Wednesday, November 6, 2019

IWSG: Lowered Expectations

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking.

If you're a reader, it's a great way to peek behind the curtain of a writing life.

The awesome co-hosts for the November 6 posting of the IWSG are  Sadira Stone, Patricia Josephine, Lisa Buie-Collard, Erika Beebe, and C. Lee McKenzie! I hope you'll check out their blogs as well as some of the others on this blog hop after you see what I have to say.

My insecurities are beating me up right now.

I finally have to admit I bit off more than I can chew.

I'm not good at that. I think I can do everything.

That can-do stubbornness serves me well on some fronts, keeping me from caving to pressure or giving up just because something is difficult, but it's a two-edged sword that cuts back sometimes, too.

And Stories from Shadow Hill has been postponed, which breaks my heart.

I planned to release my first all-indie project for Halloween. It's a collection of thirteen weird tales called Stories from Shadow Hill, set in an imaginary suburban neighborhood with suspicious similarities to the one I live in, but with more interesting (and supernatural) causes for the weirdness.

I thought I had planned it out well. I'd done a lot of research and had what I thought was a good understanding of what exactly I needed to do and what it would cost.

I hired an editor for proofreading, found a book cover designer, and taught myself the layout software (Vellum is super easy, at least at a base level, by the way).

But then I ran into two problems: money and time.

Indie publishing can be expensive, especially for your first project, when you don't already a system in place.

My expenses:

  1. Buying layout software: Vellum $249.99 for unlimited ebooks and paperbacks
  2. Hiring a cover made: $100 from a freelancing friend who gave me her "friends and family" discount
  3. Hiring proofreading: $620 from a freelancer who approached me through Facebook some months ago. 
  4. Getting a logo made for my imprint: $25 from a freelancing friend, giving me a "friends and family" discount again
  5. Buying ISBN numbers: $295 for 10 (they're a better deal the more you buy at once, and I intend to put out more indie projects in the future, so I thought I'd start with 10). 
I managed 1-4 over the course of a few months by living spare and robbing Peter to pay Paul. But when it came time for #4, I was out of money. My hot water heater needed sudden replacement, my summer teaching paychecks were light, and there went my Bowker money. My parents gave me my holiday money early (thanks Mom and Dad!), but I needed most of that to get copies of my already-published work for my fall and winter author events. 

Couple this with my time problems, and you see my dilemma. 

I was trying to keep my regular writing life going. Doing my October tradition of writing one piece of flash fiction every day as part of the Nightmare Fuel Project AND processing my edits from that proofreader was just too many hours work for the hours I was able to devote (I can get 1-2 hours a day for writing life during the school year, tops). 

And I was stubborn, not wanting to let anything go. Maybe I could have done it if I had given up Nightmare Fuel, but I *love* Nightmare Fuel. Maybe I could have let that Instagram October Author Challenge go, but I was enjoying it and it was increasing my reach on social media. Maybe I could have given up my day job, but I like eating and having a roof over my head. I tried giving up sleep and just ended up with a crick in my neck from falling asleep in my chair.

In the end, I had to admit I couldn't get the project ready by October 31. Especially since I had only a basic understanding of Vellum and might still need to seek advice and help from more experienced colleagues if I run into snags. 

So, now I don't know exactly when I am going to get this project out. October came and went and I still have a distressingly long to-do list: 
  1. Process the other half of the edits (complicated by grammar differences between my Canadian editor and my American writing style--lots of second guessing and researching whether what she marked is an error or a national preference)
  2. Format the book in Vellum (which has subset jobs of #3 and #4 below)
  3. Finalize the print version of the cover
  4. Finalize the imprint logo
  5. Buy ISBNs
  6. Learn to navigate uploads to Amazon
  7. Make my decisions about exclusivity to Amazon or going wide
  8. Promote the book

November is supposed to be for NaNoWriMo, finishing the first draft of the Gothic romance I started writing this summer, so I can get it out in 2020.

I'd love to hear from other creatives about how you manage all the demands of indie creation, especially if you, like me, manage it with a day job and keep your sanity. How do you keep heart when you have to lower your expectations?

Wednesday, October 23, 2019

Halloween Viewing: Tim Burton Favs

My youngest daughter is even *more* into Halloween than I am, so we are both so gleeful the entire month that it's a wonder the rest of the Bryants can deal with us at all.

One way we're enjoying is by watching Halloween movies. We're on a Tim Burton kick right now. His aesthetic is right there in that middle ground between whimsical and disturbing…which could probably describe us as well (though there's less mascara and lace involved for us). She's already seen and loved The Nightmare Before Christmas, Pee Wee's Big Adventure, Beetlejuice, 9, Charlie and the Chocolate Factory, and Alice in Wonderland. I'm planning to share a few more Burton favorites with her across the season.

But, the youngest Bryant had never seen The Corpse Bride (at least not that she can remember), so we kicked off our season with that.  I found it slower than I remembered (thought still good), but she really enjoyed it.

My take: I had forgotten the lovely wedding vows. Really some of the most romantic ones I've heard. It was also very sweet how the two misfit children whose families were trying to use them for social gain actually had a connection and some hope of making each other happy in the end. A more romantic story overall than I remembered.

Her take: She loved Scraps, Victor's dead dog (who reminded her of Zero from Nightmare Before Christmas), but agreed with me that the Peter Lorre aping worm was grosser than funny. She knew almost from his entrance that Barkis Bittern was going to turn out to be the long lost "love" of the Bride. Kids these days, so steeped in tropes it's hard to surprise them.

Next we tried on Sweeney Todd.

I fell in love with this musical as a college student, listening to the Broadway recording with Angela Lansbury as Mrs. Lovett and Len Cariou as Sweeney. So, when this movie version was announced, I was hyped. I was pretty sure the youngest Bryant would love it too.

My take: Visually, it's quite a treat, gritty and atmospheric. I quite enjoyed Helena Bonham Carter's Mrs. Lovett both in singing and acting, and she has great onscreen chemistry with Johnny Depp. Johnny's Sweeney was better in visuals and speaking than singing (I loved the way he held his jaw--so stiff, seething with suppressed emotions). He was "not bad" on the singing. If I didn't already know the music as voiced by Cariou, I might have liked his take better (much like I felt about Hugh Jackman's Valjean) . The best moment in Depp's performance, in my opinion, is when Todd snaps the rest of the way and goes from wanting specific vengeance to decide that "they all deserve to die."

Her take: She's becoming quite a Sondheim fan, having been enamored of Into the Woods for a year or two now. She loved the lyric complexity. She wasn't as sure about the obviously fake over-red blood for the gory scenes. She said it pulled her out of it too much, but she conceded it might have been "too horrible" if the blood had looked realistic. We agreed at the end that poor Johanna and Toby were damaged for life by the trauma of having wandered into this story.

Next up, I'm planning to show her Edward Scissorhands and Sleepy Hollow, both of which I enjoyed when they were new and haven't really seen since. My girl likes Winona Ryder, both in Stranger Things and in some of her younger roles (Heathers, Beetlejuice), so I think she'll enjoy them.

Any other Tim Burton fans out there? Which ones are your favorites and why? Any that you don't recommend?

Thursday, October 10, 2019

October Frights: Nightmare Fuel: The Other Jack

Welcome to the October Frights Blog Hop! I'm Samantha Bryant. If you visit here regularly, you already know that I'm a Halloween fan (if you're new here: Welcome to the Madhouse!).

Last year at this time, I posted a blog series on 31 days of Halloween. My *favorite* thing the past few years though, has been #nightmarefuel

The Nightmare Fuel Project is the brainchild of Bliss Morgan, a talented friend whose work you should definitely check out!

Each day in October, she posts a creepy picture prompt and invites anyone who wants to play along to create something macabre or magnificent and post it for the group to enjoy. This is my third year playing along, writing creepy flash fiction each night in celebration of spooky season.

Here's my favorite of what I've written so far this year. You can check out all my creepy flash fiction for the project on my Facebook page.

The Other Jack

Jimmy’s room wasn’t really a room, it was more like a partition. His mother had found some smoky plexiglass somewhere and used it to divide the space into two tiny bedrooms, each barely big enough for the bed and a narrow chest of drawers that was also the desk and the nightstand. It wasn’t much, but it gave him and his brother a little illusion of privacy, something that mattered more now that his brother was older.

Jimmy had to pretend he didn’t hear a lot of things these days, especially if Mom wasn’t home. He’d never tell, of course. Brothers didn’t rat on each other, even if the girls were mean or the smoke smelled weird.

But he missed the nights when Jack would turn a light on the plexiglass wall and make shadowpuppets for him or press his face against the wall smooshing it comically and getting them both in trouble for wild laughter.

Laying on his bed drawing, Jimmy heard a tap on the glass. He jumped. He hadn’t thought Jack was home. He looked over his shoulder and saw a hand laying against the glass. He laid his own over it on his side of the wall and Jack spread his fingers wide so Jimmy could compare the size of his hand to his brother’s. Jack was almost ten years older than Jimmy, so catching up was taking a long time, but he felt sure his hand was bigger than it had been the last time. Pleased he knocked three times, their secret signal for happiness. Jack didn’t respond.

The hand moved away and Jimmy went back to his drawing. The cat-man he had invented was having an undersea adventure this time and Jimmy was having a hard time getting the bubble helmet to look the way he wanted to. After a few tries, he threw the wadded up paper at the wall in frustration.

There were two hands on the wall now, pressed flat enough that Jimmy could trace the lines in the palms. Jack was pushing hard, like he wanted to come through the plexiglass wall instead of climbing over his bed to get to the narrow hallway like a normal person. The makeshift wall scraped against the ceiling, groaning like a train car. “Stop it Jack! You’ll get in trouble if you break it.”

The pressure released. Jack could be crazy sometimes, but Jimmy could usually get him to stop before it got too bad. Just as he was thinking about picking up his drawing again, the hands were back, clenched into fists this time and pounding against the wall, making it scrape and groan and shake ominously. Jimmy yelled “Stop it Jack! Stop it!”

At the foot of his bed, the door opened. “Stop what, Squirt?” Jack leaned in, still wearing his fast-food tee shirt.

“J-J-Jack?” Jimmy pointed at the wall behind him, wordlessly. The Other Jack still pounded the surface again and again and when Jimmy turned to look, he thought the fists might be bleeding. His mouth went completely dry.

Suddenly, Jack had him by the armpits and was pulling him out of the trailer into the chilly night, barefoot. The two of them got into the car and Jack was backing away, driving before Jimmy had even put on the seatbelt. “Where are we going?”

Jack didn’t answer him. He was on the phone, talking fast to someone, He said their address and said there was an intruder. He said he didn’t know where their mother was. He said other stuff, too, but Jimmy couldn’t understand--it was hard to hear over the squealing inside his head. Then, his brother was shaking him, telling him it was okay.

There were blue lights flashing and a woman with a flashlight and a clipboard. There was yelling and a loud bang. An ambulance that took away someone. Jimmy wasn’t allowed to see. Jack held him too tightly, kept Jimmy’s head pressed against his chest.

It was years before Jack got the full story of the night his mother died and he almost died, too. They told him his mother was a hero, that he was lucky. She’d trapped the man in Jack’s room with her. If Jack hadn’t gotten home when he did . . .

Thanks for reading! If you enjoyed, please check out the rest of my site to see what else I'm up to, or subscribe to my newsletter (no more than one email per month). I've got a collection of Weird Tales coming out at the end of the month! Stories from Shadow Hill is a series of weird and macabre tales that take place on the dark side of a suburban neighborhood suspiciously similar to the one I live in . . . Details will be forthcoming in my next newsletter!

Be sure to also check out Deadman Humour, my most recent publication. This creepy anthology is a collection of stories about what scares clowns. My story "The Gleewoman of Preservation" shows that there are things scarier than clowns in the woods near Preservation.

If ghost stories are more your style, you can read my daylight ghost story, "The Girl in the Pool" in Off the Beaten Path 3 from Prospective Press, alongside some excellent ghostly tales from other fabulous authors. 

Remember to hop on over to check out the other participants' offerings as well.

Saturday, October 5, 2019

Wording Wednesday: Arcachne and Her Sisters

The new season of Wording Wednesday is underway. Fellow author Andy Brokaw collects a set of prompts and puts them out there for the world to use for inspiration.

You can check out my stories for Season 2 (weather) here: CloudyClearSunnyRainWindSnow

And for Season 1 (beginnings) here: InfancyMorningTravelMeetingFirst SnowCeremony

For Season 3, the theme is creatures and this week's inspiration is a friendly arachnid by Rose Tursi, whose work can be found at: My post from last week can be viewed here.

Check out the links and play along if you'd like, or just enjoy reading.

The nicest thing about having been transformed into a spider was all the extra limbs. All eight of her appendages were dextrous and agile, strong and useful for a variety of tasks, from weaving to climbing. 

The worst thing had been the revulsion. Arachne couldn't really blame her sisters for their reactions. She had once felt the same way about spiders, skittering, skulking creatures watching you with far too many eyes. When her sisters returned to their chambers and found her clinging to the massive glittering web she had constructed in her first few hours as a spider, the screaming nearly brought down the house. 

Luckily, her youngest sister, Alethea, had witnessed the entire contest with Athena and was able to keep their eldest sister, Ademia, from squashing her with a shoe. Ademia still screwed her face up like she'd been eating lemons every time she looked at her once-favorite sister, but she left Arachne in peace, so long as she constrained her weaving to designated areas. 

The webs she wove now put her earlier creations in tapestry to shame. Thread was so thick and clumsy in comparison to spider silk. And she could work so quickly! 

Alethea had been such a dear, waiting patiently while Arachne wove her messages in webwork and doing her best to get the things that her sister wanted for her happiness in her new life. 

Only today, she'd managed to find the tiniest of teapots and to assist Arachne in brewing lemon olive tea. Drinking it was almost like being human again. 

Wednesday, October 2, 2019

IWSG: Writers Who Don't Read

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking.

If you're a reader, it's a great way to peek behind the curtain of a writing life.

The awesome co-hosts for the October 2 posting of the IWSG are Ronel Janse van Vuuren, Mary Aalgaard, Madeline Mora-Summonte, and Ellen @ The Cynical Sailor! Be sure to check out what they have to say, too.

This month's question: - It's been said that the benefits of becoming a writer who does not read is that all your ideas are new and original. Everything you do is an extension of yourself, instead of a mixture of you and another author. On the other hand, how can you expect other people to want your writing, if you don't enjoy reading? What are your thoughts?

Okay. I don't take many hard stances in my life. 

I know that nearly every circumstance is smeary and gray in the boundaries rather than crisply clear with lines delineating "good" and "bad." 

Ambiguity is where the interest lies, in life and in fiction. 

But here, I draw a line. A firm, bold, uncrossable line. 

Writers must read. 

Reading is the number one best method to improve your craft, and every writer I've met who has told me they don't read has disappointed me on the page if I got that far. 

Generally when I meet a writer who tells me they don't read, they spend a lot of time talking about other kinds of story: film and television mostly. 

Film and television are lovely. I enjoy both a great deal, given the time. 

But they are not books and if you are trying to write books that are like film and television, you are ignoring the bulk of the magic, limiting yourself to visual, cinematic view and losing out on all the other senses, and interior life. 

As for the argument that not reading means your ideas are new and original? 

Hogwash, I say. 

Not reading just means you're influenced by non-literary things (film and television, mostly). 

Unless you go full-on hermit and shut out the world entirely, you are a human moving through the world and are influenced by it. 

There's no purity of vision to be had, immaculately contained in a bubble of only your own making. We're all made of and by our experiences, both literary and other. 

Now, "I'm not reading much right now" or "I don't read in the genre I'm writing while I'm writing it" are not the same thing as "I don't read." 

Lulls happen. Everyone has to find their own process. 

But not reading at all? 

Sometimes I miss the way I read before I was serious about my writing. It was easier to lose myself in the world and not analyze what the author was doing while I read. But that doesn't mean I'd ever give up reading! When I *do* get that truly immersive feeling, I know I've found a wonder of a book because it made it past my writer-vision and got all the way to my underlying story-loving brain. 

What do you think, friends of the internet? Do you have an example to prove me wrong? A writer who doesn't read but still writes compelling fiction themselves? I'd love to hear form you in the comments. 

Thursday, September 26, 2019

Wording Wednesday: At Least There's Still Coffee

The new season of Wording Wednesday is underway. Fellow author Andy Brokaw collects a set of prompts and puts them out there for the world to use for inspiration.

You can check out my stories for Season 2 (weather) here: Cloudy, Clear, Sunny, Rain, Wind, Snow

And for Season 1 (beginnings) here: Infancy, Morning, Travel, Meeting, First Snow, Ceremony

For Season 3, the theme is creatures and we begin with "Warm and Fuzzy" by Mateo Dineen. This piece and others can be seen on the artist's website at

Check out the links and play along if you'd like, or just enjoy reading.


Herbert hadn't been sure what to think when his transformation had begun. It had started as a strange patch of green fur on chest, there among the wiry white wisps standing out against his brown skin He noticed it one day in the shower and scrubbed at it, but didn't worry too much when it didn't wash away. In his years as a contractor, he'd stained his skin and hair a variety of colors. It always wore off eventually.

He'd never been good about going to the doctor, especially for ailments that seemed more like nuisances than real problems. What did he care what color his chest hair was? But, it hadn't remained a change he could hide under a flannel shirt. One morning he woke to find it had spread down his arms and back. The next, on his cheeks. His body seemed to be shifting as well, flattening in some areas and broadening in others.

He decided to try the walk-in clinic early the next morning. Generally, if you went early enough you didn't have to wait that long. He could probably still make it to his kitchen rehab job on time. Chances were they'd just take his blood and tell him they'd call him about the results later anyway.

He liked to tease the pretty young phlebotomist about her relationship with Vlad the Impaler. The girl was always nice enough to smile at his poor attempts at humor, even though she probably heard some version of that joke from every older man she stuck.

Thinking about the phlebotomist, he didn't take notice of the number of cars in the parking lot until he'd walked into the waiting room and realized with a start that it was jam-packed with a crowd of colorful characters.

Colorful not in the sense of big personality, but literally in rainbow hues. A woman with pink fur sticking out in tufts around the neck of her white sweater had an arm around a child whose flesh was a startling, vibrant blue. A group of purple, roundish women gathered around the coffeepot. A forest green man leaned into a corner and snored loudly. Herbert rubbed his eyes, but the scene didn't change.

"Herbert?" a voice called. "It get you, too?"

Herbert turned and saw a man standing over by the window, thumbs hooked in the belt loops on his jeans and suspenders holding up the pants. "Jimmy?" It couldn't be, could it? But who else wore suspenders like that?

"Yep," he answered. "It's me." He brushed a long, white forelock off his furry pink face with an equally furry paw-like hand. "I thought I'd had too much to drink at first, but I've been sober almost a week now, and I'm still pink."

Herbert nodded, his gaze bouncing across the room. He tried to identify people he knew among the muppet-like creatures that waited in the cheap plastic chairs, but it was no easy task. "They know what's going on yet?"

Jimmy shook his preternaturally large head, making the wisp of white hair wobble like a horse's mane. "Not yet."

Herbert headed for the door. "Come on then. Let's go to the diner. We might as well get some coffee while we wait." He scanned the room again, meeting set after set of strange eyes, oblong, slitted, and distorted. "I think the doc will be a while."

Wednesday, September 25, 2019

Literary vs. Genre Fiction: Are We Still Arguing About This?
As a speculative fiction writer, I run into the literary vs. genre fiction divide often.

Literary sorts can be dismissive of spec fic, suggesting that it's "just entertainment" and doesn't "enrich the mind."

Genre fiction sorts can be dismissive of literary fiction, suggesting that it's "navel-gazing" or "boring" or "self-indulgent."

They're both right and they're both wrong.

The worst of genre fiction can lack depth (though sometimes, a lack of depth is just what I need: I'm all for a good escapist read from time to time) and the worst of literary fiction can be eye-rollingly self-important.

Luckily, I try to read the best of both instead.

When I introduce myself as a speculative fiction author, people are often surprised how "well read" I am. That's another term that gets on my nerves, as it places a judgment on the value of what people read, suggesting that some books make you "well read" and others--well, I guess the opposite would be "poorly read"?

I help run the First Monday Classic Book Club at my library with another speculative fiction writer, , and more than one attendee has been surprised to discover kinds of things we write.  James and I can talk with you about Les Miserables or Wolverine, whichever you'd prefer, or about how Jean Valjean and Logan share loner/hidden hero characteristics, as well as harboring secret physical gifts.
James Maxey

I was an English major, and my Master's degree is also in English. But, even before I started climbing that ivory tower, I was already a voracious reader.

I like to think of myself as omnivorous when it comes to books. I'll try reading anything. I wish more people would be a little more open to considering the value of other kinds of art.

I love comic books AND classic literature and this doesn't feel like a dichotomy to me.

Good story is good story. Compelling writing is compelling writing. A story about non-realistic things is just as likely to make me ponder deeply as one about realistic things. Maybe even more likely because it won't feel pedantic and un-artistically direct.

And *so much* classic and literary fiction plays with speculative elements. Isn't "magical realism" just literary speak for "speculative fiction"? Isn't Margaret Atwood, Guggenheim Fellowship and Booker Award winner, also a winner of the Arthur C. Clarke Award and the author of one of the best dystopian works ever written? (Handmaid's Tale). Didn't Jane Eyre have a gothic moment when she heard her love cry to her across the distance? Isn't Mary Shelley's Frankenstein read by genre and literary fiction fans?

Isn't it time we set this one aside folks? Different strokes for different folks and my preferred reads aren't better than yours. There's no objective scale for measuring these things, and if we're going by the test of time and seeing what endures? There's a lot of both kinds of literature still kicking after all these years.

Do you find you have biases against certain kinds of books? Or regard them as lower quality because of genre alone? Do you run into those attitudes in your reading circles? I'd love to hear your thoughts in the comments.