Switching Gears

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I've been working on a novel for about a year (a gothic romance, working title The Architect and the Heir). It's going well and I want to keep plugging away on it. I gave myself "until school ends" to finish a draft…and I failed to do so. 

I made great progress, especially considering that I do this part time and you know…COVID, police violence, terrifying fascism rearing its ugly head everywhere. If 2020 is the year of seeing clearly, I sometimes wish I could back to being blind. 

And now, I have to shelve A&H and switch gears, hard turn to starboard. 

The reasons are positive. I have a contract! That's a lucky position for an author to be in: knowing I have a publisher ready and waiting for my book, willing to help bring it out there into the world. 

But contracts come with deadlines--external deadlines, imposed because of schedules for editing, proofreading, cover art, etc. My next deadline is January, which means it's time to set down Devon and Victor and pick up the Menopausal Superheroes again or I won't make it. 

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I'm also coming back to this series after a nearly two year break during which I worked primarily on other fiction: short stories, editing for work that already been submitted, and another shelved novel before this one. So, I'm feeling a little daunted. 

This is the first time in my writing career (all five years of it) that this has happened to me. I've heard other writers talk about juggling different projects and now I finally understand how wrenching it can be to slam on the brakes and screech to a halt, leaving good rubber on the road, so I can keep my promises. It's not that I don't love the other projects, too--I totally do! It's just the moment of switching gears that hurts a bit. 

I'm hopeful though, that Devon and Victor will be there waiting for me when I come back to them. I've made good notes about where the story is going. I have already managed to set it aside three times in the past few months to complete edits on novellas for the Menopausal Superhero stories, and each time I fell back in within a few days. 

Any advice for me on switching gears and finding my groove on the new thing quickly? The clock is running guys, so I need to get this booty moving! I'd love to hear your ideas in the comments!

Summer's End

LeSigh. Can summer really already be over? I didn't get it all done again, of course. Doing *everything* I want to do every summer would require at least five women, and my cloning experiments failed (my daughters turned out to be their own women, with their own things they want to do).

Still, it was a good summer. As I start to have end-of-summer panic, I need to remind myself of that.

Longtime readers already know that I'm a middle school Spanish teacher in my day job, and that writing novels is my secret identity (which I'm trying to make less secret, so people will know I write books and maybe even buy them).

So, summer is, in part, about self-care and recovery for me. It's also my time to live life as a full time writer for a few weeks. So, I'm always trying to balance writing productivity with rest and recuperation and progress on all those life tasks that are hard to complete when I'm not available during business hours (August-June).

To feel good, I really need all three things: rest, writing, and life/project time.

As I write this, I'm at the beach, making sure that I end my time with sea salt on my skin and a brain scrubbed clean by sand. I did pretty well on the rest and recuperation angle.

I walked damn near every day with my dog, ate breakfast (a luxury I can't find time for during school), read sixteen books (and may finish another one or two this week), visited my parents for a few days, took a nap a few times (I'm terrible at napping, even when I need to), and watched more television than I watched in the entire six previous months (I finished a few shows: Good Omens, Wynonna Earp, The Marvelous Mrs. Maisel, Black Lightning, The Boys, and, of course, Stranger Things). I started Downton Abbey, so that'll probably take me all school year to finish now :-)

Home/life productivity gets a middling score. There was one big thing I wanted to get done involving paperwork and I didn't get there, because I couldn't find all the right pieces. I admit to procrastinating on looking, and I'm mad at my past self for being so bad at sticking to ONE organizational system for important papers so you can find them when you need them. Luckily there isn't a hard deadline on that one, so I can keep looking and get it done this fall.

I did work out some financing for a home improvement project that will make a big difference to our lives, and I did get my home office several steps closer to the space I want it to be. I'm especially proud of that since everything I've done in there, I've paid for with writing money only (which is why it's all DIY and second hand, but still: I paid for it with my writing money).

Some of my home/life project energies went to my oldest daughter, helping her arrange her college monies for fall and move into her FIRST APARTMENT! (yikes, I'm old).

Writing went well. I set aside the novel I've been working on for the past year (YA dystopian romance, working title: Thursday's Children). It needs more time to simmer before I can get that dish ready to serve and I finally admitted it.

I started a new novel (gothic romance, working title: The Architect and The Heir) and made lots of progress on my first all-indie project, a collection of 13 weird tales I plan to release this Halloween, choosing and organizing the stories, self-editing, arranging for cover art and professional proofreading, and learning some new software for formatting.

My daily writing chain is now 2,144 days longs (nearly six years), and summer's work included nearly 35,000 words on the new novel. It's flowing well, which speaks to the importance of following your passion in your writing (another balance: between focus and dogged stubbornness).

I've wanted to write a gothic romance since I first read one, when I was around eleven years old. It took me a while to actually do it, but it's the most fun I've had since the first Menopausal Superhero novel.

I think I probably wrote this post primarily for myself, to look back on in a couple of weeks when I'm haranguing myself and accusing myself of having wasted my entire summer once I'm buried up to the neck in schoolwork. After all, I hold myself to very high expectations on a lot of fronts. I'm meaner to myself than I would ever be to anyone else. So, it's good to make myself admit from time to time, that I got this!

DIYMFA #9: Trying a New Technique

Building a writing life is all about figuring out what works for you. It's also a lifelong learning experience because change happens: your life circumstances, your writing process, even you-yourself. So, I'm always seeking new things to try. Writing life "hacks" so to speak, despite the negative connotation of "hack" when it comes to writing.  Over the years, I've found some tools and ideas that have made me more efficient and effective, and I hope to keep on finding ways to grow as my career builds.

To that end, I've been slowly reading through DIY MFA: Write with Focus, Read with Purpose, Build your Community by Gabriela Pereira, which is a good compilation of a variety of writing advice with a focus on building a process that will work for you career-long. I've also been participating in the DIYMFA book club.  They've got a very active group over on Facebook. If you're interested in exploring these themes about your own writing, I highly recommend giving them a look!

This week's prompt asked you to try a new technique and talk about how it went for you. The technique I tried was scene cards. I wrote about it previously on this blog here.

It's a form of outlining.

Now, I've never been an outliner. The story doesn't seem to come to me whole-cloth enough for that. I'm more of a quilter as I write, building pieces and then stitching them together afterwards.

But, I was really stuck on my WIP (Thursday's Children, YA, dystopian with shades of romance) last summer. So, I decided to give this a go during my yearly writer's retreat. At worst, it wouldn't work for me and I'd just be where I already was, right?

Story cards ask you to make a card for each scene in your novel, indicating the follow things:

• a title for the scene
• the major players
• the action
• the purpose (structurally)

That last bit (the purpose) turned out to be key for me. It helped me see what each scene was doing in the larger piece. The best scenes had more than one purpose: characterization plus plot reveal moment or conflict building with scene setting.

I did this is as a sort of mid-process mapping. I had already written some 30,000 words on the project. So, I mapped out what I had already written, analyzing it for these four things. I added a color coding element because the book balances three points of view (Kye'luh, Malcolm, and Jason) and I wanted to see if they were balancing, so I wrote the scene card on a different color post-it, depending on whose POV it was told in. I used a fourth color for random thoughts I didn't want to lose and left those off to the side. 

I've done digital version of this before, labeling the chapters in Scrivener with different symbols and using the summary cards there to detail what the content of each chapter was, but the paper version hanging on my wall worked much better for me visually. The day after I finished my descriptive outline of what I'd already written, I made a list of "holes" I needed to fill and ideas for how the story should move forward. Here, six months later, I'm still using this chart to guide my progress and the novel is nearing its end. 

I still don't think I can outline before I write. But as a way to move past my wall when I've run out of steam and need to find my direction again? This was really useful to me. As always, YMMV, because any creative endeavor is highly individual and we all work differently. But hey, if you're stuck, what can it hurt to try something?

My Year in Words

2018 was the first year since I launched my author life in earnest in which I did not publish a novel. I think that's why, here at year's end, I feel like I'm waiting for something. That could also be because I'm also literally waiting for something though. :-) (See November for what we're waiting for).

Here's a look back at 2018 in Samantha's Writing Life: the author events, the words written and revised, the works released, and the books read and reviewed. Given that it was also a year in which my daughter graduated high school, my husband changed jobs, my other daughter started middle school, two people I cared about died, and I took on a new course in my already jam-packed teaching day…I feel pretty good about these stats.

January: 
Events: Illogicon, Taught "Write Your Novel, Part I" for Central Carolina Community College.
Wrote: 35,410 words
Revised: 34,099 words
Read and Reviewed: 2 books

January feels so long ago now that it's a dim memory. I do know though, that I had picked back up in earnest on my WIP: Thursday's Children, a young adult near-future dystopian. That New Year's rush of enthusiasm and commitment kept me going at a good pace for a while.

This book has taken me longer to write than I expected (I'm still working on it in December, which means it's been about 18 months). I'd been spoiled by how much quicker it can be to continue with an established world in a series rather than creating a whole new one, but I'm still happy to be creating something new. Staying on one project too long can be stultifying.

February:
Events: First Monday Classics discussion of War and Peace, Mysticon
Wrote:  27,266 words
Revised:  24,733 words
Read and Reviewed:  3 books

Mid-way through February I lost momentum on the novel. I still wrote every day, but I was cheating on my novel with short stories and blog posts and things that I could complete with a slightly scattered focus.

Conventions are great fun, and a great way to get the word out there about your work, but they do also take a fair bit of time: prepping for your panels and events, social media promotion, and the three days of the convention itself are a pull from whatever else you might have used that time for.

This could also have something to do with the fact that I was the cookie mom for my daughter's Girl Scout troop and February is the height of cookie season…

March:
Events: First Monday Classics discussion of A Narrative of the Life of Frederick Douglass
Wrote:  28,475 words
Revised:  17,834 words
Read and Reviewed:  5 books

I read a lot in March. It was a "filling the well" sort of month. My momentum on the novel was low. Really, I only tinkered with it, revising a few thousand words and only adding 274 new ones across the entire month.

My publisher was imploding and I was worried about what this meant for my Menopausal Superhero series. I was dreading the confrontation that was coming about breach of contract and rights. I got the flu and part of me wonders if I got it in part because of the emotional stress weakening my reserves.

My support groups were so important in March! They kept me moving forward because I had commitments to uphold: promised chapters, stories, critiques, reviews, or blog posts. When you hit a rough patch, it's good to have friends and colleagues to keep you going.

April:
Events: First Monday Classics discussion of Catch-22, Ravencon
Wrote:  25,791words
Revised:  20,856 words
Read and Reviewed:  8 books

Another month where I started strong on the novel, but fizzled on momentum halfway through the month.  The month included a convention (see above: TIME) and there was a lot of personal life to balance with my writing life: one of my daughters and I both have April birthdays.

When I look back on what I got done in April, I see that my structures served me well. I had planning meetings, networking events, and critique sessions booked in advance and there's nothing like "But I promised" to get me working even when I don't feel like it. I'm very much a "keep your commitments" girl (Thanks, Mom and Dad), so I still wrote every day. It's obvious I was still hiding from the work though when you look at how many books I read.

Ravencon was a highlight. It's a well organized convention and I've enjoyed both my sojourns there as an author guest. This year, Chuck Wendig was there as a the author guest of honor. I managed to introduce myself without making a total ass of myself and we even had a nice conversation about parenting. His munchkin is still quite little, whereas I was preparing to send one to college, so we talked about how weird that is.

May:
Releases: Pen and Cape Society's The Good Fight 4: The Homefront
Events: First Monday Classics discussion of  True Grit,  Free Comic Book Day at Atomic Empire
Wrote:  29,955 words
Revised: 11,139  words
Read and Reviewed:  7 books

May is always hard on schoolteachers. Testing begins and all the work of the past year is called into account. Everyone is exhausted and a little mean, especially the other adults. (see my thoughts on why May should be optional)

Add to that a daughter taking four AP classes and two Honors classes who is about to graduate high school and is managing college and scholarship paperwork alongside a part time job and you have an idea of the tenor of our home life in May. My poor husband! (He's still here in December, so he must really love us).

The new release helped. "Coming Out as Leonel" is one of my favorite Menopausal Superhero shorts that I have written and I was happy to have a chance to get it out to a new audience. (You can get it for free by signing up for my newsletter, BTW). Leonel is a crowd favorite character. Seeing your work in print is always validating and motivating, too.

I made NO HEADWAY on the novel at all in May. 300 words revised one afternoon. I guess so I could still tell myself I was working on it?

I did, however, write a new short story that had been on my backburner for a good long while, and was really pleased with how it came out. "Late Bloomer" is one of my Shadow Hill stories (a series I work on between larger projects, weird stories that all take place in the same suburban neighborhood, suspiciously like the one I live in). The story is out on submission right now, so we'll see if it finds a good home.

I also did a fair amount of journal writing, which is useful to me when I'm going through rougher times. Getting it on paper (on into a document) seems to let me set it aside and focus where I want to.

June:
Events: First Monday Classics discussion of A Wrinkle in Time,  ConCarolinas
Wrote:  24,485 words
Revised:  29,360 words
Read and Reviewed:  4 books

So, I survived and made it to summer break. The girl graduated. The other girl became a middle schooler.

I enjoyed that side step into short stories in May, so I stayed there all of June as well, revising old stories and writing new ones. By the end of the month, I had written 7,128 new words of fiction in short stories and revised another 29,360. That feeling of finishing things is addictive, I think. It's definitely one of the appeals of writing shorter things.

Working with a friend, I built a database of what was available for submission with the intention of getting my work back out there in submission. After all, no one will publish stories that just sit on my hard drive. You've got to submit work to see it published!

That meant that I still stayed stuck on the novel though. I didn't check in on it at all during June. Not even a token afternoon of editing like I'd done in May.

ConCarolinas was contentious in 2018, and I waffled until the last minute about whether or not to keep my commitment to go after some controversy surrounding one of the scheduled guests and his behavior towards other panelists and con go-ers. He ended up not attending, and I ended up having a great con, both in terms of sales and networking, and the controversy remained low-key, at least in my presence.

I was on several panels with Seanan McGuire, the author guest of honor, an experience which only deepened my admiration of her work. I gifted her the last print copy of Going Through the Change I had with me when she expressed interest, and I'm hopeful that she might even read it someday :-)

July:
Events: First Monday Classics discussion of The Good Earth, Con-Gregate, my yearly Writers Retreat
Wrote:  34,832 words
Revised:  15,303 words
Read and Reviewed:  2 books

Thank goodness for writer's retreats! My critique group has, for the past few years, scheduled a few days away from home in July for writing. We rent a house together, share meal planning and prep, and write and talk about writing, enjoying the respite from our other responsibilities.

This year, we went to Pelican House at the Trinity Center in Morehead City, NC, a place where I have taken writing retreats solo before. I love it because the meals are prepared for me and there's a lot of lovely setting to explore when you need to clear your head.

This is where I found my footing in my novel again. I'd been reading Gabiela Pereira's DIY MFA, which is a great collection and analysis of a variety of advice surrounding writing process and productivity. There's a technique she suggests called scene cards. I've never been an outliner, but I thought it couldn't hurt and might help, so I gave it a go. I wrote about it more detail in this blog post. But the TL;DR is: it worked! I started moving forward in the story again.

August:
Events: First Monday Classics discussion of The Grifters
Wrote:  21,201 words
Revised:  16,286 words
Read and Reviewed:  2 books

So, 21,201 might not look that impressive when I just said that I found my footing in the novel again, but 3,225 new words and 16,186 revised words on a project that had all but stalled felt wonderful! I worked on it steadily, too. A little each day, with real progress on over half the days of the month. Thursday's Children was back on the road to becoming a completed novel.

August also came with a bit of an ego bump, just when I needed it. A magazine found me and sought me out for an author interview. That "out of the blue" stuff is the best! I definitely appreciate it when friends and colleagues notice and promote my work, but part of me thinks they only do it because they like me, as a person. So, it's personal rather than professional recognition. When it's a stranger, it's easier to believe that they honestly admire the work.

September:
Events: Ravencon 13.5
Wrote:  26,512 words
Revised:  13,355 words
Read and Reviewed: 6 books

Spring 2018 had been rough in terms of time management and I decided that going forward, I would do fewer spring events and show a little respect for the demands of my day job and family as well as my own physical and emotional limits. So, I was thrilled when Ravencon added a .5 event, a smaller convention in September. I signed up right away and had a wonderful time! 

Since some of the bigger name authors who travel the same convention circuit I do weren't there, I got to feel like a bigger fish in the pond than is typical. The whole convention had an intimate feel that was right for my comfort levels as an introvert faking comfort with public events.

September was also good for forward momentum on Thursday's Children, with another 2,378 in new words added and 13,355 in revisions. Revisions in my case often means serious expansion of a skeletal scene or structural re-arrangement, so those 13K words are not to be sneezed at as window dressing or surface edits. They are real progress.

October:
Releases: "The Girl in the Pool" a daylight ghost story in Off the Beaten Path 3; "Ashes" a southern gothic demon lover tale in Beyond the Pane
Events: First Monday Classics discussion of Les Misérables, Conapalooza, Real Life Ghost Stories
Wrote:  36,444 words
Revised:  0 words
Read and Reviewed:  3 books

I didn't work on my novel in October.

The difference was that it was intentional.

A friend of mine does a flash fiction challenge each October called Nightmare Fuel. She provides visual prompts and the participants write flash fiction to go with each. I've participated for a couple of years now and I find that the story-a-day format is a great refresher, a sort of vacation from the work of writing to remember that it's fun by playing with work that I'm not applying as much pressure on. (You can view the stories I wrote for the challenge here).

More than once, these play-pieces I've begun for Nightmare Fuel have grown into something I saw published, which goes to show that leaving yourself space to play can be good for your work.

I also wrote 31 blog posts here at Balancing Act in October, each celebrating an aspect of Halloween. Once in a while, it's nice to just let my inner fan girl squee about the things she loves, you know.

Conapalooza was fun, if light on sales. They're new, in an area of the country where there aren't that many conventions and geek-centric events, so I think they'll continue to see growth in upcoming years. A highlight was hearing my sister do her first public reading of her work. Yep, writing is contagious y'all. Watch out, or you might catch it, too!

The big news was that the tension with my publisher resolved. I asked for and received my rights back without struggle or animosity. I'm so relieved!

November:
Events: First Monday Classics discussion of To the Lighthouse, Local Authors Book Fair
Wrote:  27,828 words
Revised:  28,723 words
Read and Reviewed: 2 books

I jumped back into Thursday's Children with both feet on November first and made steady progress all month, adding 7,162 new words and revising 20,723.

I also made a big push on submitting all those short stories I worked on earlier in the year, which including a bit of revision time on those as well. All in all, I made 17 submissions in the month of November. For comparison, I submitted 0-1 pieces all the other months in 2018.

The Local Authors Book Fair held by my local Friends of the Public Library was a great success. I sold a fair number of books, made some new writer friends, and had a great day.

I signed with a new publisher! The Menopausal Superhero series will soon be re-released and carried by Falstaff Books, of Charlotte, NC. I'm so pleased to have signed with Falstaff. Everything I know of them is positive, and I expect to be treated fairly and expand my readership under their auspices. I'll share publication dates and information as soon as I have it!

Knowing that my books are in a stable home has me excited about the series again and I expect to get back to that long-stalled fourth book in the series in 2019.

December: (numbers as of December 21)
Releases: Tracing the Trails: A Constant Reader's Reflections on the Work of Stephen King
Events: First Monday Classics discussion of Little House in the Big Woods
Wrote:  23,172 words
Revised:  8,756 words
Read and Reviewed:  4 books

December has continued the positive trends started in November, with steady progress on the novel and continuing to get my work out there on submission. A few rejections came back and I just immediately turned those puppies around and sent them seeking a home somewhere else. 

A writing partner, Nicole Givens Kurtz, and I have sent out proposals for our nonfiction teaching book On Teaching Speculative Fiction and I'm feeling hopeful that we'll find a good home for our work. 

A nonfiction essay I wrote about Stephen King's collection of short stories, Nightmares and Dreamscapes (especially Dolan's Cadillac) was published in Tracing the Trails,  a labor of love from a long-time writing friend and my nemesis on the Magic Spreadsheet, Chad A. Clark. 

I feel as though I'm ending 2018 on a positive and productive note that will carry me into 2019 full of hope and energy. So despite the rollercoaster feeling of the year, I'm glad I got on the ride!

Celebrating Four Years of Writing Every Day

Tuesday, September 26, 2017, is a landmark in my writing life. It's day number 1,460 in a row in my writing chain. That's four years of writing every single day. (cue the fireworks and confetti, please)

I've written before about what a game-changer a daily writing habit has been for me: here, here, and here, most recently. It's not for everyone, of course. Creative process works in mysterious, highly individual ways, and every day is not feasible for every artist. But for me, it meant steady, forward progress, finishing things. Even more importantly, I stopped wasting time floundering around and trying to remember my own story.

I've written a heck of a lot in four years. According to Magic Spreadsheet, one of the tracking tools I use, I've written nearly two million words in that time frame. (When I'm editing and revising, I count 10% of the words I process in that session as word count). My school-day nightly goal is 800 words, my vacation-day goal is 2,000 words. A day still counts as a writing day so long as I make the rock-bottom minimum of 250 words.

(It's best when it's not just "All work and no play makes Jack a dull boy" over and over).

https://ih1.redbubble.net/image.349879360.8035/flat,800x800,070,f.jpg

I've seen three novels, a collection of short stories, and seven short stories in multi-author anthologies onto bookshelves during that span. I swear, I look at the pile of books and I feel like Ozymandias: "Look upon my works, ye mighty, and despair!" (though I hope that doesn't leave me crumpled in the desert with dried up pages blowing by in the wind).



I still want to be more productive.

I'm a twenty-first century girl after all, and I want to make sure I live my dreams to the fullest.

I have too many unfinished projects and too many still waiting for me to develop them.

As I move into my fifth year of daily writing, I plan to be a little harder on myself. Up until now, I've counted all writing: blog posts, articles, book reviews, marketing plans, synopses, journalling, etc. I still plan to keep track of all that work, but for a day to count as a writing day, it must include at least 250 words of fiction.

After four years of building this habit, I'm not willing to let myself slack off. My expectations for myself will continue to rise.

But right now, I'm just breathing a moment of satisfaction, sticking out my chin and spreading my prideful feathers. Look how far we've come!

…I think I'll celebrate by adding 250 words to my newest novel.

IWSG: Pet Peeves

This week, the Insecure Writer's Support Group is asking: What are your pet peeves when reading/writing/editing?

In return, I wonder . . .what exactly is a peeve and why do keep them as pets?

Just kidding. Though it really is an odd phrase and I may have to look that up later. I'm a word nerd that way.

For now, though, I'm gonna take the opportunity to kvetch about some things that bug me as a reader, writer, and editor.

Reading:

I'm getting pickier as I get older. Life is too short for books that aren't right for me. There's so much I WANT to read, that I won't put up for long with books that are too much work or fail to give me that immersive experience I crave.

My reading pet peeve list is topped by Basil Exposition. If you don't know Basil, he's a character

from the Austin Powers movie series, making fun of those characters in other stories that exist primary to deliver information the hero needs to move forward. At its worst, this clumsy shoehorning of exposition into dialogue is also called "As you know, Bob."

If anything will make me just put a book down and pick something else to read, that's the one.

The Runner-Up in the Reading Peeve-capades would be poorly written female characters. Actually, weak characterization or "writer convenience" moments are a deal-breaker for me regardless of the gender of said character. 

When it comes to female characters, I take it a little personally, as a woman myself. Plus, it just happens so often that I'm less patient with it. A new writer I'm trying to read is stuck with all my baggage from years of reading weak doormat women who were only there to motivate male characters. I'm unforgiving on this one.

Writing:

When I'm writing, I'm impatient with myself and the world around me a lot of the time. Writing, especially new, first-draft writing, is a joy like nothing else, as exciting to me as taking an expedition to the South Seas. 

So, my pet peeve varies, translating into whatever is stopping me from writing. It might be my day job, a loud person talking, Twitter, exhaustion, illness, my own distraction, or even the people I love. 

Really, I'm always just seeking balance. Trying to get "enough" time for writing, marketing, research, etc. among all the other thing I want out of life, like love, food, exercise, relaxation, and family. That "pet peeve" feeling comes up when I'm out of balance.

Editing:

"I'm not an editor, I just play one alone with my laptop." :-) I only edit myself, not others generally beyond giving critique partner feedback.  So, when I complain about editing, I'm really complaining about myself, the writer. 

Editing might mean a final round of correction/revision on my own or processing suggestions from a hired or assigned editor. 

Either way, I always wonder "what idiot wrote this"? Despite having developed a personal list of watch-words and issues to read through for, there are lazy habits I still fall into. In a recent piece, I realized that I still have a "was" addiction. Really? Have I learned nothing? 

So my pet peeve when editing is find that I made an error that I should know better about. I'm far more patient with others I'm trying to help than I ever am with myself. 

So, how about all you fine folks? What drives you over the edge when you're reading, writing or editing? 

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If you're not already following #IWSG (Insecure Writer's Support Group), you should really check it out. The monthly blog hop is a panoply of insight into the writing life at all stages of hobby and career. Search the hashtag in your favorite social media venue and you'll find something interesting on the first Wednesday of every month.

Check out this month's co-hosts, too! They volunteer to check out all the posts and make sure all is on the up and up.

Christine Rains
Dolarah @ Book Lover
Ellen @ The Cynical Sailor
Yvonne Ventresca
LG Keltner

#IWSG: The Joy of the New vs. Progress

Until a couple of years ago, I was a beginner of a writer. I don't mean by this that I've become some kind of expert. Not at all. What I mean is that I used to write only beginnings.

What I have become is a finisher. I no longer write the first fifteen pages of something, then let myself get distracted by something shiny and abandon that project for a new one. 

And that's good! Because I'm finishing things, I'm able to submit them, and some of them are getting published and I might get to be a "real" writer full-time-all-the-time someday.

Neil Gaiman-I have this picture as my desktop background

But there are trade offs. Here lately, joy has been one of the trade-offs. 

If I want to "cash in" (metaphorically or literally) on what success I've already had, then I need to continue to produce work of that sort, even if my heart or brain or soul wherever the words come from wants something else right now. I can be very disciplined and I have been, for months now. That's good--I'll have work in a few anthologies in the next few months and a new book in April. You can't argue with results. 

There's a joy in a new idea, though. In working with new characters, new worlds, new premises, new settings. When I feel like I've been in revisions and editing too too long, I get bogged down. I worry about burning out. I need a little of that "open to anything" juice to get my blood pumping again. 

Snoopy understands joy.

So, that's what I'm trying to balance: progress on the current WIPs, with enough "play" time to keep my love and joy in the words. All this on the one or two hours I can steal for writing around the day job and family life. 

I especially love prompt writing for this. Prompts seem to be everywhere right now, as the NaNoWriMo machine starts chugging its engines. I've had invitations to work on several different kinds of flash fiction prompts here lately. 

I think I may have found the one that will work for me right now though--it's a ten minute prompt. You get a sentence starter, and you're only supposed to write on it for ten minutes. Then stop. Just dip your toes in. Start the new thing, but don't let it take over. 

I've only done a couple and I already love it. I'm getting that charge I get out of something new, but still leaving myself time and energy to make progress on the work that might get me paid. 

What works for you? How do you balance finishing things with keeping the joy?

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This posting is part of the Insecure Writers Support Group blog hop. To check out other posts by writers in a variety of places in their careers, check out the participant list. This group is one of the most open and supportive groups of people I have ever been associated with. If you write, you should check them out!