get to the other side of it. This quote captures that feeling for me of needing that step back, that opportunity to listen to the still, small voice within, and dialogue with my own subconscious on the page in order to clarify my thinking and understand my heart's desires. 

So there are two of my favorites. What quotes have you run across that speak to your ideas about creativity? I'd love to hear about them in the comments! 

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Not a Superhero

They probably meant well. 

It seems flattering at first blush, being called a superhero. 

It implies that I'm special, someone who handles work that an ordinary human would not be able to do--jobs that require super-human strength, endurance and effort. 

But the problem with that overblown, hyperbolic, and manipulative rhetoric is that teachers aren't superheroes. We're people. 

Don't get me wrong. I'm an amazing person. I can do more with 90 non-supervisory minutes a day than some people do in entire eight hour work days. I'm a master of efficiency, and surprisingly good at improv, too, given how often the rug is pulled out from under me mid-stride. Many of the teachers I work with are as amazing as me. Some are even MORE amazing. 

But, they're not superheroes. Neither am I. I'm just a middle-aged woman who's fed up with this particular method of dodging discussion of real issues. 

I know superhero imagery is appealing, and has become a favorite metaphor for lots of overworked, underpaid public servant sorts of work. But a lot of the people using this comparison don't know superheroes. 

I, do, though. I read, watch, and write superheroes. I know them well. 

And here's something we all need to remember: 

Superheroes are fictional.

Real heroes exist. Some of them are teachers. But superheroes are imaginary. 

Only imaginary heroes can shoulder the load alone, out of the goodness of their hearts, with no thought of reward or rest. Superheroes don't need help from ordinary folk. They don't need things like reasonable workloads, safe working environments, a living wage, or even our respect. 

But if society can cast teachers as superheroes, it lets the rest of the people off the hook. We don't have to make any sacrifices for the public good, like paying higher taxes so that students can learn in buildings that aren't falling apart, or paying teachers enough money that young, passionate, talented people might be attracted to this line of work. 

When I am called a superhero, I remember James Jonah Jameson, editor of the Daily Bugle, the angry spittle-flinging man ranting about the ineptitude and untrustworthy nature of the very superheroes who continue to save his butt and the butts of all the ungrateful citizens of imaginary New York and the world beyond.

Superheroes *do* get thanked from time to time, mostly in moments of crisis like alien invasions and such. 

Real heroes get thanked under similar circumstances, like a teacher throwing herself in the literal line of fire when another problem society ignored too long walks through the front door with a gun, or dying during the pandemic because they went to work in person despite the risk "for the kids." 

Remember those five minutes at the start of the pandemic when parents all over America realized what a teacher's job actually was and expressed gratitude? 

Yeah, that was over as soon as it went on "too long." When the superheroes were revealed as all too humanly vulnerable. A grateful public turns into a resentful public very quickly when the superheroes stop saving them. 

If teachers stumble--regardless of why (or even if they don't stumble, but someone manages to spin the story just right)--those teachers we were just praising as superheroes are suddenly on the front page again, but this time as the recipients of blame, anger, and ire. We're called selfish or incompetent, accused of indoctrinating students when we try to teach them to think for themselves. All from people who have never done our jobs (and honestly probably couldn't handle the job if we got them to try it). 

So, instead of throwing empty compliments like "superhero" at teachers, how about working to increase the likelihood of success? Remember that teachers are ordinary human with ordinary limits. If the job truly requires a superhero, no wonder we're going through a giant teacher shortage. Superheroes don't exist and ordinary people trying to be superheroes can die trying. 

I don't need flattery, and I'm not accepting more than my share of the blame. Instead, I want to see a world where success is possible and the work is sustainable. It's possible . . .it's just expensive. America has gotten off cheap on education so far, and we're starting to see the truth in "you get what you pay for." 

But, for now, what I really want to say is: take that cape and shove it. 

Book Birthday! Through Thick and Thin

 

Today is my book birthday! The sixth release in the Menopausal Superhero series made her debut today. Through Thick and Thin is a collection of short stories, featuring Flygirl, Fuerte, and The Lizard Woman of Springfield in both their costumed and civilian identities. We've got an impending wedding, a daring escape, superpowered rescue, and heartfelt friendship moments, all within a slender volume you could read in an afternoon. 

The older I get, the less excited I am about actual birthdays…but book birthdays? They're awesome! Projects come to fruition and out there in the world looking for an audience are WAY more exciting than merely surviving to be another year older. 

But, I still like cake, and you can be sure I celebrate each and every book birthday with chocolate :-)

Check out this back-of-the-book blurb. 

Hidden in the space between chapters lurk other stories. What came before and after, and meanwhile. The other side of the story, including the part our heroines didn’t know. This collection peeks around those corners of the Menopausal Superhero series.

Through Thick and Thin will get you up close and personal with your favorites. Fuerte wasn't always Fuerte - or male. It’s confession time in "Coming Out as Leonel." Join Patricia, the Lizard Woman, as she unravels the puzzle of Dr. Cindy Liu's disappearance in "The Right Thing," then see her softer side (and her "better half," Suzie) in "Underestimated." Get ready for a wedding, and a heroic rescue, in "Flygirl's Second Chance."

These aren’t your father’s superheroes. Whether you’re already a fan or are just meeting these characters for the first time, the menopausal superhero series explores what it means to be a hero at any age or stage of life.

If you've been meaning to check out my series, this short story collection is a great introduction to the characters and concepts as well as my writing style and the drama-dy (part drama/part comedy) tone of the books. And it's available through Kindle Unlimited if that's how you roll. Paper copies will be available in the next few days. 

Can't wait to bring you more of these characters in 2021, but for now, please check out the series, and if you've read them, leave a review! Reviews are even better than cake. 

The Importance of Momentum

So, I recently had to take a hard pivot in my writing life. 

I was chugging along on a Gothic romance and loving it, when it hit me that I only had six months left to write the fourth Menopausal Superhero novel and I'd better get that puppy going. I'm grateful that I have a publisher waiting for my work, and accept that having that comfortable situation comes with costs, such as deadlines. But it wasn't easy to switch gears. 

Getting back to the Menopausal Superheroes came with some extra challenges as well. While I'd worked through edits over the past year for two new novella releases in the series (third one coming in August!), which kept a hand in, I hadn't written anything new for these characters in more than two years. There's some emotional baggage with that, including a bad breakup with a publisher. 

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So, I started by reading my own books. Re-immersing myself in the world and making notes about little character details that had grown fuzzy in the two years I wrote other stuff. 

Re-reading your own work is a fraught process. If things are going well, you're growing and learning, so looking back at your old work can be painful. You're like, "Dang, I could do this so much better now." 

And I did experience a bit of that, but I found that I still love my characters and my world, which is good news since I've promised to write at least two more of these!

I guess I thought that as soon as I'd selected a couple of threads to pick up, I'd sit down and the words would just flow. 

But that isn't what happened. I struggled. Heck, sometimes I chose to work on peeling off old wallpaper in my office rather than tussle with my imagination. 

You'd think I'd know by now, but I'd entirely forgotten the role of momentum in writing. 

In some ways, I have a lot of momentum going. I write every single day, come hell or high water, whether or not G-d is willing or the creek rises. My daily writing chain is approaching seven years in length. In that sense, at least, I've got discipline at this point. 

That's some serious momentum. 

But it's not momentum on this project. The Menopausal Superheroes lost momentum in the struggles with that first publisher and the transfer of rights, then on-boarding with the new publisher. 

In the scheme of things, I did that quickly and smoothly compared to how badly it can go, but still, momentum was lost, not just with readers, but with me, the writer! I took on other writing projects and let the superheroes sit, waiting for their moment. 

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So, of course, when their moment arrived, it wasn't instantly beautiful again. Hopefully it doesn't sound too crazy to suggest that I had to work with the characters a bit again, to get them to trust me again and start talking to me. 

But here we are one month into working on the new book, and I've hit a good stride. 

I know I'll hit more walls and have ups and downs as the process continues. After all, this isn't my first rodeo anymore. Hopefully that will keep me going when the going gets rough again. 

But, for now, I'm happy to have made the first little hill on the rollercoaster. I'm strapping in, knowing the ride will get bumpy, but all so ready for the journey! Wish me luck. 

Reading my Own Work

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I'm settling in to write novel #4 in the Menopausal Superheroes series. I've been on a hiatus from writing in that series for two years, not because I was done telling the stories but for business reasons (short version: old publisher fell apart, got rights back, republished with a new company. Details in this blog post). 

Throughout 2020, I've worked with Falstaff books to bring out two novellas and a collection of short stories (due out in August!) in the series, but these are all things that I wrote in 2015-2018. So, editing put me back in this universe again, but not in the same immersive way as actively writing with these characters. 

To get into the right head-space, I decided I had best re-read my own series, making notes about seeds I had planted or threads I had begun that might be developed for books 4 and 5. 

The good news:  I still LOVE these characters and this world. My menopausal heroes still amaze me with their bravery, honesty, and caring. I can hardly wait to spend the next few months fighting, living, and learning alongside such fabulous imaginary friends. 

And re-reading my old work is not making me cringe. I worried it might. Sometimes, it's like that--you learn so much across a writing career, and reading work by "past me" can make me want to snatch it back and do it over. I do think I'm a better writer now than I was in 2015 when the first novel came out, but I still think 2015 Samantha was a damned decent storyteller with a creative premise and good emotional engagement. 

I love the energy I'm catching from the characters: 

Wish me luck guys! I'll be working to recapture the magic and energy and form it into something new. Something you can read in 2021! 

Marketing from Home: Calling into the Void?

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Many of my writer-friends and publisher-friends are struggling this year. Convention after convention has been cancelled, and those in-person opportunities to talk about the work make up the bulk of sales for some of us. 

Attracting attention for small press and independently produced books is an uphill climb to begin with and a major tool in the kit was lost to COVID. Several have resorted to holding a Go Fund Me just to stay afloat/in business. 

I don't know yet how it's affecting my sales--there's lag when you work with a publisher. My last royalty check covered the first quarter, January-March, which still included conventions. It was higher than average. So, I'll see how the August statement compares when it gets here. 

I had two new releases in this span: Friend or Foe (novella, book 1.5 in the series) dropped right at the end of March and The Good Will Tour (novella, book 2.5 in the series) dropped in early May. So, that means I've got more revenue streams with that publisher right now. My first book in the series was on 99¢ sale on Kindle for most of the quarantine. I'm hoping all that helped. 

I've been taking advantage of online opportunities, participating in filmed Zoom panels, online convention content, podcasts, and readings. I've set a summer goal of producing one video a week for my YouTube page, which I definitely don't produce content for often enough. Some of these online opportunities take less time than my in person events would have--a couple of hours shut away in my office, but no road trip, networking meal before or after, or hotel stay. Others take longer because I have to learn new things to be able to participate. But it's much harder to gauge the reach. Who's watching? 

There's so much digital content out there, and the amount has only grown with everyone isolating at home and finding they have the time. Who's going to watch me read when they could listen to Patrick Stewart or Yo-Yo Ma? Even if I recolor my hair and buy new curtains. 

So maybe I'm wasting my time, but I try to look on the positive side. It's my nature to remain hopeful. All this digital footprint I'm building will linger and even if no one listens the week it's released, that great talk I had with Michael G. Williams on Public Domain Radio will there indefinitely. Someone could stumble across it at any time and discover an enthusiasm for the Menopausal Superheroes. 

That makes it worth it. 

And even if I don't find an audience this way, at least I still get to talk books and writing with bookish writing friends. The experiences themselves lift and enrich me. That's always worth it! 

Switching Gears

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I've been working on a novel for about a year (a gothic romance, working title The Architect and the Heir). It's going well and I want to keep plugging away on it. I gave myself "until school ends" to finish a draft…and I failed to do so. 

I made great progress, especially considering that I do this part time and you know…COVID, police violence, terrifying fascism rearing its ugly head everywhere. If 2020 is the year of seeing clearly, I sometimes wish I could back to being blind. 

And now, I have to shelve A&H and switch gears, hard turn to starboard. 

The reasons are positive. I have a contract! That's a lucky position for an author to be in: knowing I have a publisher ready and waiting for my book, willing to help bring it out there into the world. 

But contracts come with deadlines--external deadlines, imposed because of schedules for editing, proofreading, cover art, etc. My next deadline is January, which means it's time to set down Devon and Victor and pick up the Menopausal Superheroes again or I won't make it. 

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I'm also coming back to this series after a nearly two year break during which I worked primarily on other fiction: short stories, editing for work that already been submitted, and another shelved novel before this one. So, I'm feeling a little daunted. 

This is the first time in my writing career (all five years of it) that this has happened to me. I've heard other writers talk about juggling different projects and now I finally understand how wrenching it can be to slam on the brakes and screech to a halt, leaving good rubber on the road, so I can keep my promises. It's not that I don't love the other projects, too--I totally do! It's just the moment of switching gears that hurts a bit. 

I'm hopeful though, that Devon and Victor will be there waiting for me when I come back to them. I've made good notes about where the story is going. I have already managed to set it aside three times in the past few months to complete edits on novellas for the Menopausal Superhero stories, and each time I fell back in within a few days. 

Any advice for me on switching gears and finding my groove on the new thing quickly? The clock is running guys, so I need to get this booty moving! I'd love to hear your ideas in the comments!

Summer's End

LeSigh. Can summer really already be over? I didn't get it all done again, of course. Doing *everything* I want to do every summer would require at least five women, and my cloning experiments failed (my daughters turned out to be their own women, with their own things they want to do).

Still, it was a good summer. As I start to have end-of-summer panic, I need to remind myself of that.

Longtime readers already know that I'm a middle school Spanish teacher in my day job, and that writing novels is my secret identity (which I'm trying to make less secret, so people will know I write books and maybe even buy them).

So, summer is, in part, about self-care and recovery for me. It's also my time to live life as a full time writer for a few weeks. So, I'm always trying to balance writing productivity with rest and recuperation and progress on all those life tasks that are hard to complete when I'm not available during business hours (August-June).

To feel good, I really need all three things: rest, writing, and life/project time.

As I write this, I'm at the beach, making sure that I end my time with sea salt on my skin and a brain scrubbed clean by sand. I did pretty well on the rest and recuperation angle.

I walked damn near every day with my dog, ate breakfast (a luxury I can't find time for during school), read sixteen books (and may finish another one or two this week), visited my parents for a few days, took a nap a few times (I'm terrible at napping, even when I need to), and watched more television than I watched in the entire six previous months (I finished a few shows: Good Omens, Wynonna Earp, The Marvelous Mrs. Maisel, Black Lightning, The Boys, and, of course, Stranger Things). I started Downton Abbey, so that'll probably take me all school year to finish now :-)

Home/life productivity gets a middling score. There was one big thing I wanted to get done involving paperwork and I didn't get there, because I couldn't find all the right pieces. I admit to procrastinating on looking, and I'm mad at my past self for being so bad at sticking to ONE organizational system for important papers so you can find them when you need them. Luckily there isn't a hard deadline on that one, so I can keep looking and get it done this fall.

I did work out some financing for a home improvement project that will make a big difference to our lives, and I did get my home office several steps closer to the space I want it to be. I'm especially proud of that since everything I've done in there, I've paid for with writing money only (which is why it's all DIY and second hand, but still: I paid for it with my writing money).

Some of my home/life project energies went to my oldest daughter, helping her arrange her college monies for fall and move into her FIRST APARTMENT! (yikes, I'm old).

Writing went well. I set aside the novel I've been working on for the past year (YA dystopian romance, working title: Thursday's Children). It needs more time to simmer before I can get that dish ready to serve and I finally admitted it.

I started a new novel (gothic romance, working title: The Architect and The Heir) and made lots of progress on my first all-indie project, a collection of 13 weird tales I plan to release this Halloween, choosing and organizing the stories, self-editing, arranging for cover art and professional proofreading, and learning some new software for formatting.

My daily writing chain is now 2,144 days longs (nearly six years), and summer's work included nearly 35,000 words on the new novel. It's flowing well, which speaks to the importance of following your passion in your writing (another balance: between focus and dogged stubbornness).

I've wanted to write a gothic romance since I first read one, when I was around eleven years old. It took me a while to actually do it, but it's the most fun I've had since the first Menopausal Superhero novel.

I think I probably wrote this post primarily for myself, to look back on in a couple of weeks when I'm haranguing myself and accusing myself of having wasted my entire summer once I'm buried up to the neck in schoolwork. After all, I hold myself to very high expectations on a lot of fronts. I'm meaner to myself than I would ever be to anyone else. So, it's good to make myself admit from time to time, that I got this!

Summer Viewing: Black Lightning

Black Lightning has been on my TBW (to be watched) list for a while now and summer finally brought me a little time for TV.

I'm an easy sell: it's a superhero story about a character I didn't already know well, and he's not twelve--he's a full adult with experience, responsibilities, and something to lose. Three for three, with a bonus point for diversity. Right up my alley.

I'll be mildly spoilery at worst in this review. I wouldn't want to ruin your enjoyment by giving too much away. I've watched two seasons as I write this.

Can I just say how much I love Jefferson Pierce as portrayed by Cress Williams? I think I actually love him more when he's being Jefferson Pierce than I do when he's being Black Lightning. This is a show about Jefferson Pierce who is also a superhero rather than the other way around.

Such a beautifully complicated character. A community leader (high school principal with a high profile), who still gets pulled over for "driving while black" and has to manage racial politics with the Freeland school board (an awfully white organization considering the racial makeup of the community it's in).

It's all about control, of the situation, and of himself. Even when he's not being superheroic, he crackles with suppressed energy and channeled righteous anger. He's working within the system in one suit, and as a vigilante going around the system in another.

He's an involved parent, who still falls back on "because I said so" and "not under my roof" in frustration when his strong willed daughters reveal that they are definitely his children. It plays all too real to this mother of stubborn and amazing daughters.

He's not perfect (despite those abs and that smile), but he's working hard to make the world better, and not just when he's wearing the suit (either the coat and tie or the lightning). I can see why people call him "Black Jesus."

He loves his (ex)wife enough to have given up his superheroic pursuits at her insistence, and they have a push and pull magnetism on screen: still clearly in love and attracted to one another, united in their desire to raise their daughters well, but cracking under the pressure of heroism. That inner conflict about using your gifts when they hurt you personally adds serious tension.

It's hard to love someone who is constantly in danger and on call, to see them hurt and suffering because of the sacrifices they've made for strangers. Ask any spouse of a cop or firefighter or soldier or schoolteacher or other front-lines job.

Lynn Pierce, as played by Christine Adams is amazing. She knows her limits, and even when they hurt, she sticks by them. She's a brilliant doctor and scientist (and we later find out quite a fighter herself), fierce and dignified, but loving. No wonder her children are so much trouble. They're just like her.

It's rare in a television show to see a family with teenaged and newly adult children who have a good

relationship (or any relationship at all), but the Pierces are close, despite the secret of Dad's former superheroic life having been kept from the children until the crisis that begins the television series brings him back into his lightning crested suit. (When the show begins, no one has seen Black Lightning for nine years--his daughters don't know about dad's side gig).

The first time I saw the Black Lightning suit, I wasn't sure what to think. It's pretty darn cheesy, with a bright chest panel. It made me laugh, I'll admit. The effects used for his lightning powers are on the cheesy side, too, which contrasts pretty starkly with the look and tone of the alter ego parts of the show.

Whenever Jefferson dons the costume and goes out to fight, the music shifts towards the seventies, too, with full-on swagger. I wasn't sure I liked that at first, but it's grown on me. It's a subtle way to show his origins, though if he's only been on hiatus nine years, he stopped fighting in the earlier 2000s, not the seventies. Still it resonates with shades of characters like Shaft and Luke Cage, which is probably what the designers were after.

When younger heroes (Thunder and Lightning) come onto the scene, the generational contrast is interesting: in terms of where the moral lines are as well as what to wear. I like how that contrast is used to show that younger people and older people both have things to learn from one another.

"Uncle Gambi," Jefferson's adoptive stepfather, has had quite an evolution across the two seasons as well. He's definitely more than he seems when we meet him, and he keeps getting more interesting. His relationship with the Pierces and his role in the history and the superheroics helps heal plot holes as needed.

The villains in this one are big and broad and stylized, though their overall motivations can be a bit fuzzy. Tobias Whale is a great gangster with an extra secret, though I find him a little one-note overall. He seems like a plotter with a huge overarching plan, but then those plans turn out to be kind of loose and not fully thought out when we get there. Still, the personal nature of the grudge between Tobias and Black Lightning is powerful.

Dr. Helga Jace is horrifyingly cold about any human (or metahuman) costs in her mad science work. She's a great contrast to Lynn Pierce. I'm looking forward to learning more about the mysterious and dangerous Agent Percy Odell. The secondary cast with Khalil, Grace, and police ally Bill Henderson have a lot of potential for future drama and intrigue, too.

If you're looking for a new superhero show to watch, this one has a lot to recommend it!

Favorite Fierce Fictional Mothers

For me, there is a fierceness to motherhood, a mama-bear willingness to fight. As soon as I gave myself over to being someone's mom, this determination and protectiveness bubbled up in me out of nowhere. I had no idea it was there.

I've been lucky. I haven't had any cinematically intense battles to fight for my children. They've been the more ordinary battles with educational systems, friendship, love lives, disappointments, etc. We're fortunate.

But still, that fierceness is there, just under my breast bone, burning like a hot coal.

That's probably why so many of my favorite fictional mothers literally fight for their children:

1. Ellen Ripley, Aliens.

Ripley didn't get to raise her own daughter.

When she left on her mission for Alien (the first film), she promised her girl she'd be back for her birthday, but after an accidental 57 year cryo-sleep, she found she'd missed not only that birthday, but all the rest of them.

Her daughter was dead.

But mothers are made under a variety of circumstances and many mother someone they didn't birth.

The lengths she goes to in order to rescue Newt show the depth and intensity of that love. In the end it's mother vs. mother with Ripley fighting the Queen Alien.

2. Helen Parr (Elastigirl), The Incredibles.

It's not easy when life takes a left turn, depriving you of work you were passionate about and forcing

you to find your happiness in a smaller life. But Helen Parr knew that her family's safety and well being mattered as much as her personal satisfaction. She threw herself into making the new life work.

And, then, when the call to action came, when her children were in danger, she didn't hesitate to bring every skill she had into play.

And when it came to it, she knew when it time to let her children grow up a little and come into their own:

"Remember the bad guys on those shows you used to watch on Saturday mornings? Well, these guys are not like those guys. They won't exercise restraint because your children. They will kill you if they get the chance. Do not give them that chance." 

You might think Elastigirl would be all about flexibility, but in the end, she's about balance: family, career, personal satisfaction, happiness in her marriage. She working to have it all, and if anyone can do it, she can.

3. Sarah Connor, Terminator 2: Judgment Day.

What do you do when you learn that your child is the one hope for the planet, the future leader of the Resistance?

You become the kind of mother he's going to need.

Yeah, Sarah might have started out as a damsel in distress, but she didn't sit around waiting to be rescued for long.

No. She went out and got an education, and we're not talking about a liberal arts degree from a community college.

She learned self defense, security, weapons, and guerilla warfare. She kept her son and herself off the grid and out of the hands of their enemies. And when that didn't seem like enough, she went on the offensive (which unfortunately, landed her in an asylum).

Everything was always about her son, but the real hero of this series is his mother.

4. Briar Wilkes, from Boneshaker by Cherie Priest.

In an alternate history steampunk story, Briar Wilkes is a pariah. She fell in love with the wrong man and there are those who blame her alongside him for the release of blight gasses that left the Pacific Northwest a post-apocalyptic wasteland.

But she tried to protect her son from all that. She never talked about the past, never let him know what kind of a man his father was, wanting to save him the pain and suffering. Tried to let him have as normal a life as was possible.

It backfired, as secrets are wont to do, and young Ezekial set out in search of his father, into a dangerous world full of people who would use him or kill him.

Briar didn't sit on her hands, fretting at home or seeking a hero to save them. She became the hero she needed: she put on her goggles and breathing mask and set out into the poisoned world to save her son, facing her inner demons and some outer ones along the way.

5. Molly Weasley, of the Harry Potter series of movies and books.

Not every mother wears her fierceness on her sleeve. Some might seem to be a homemade cookies and sympathetic ear sort of woman, taking a supporting role in her children's lives. But, threaten her babies? You'll see a whole new side of Molly Weasley, one that looks a lot like Ellen Ripley:

6. Alana of the Saga series of graphic novels by Fiona Staples and Brian Vaughan.

Alana is complicated. She makes rash, impulsive decisions. She acts before she thinks.

She joined the military to escape her abusive situation, but wasn't willing to take orders thoughtlessly.

Then, she fell in love with an enemy soldier, someone outside her species, and ran away with him even thought it was likely to get them both killed.

Not the best circumstances for motherhood.

I love Alana because of her complexity. She has conflicting motives and emotions and makes bad choices, but her love for her child is a constant, something she'll undergo tremendous trials to protect and rescue.

So, there's my Mother's Day list of fierce mother characters I love. Who's on your list? Or are you a fan of another type of fictional mother? I'd love to hear your thoughts in the comments.

Thoughts on Captain Marvel

I was really nervous about Captain Marvel.

I'm a pretty hardcore MCU fan, but female power moments are few and far between across all the movies. They waste their women characters over and over again. Waiting for a powerful woman hero scene is like trying to survive on breadcrumbs when you really want a sammich. What we get tastes good, but we're still hungry!

I was nervous about Wonder Woman, too, when it came out. After all, the DC cinematic universe had piled up a lot of near misses already. But Wonder Woman showed it could be done. A female led superhero movie that made bank and had fans standing up and cheering (and not all the fans were female).

Then came Black Panther.

 
Black Panther may have a man as the title character, but it was Okoye, Shuri, Nakia, and Ramonda who lit up the screen and had me cheering. Okoye even got to break trope and be a warrior woman with a love in her life who didn't get killed! It was amazing.

My hope built, despite the fact that I still haven't forgiven the franchise for taking Black Widow and giving her an out-of-left-field romance story line that includes self-hatred over infertility. Had they never even watched their own movies? Had they not met this woman? You've got ONE significant female hero and you saddle her with a weak romance story line when she's practically a ninja? Gah!

When I saw the first trailer for Captain Marvel, my heart sank. The voiceover was 90% Nick Fury, and while the lines were strong, they weren't spoken by the title character. That had me concerned. When we did hear Brie Larson's voice, it sound small, and little girlish. Uncertain. Not how Carol Danvers sounds inside my head. I was chanting under my breath, hoping they wouldn't blow it, and worried they would.

So, even though I'd heard some positive things before walking into the theater, I was still half-holding my breath as the film started.

So, I'm here to say, "Whew!"

They didn't screw it up! In fact, it was a very solid superhero flick. I had cause to pump my fist in the air in solidarity and joy. It didn't light me on fire as much as I'd hoped, but it also didn't leave me groaning. I might wish it had been braver, taken a few more risks, but it doesn't set us back, and there's plenty of room to make more of this character in Endgame and future franchise entries.

Best moments (non spoilery) for me:

• The Carol-stands-up montage
• "I don't have anything to prove to you." 
• Washing dishes with Nick Fury
• Whoops of joy when enjoying using her powers
• Goose the "cat"

I'd love to hear what you though, if you've seen it. I think we're posed for some fabulous super-women moments in Endgame. I hope the MCU has the balls to see it through. 

White Hat, Black Hat, or Something in Gray?

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking.

If you're a reader, it's a great way to peek behind the curtain of a writing life.

The awesome co-hosts for the March 6 posting of the IWSG are Fundy Blue, Beverly Stowe McClure, Erika Beebe, and Lisa Buie-Collard! Be sure to check out their blogs after mine! The question this month is: Whose perspective do you like to write from best, the hero (protagonist) or the villain (antagonist)? And why?
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Playing in different perspectives is one of the fun parts of writing for me. I've often said that writing is like reading, but on steroids. What I love about reading is the chance to experience someone else's life from the inside, to get a sense of what it might be like to be them and do the things they have done. When I'm doing that as a writer, it's even more powerful because I'm even more fully immersed in someone's psyche.

Even though I write superhero fiction, I'm not a good guys and bad guys dichotomy believer. The most interesting characters are heroes and villains. They're complex and contradictory. They do good things for selfish reasons and bad things for good reasons.

You've heard the old saw that everyone is the hero of their own story? I believe that wholeheartedly. The hero isn't a role, it's a perspective, and a different character may seem like the hero, depending on where you're standing to watch this fight. It's why Dr. Horrible's Singalong Blog is one of my favorite superhero stories. The good guy isn't that good and the bad guy isn't all bad.


Those shades of gray moments are where the tension lies for me.

So, in my Menopausal Superhero series, Cindy Liu is the villain. After all, it's her fault that all the other women were transformed. She worked toward her own ends, without regard for the effect on others. Patricia O'Neill is one of the heroes. After all, she uses her powers to help others (eventually, after Suzie convinces her to). Simple, right?

But it doesn't take long for lines to blur. Maybe Cindy had more altruism in her motivations than is obvious on the surface. Maybe Patricia is more self-serving than she seems at first glance.

Maybe they are both just women, making their way with what they've got, trying to figure out what they want to do.

So, I like writing it all! Heroes, villains, princes and thieves. The magic is in all the in-betweens.

Guest Post: Kristen Brand: Superheroes as Metaphors

It's my pleasure to welcome Kristen Brand to my blog this week. Kristen writes superhero, too, and we've recently "met" on the internet. She's the author of Hero Status, a novel I'm 3/4 finished reading and that I'm really enjoying! If you enjoy my Menopausal Superhero books, I think you'd enjoy Kristen's work as well. 

Here's her guest post on Superheroes as Metaphors:

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You’re running late for a date with the girl of your dreams. You’ve got errands to run, a demanding boss who won’t stop contacting you on the weekends, and to top it all off, the Vulture just started attacking Downtown, so you’d better put on your costume and swing over to stop him.

We’ve all been there, right?

Well, maybe not that last part, but most of us can probably related to being pulled in five different directions by vying responsibilities.

At a glance, superheroes don’t seem all that relatable, what with their incredible powers, idealized/sexualized bodies, and often otherworldly origins. It can be hard to see ourselves in billionaire playboy Bruce Wayne, who sneaks out of charity fundraisers to don a cape and cowl and beat up murderous clowns. But many of us can sympathize with having a loved one hurt by violence and feeling the burning need to do something about it.

And I doubt anyone reading this grew up on Themyscira (though if you did, could you tell me how to get there?), but we may recognize that feeling of leaving home for the first time, filled with wonder at the outside world, only to realize it’s filled with some terrible people and can be just awful sometimes. (But we have to carry on and try to make it better anyway).

The X-Men are a metaphor for prejudice and discrimination. Captain America is the perfect vehicle to explore the dichotomy of loving one’s country while fighting to fix its problems. Ms. Marvel is so popular in part because of how the title uses superheroes to address a number of social issues. As decades come and go and culture shifts, superheroes have stood for any number of things.

But boil them down to their most basic concept, and superheroes are about making the world a better place. There’s something appealing about that idea, that if you were bitten by a radioactive spider or secretly had alien DNA, you could use your powers to help people and truly make a difference in the world. Because face it—the world could really use some help, and it would be nice if all problems could be solved by flying really fast and punching a masked villain in the face.

Every year, there are articles saying superheroes are on their way out, that the market is oversaturated and there are no new stories to tell. I’m sure that will be true someday. Nothing lasts forever, after all. But as long as the genre keeps addressing meaningful themes in a way that resonates with its audience, I think it’s here to stay. Superheroes are about a lot more than epic, city-destroying fights with villains.

Don’t get rid of the fight scenes, though. That’s the fun part. 

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About the Author

Kristen Brand is a comic book fan and all-around geek. She writes novels with lots of action, witty banter, and a bit of romance. You can find out more about her work at kristenbrand.com, or check out her first novel, Hero Status, about a superhero who retired and married his arch-nemesis.

AtoZ Challenge Theme Reveal: P is for Poetry

It's only a couple of weeks until April, which means it's almost time for the AtoZ Blogging Challenge. I've played along for a few years now. The idea is that you pick a theme and write 26 blog posts about it (one for each letter of the alphabet) posting them in April every day except Sundays (which amounts to 26 days!). 

In 2014, I wrote about evocative words. 

In 2015, I wrote about my publication journey and the release of my first novel. 

In 2016, I wrote about my favorite superheroes. 

In 2017, I wrote about the places of my heart. 

And now, for 2018, I am going to write about: my favorite poets!

I like to take on something new each year, a little thing I promise myself I will do every day, and in 2017, that was my poem-a-day project. Not a project where I wrote poems, but in which I read a poem every day and posted about what it meant to me. The collection is still up, and I'm adding to it when the mood strikes me or when I find a poem I really have something to say about.  (This year's 365 project is #dailylight in which I post about one good thing in my life every day). 

I really enjoyed getting poetry back into my life, and having remembered how much I love it, I'll be talking about 26 of my favorite poets for the A to Z Blogging Challenge. (Plus April is National Poetry Month, so it's just kind of perfect!)

Here's my tentative list of poets, though I reserve the right to change my mind should I think of another one I'd rather explore here on my blog. I'm cheating a little bit by letting myself use the letter for *either* the poet's first or last name. That really helped, as there were some pile-ups on certain letters!

Adrienne Rich

Bishop, Elizabeth

Clifton, Lucille

Dove, Rita

Emily Dickinson

Ferlinghetti, Lawrence

Gluck, Louise

Hughes, Langston

Irwin, Mark

John Donne

Kumin, Maxine

Li-Young Lee

Michelle Boisseau

Neruda, Pablo

Oliver, Mary

Poe, Edgar Allan

Qabbani, Nizar

Robert Browning

St. Vincent-Millay, Edna

Teasdale, Sara

Unamuno, Miguel de

Vallejo, Cesar

Walt Whitman

XJ Kennedy

Yusef Komanyakaa

Zaran, Lisa

So, here's hoping you'll join me in exploring some great poets and their words, as well as checking out some of the other wonderful themed collections in this challenge.

Why I Love the BFF

The DIYMFA book club question #7 asks about favorite supporting character archetypes: villain, love interest, BFF, mentor, and fool.

I can think of supporting characters that have won me in every one of these categories, but my favorite?

I think it's the BFF, although I'm not sure I'd name them that. She enters the story as support for the Main Character: a friend, a colleague, something like that. She doesn't seem like she'll be all that important, but it turns out that she has hidden skills and depths, that she understands what the Main Character needs even better than the lead understands herself. She might be dismissed as merely the sidekick, but, often, she is more a hero than the hero.

Where would Frodo Baggins have ended up without Samwise Gamgee? Buffy Summers without Willow Rosenberg? Mary Tyler Moore without Rhoda?

When it's done well, these characters surprise you, without coming out of left field. The writer has laid the groundwork, given the relationship time to build, dropped hints about the skill and insight of the sidekick. And then: POW! Right in the feels!

My own character of this sort is Suzie Grayson. She enters my Menopausal Superhero series as an intern to Patricia O'Neill. You know? The Lizard Woman of Springfield?

Patricia O'Neill as drawn by Charles C. Dowd

Patricia doesn't need anyone. At least that's what she likes to think. So, it's a real surprise to her when this young woman she described as a "twerp" and "little twit" becomes her greatest ally. Hopefully, my readers will get #allthefeels when the big moment comes, just as I did writing it.

(BTW: Suzie has a *great* side-story (if I do say so myself) in this anthology: "Underestimated")