Tools of the Trade, an IWSG post

    

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG.  The awesome co-hosts for the July 3 posting of the IWSG are JS Pailly, Rebecca Douglass, Pat Garcia, Louise-Fundy Blue, and Natalie Aguirre!

July 3 question - What are your favorite writing processing (e.g. Word, Scrivener, yWriter, Dabble), writing apps, software, and tools? Why do you recommend them? And which one is your all time favorite that you cannot live without and use daily or at least whenever you write?

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Scrivener was a game-changer for me for novel-writing (and other long-form works, like nonfiction, essay collections, or short story collections). 

A great visual of why I love Scrivener

When I was writing my first novel, back in 2009 or so, I was using Microsoft Word and it was frustrating AF for me. One giant document, with no way to jump around within it quickly and easily to get to the piece I wanted? 

(My understanding is that Word has upped its game since then, but too late, I've moved on. I now only use Word for processing edits from my publisher). 

I'm not 100% sure in my memory of how I found Scrivener. Maybe by doing National Novel Writing Month? But it won me instantly with the corkboard. Suddenly I could keep the whole thing in view in a way that really worked for me. 

See, I'm a writer who writes in layers. 

My drafts begin kind of thin and bare-bones, and as I work, I come back around in loops and add depth, descriptions, breadcrumbs, interiority, setting, as it comes to me. So that means I don't necessary start on page one and finish on page three hundred, but I might write a scene that I know isn't coming for a while to give myself sort of a goal post to aim at, then go back and fill in what happens to get us there. Or I might have an inspiration in chapter 17 and go back and pull that thread through the whole book before I move forward. It's probably not an efficient process, but it is working for me.  

chapter organizational view

I've never been all that great at holding the whole thing in my head at once, balancing the big picture, small focus thing. But Scrivener makes it easy for me to off-load parts of that. I can color code my folders, use symbols to indicate different organizational elements, pick up entire chapters and drag them to a different part of the book with ease. I've never lost something to a messy cut-and-paste or glitched out the document and screwed up the formatting like often happened to me Word. 

The novel I'm finishing now (series ender for the Menopausal Superheroes--still settling on a title), for example, is organized by day, with chapters that all take place on the same day grouped together. 

Within each day, there are chapters with different points of view. Patricia, the Lizard woman of Springfield, gets a green book symbol, Leonel "Fuerte", the strongman, gets a yellow book. Jessica "Flygirl" gets a cloud, Sally Ann gets a light bulb, Mary gets a magnifying glass. This lets me see at a glance when I've left a character out too long and need to consider what they're up to during this section. 

corkboard view

When I look at this in "corkboard" I get the same symbols, my chapter title, and a bit of the text for the page. If I choose, I can write more of a summary of that chapter to show here and I have done that sometimes, using the "scene cards" technique I read about in the DIY-MFA book by Gabriela Pereira, which asks you to record 4 pieces of information for each chapter/scene:

• a title for the scene
• the major players
• the action
• the purpose (structurally)

It's a kind of outlining or at least record-keeping that works for me, even though I'm a pantser and am sometimes writing this down AFTER I wrote the scene, and has been really helpful in revisions. 

I don't use half of what Scrivener can do, but it has still revolutionized the whole process for me and alleviated a lot of stress and worry. 

So, thanks for coming to my TED-talk :-) In all seriousness, I am quite a fan-girl of Scrivener, but you should always remember how individual this process is and find the tool that works best for you and your process. No matter what we're talking about, your mileage my vary. 

So, how do you organized your creative life and projects? I'd LOVE to hear it about in the comments. And don't forget to check out the rest of the blog hop and see what else is out there to try!

Celebration time, an open book blog hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Do you have a special way of celebrating when you finish writing a book? Or other achievements in your journey? How do you reward yourself?
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When I finish writing the first draft of a novel, I'm so elated that I almost don't need any other celebration. I feel like I could float away from the joy of completing the book. I imagine it feels similar to what athletes experience when they get to the top of a mountain or the end of a race.  

I do, however, tell my inner support circle right away--my husband, my kids, my sister, my mother, my critique partners. Those are the folks who have been in the struggle with me for the months or years that it took to bring a project to fruition and they'll rejoice with me. 

In fact, I just got there once again at the end of June, on my writer's retreat to the mountains of North Carolina. How perfect to run into the main room, arms in the air, and take a victory lap, with my critique partners right there to whoop and holler with me. I should always try to finish a book while on writer's retreat!

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Of course, finishing *writing* a novel isn't really the end of that journey. There's still editing, revisions, and the actual publishing process. 

The BEST moment is when I hold the paper copy of my work in my hands for the first time. I keep a spinner rack in my office that has paper copies of all my novels and short stories in anthologies on it and it's a major boost to me just to look over and see how many books are there. 

For my first novel in this series, which was also my debut novel, Going Through the Change,  I had a book launch party at a local bookstores. Cookies and punch, copies of the book for sale, a Phil Donahue-style interview with me by a writing friend, reading from the book. My whole family came out and so did everyone local enough to me and it was one of the best nights of my life. 

Me, my daughter, and my dad, looking happy and related at my book launch party in 2015.

In fact, I think I'm going to do it again for this book. After all, it's the series ender, coming out ten years after the first book. Finishing the entire five book series (and accompanying novellas and shorts) feels like something to really celebrate. 

4 novels, 2 novellas, some shorts, and a collection of all the shorts.
One more novel coming soon!

In fact, I'm working on setting up a book tour for it, hoping to partner with some of my writer friends across the country and hit a string of bookstores, libraries, and other venues. 

(Hit me up, writer friends, if you might be interested in partnering with me on events in 2025, especially if our work has any obvious connections: feminism, aging, menopause, superheroes, female friendship, etc.)

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Under appreciated novels, an open book blog hop post

  

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

What's your favorite under appreciated novel? 

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Oh my, that's a tough one. I mean, when I LOVE a book, it's strange to me to realize that other people haven't even heard of it, but that's often how it goes. There are SO MANY books, and even among friends who read as much as I do and more, we only have some crossover. 

Under appreciated is also hard to gauge. It's not like I'm checking their Rotten Tomatoes rating or something, right? 

Still, a novel did come to mind when I read the question: We Have Always Lived in the Castle by Shirley Jackson. 

It's not as obscure as other novels I could have chosen, but anytime I bring up Shirley Jackson, people say, "Oh yeah. She wrote The Lottery, right?" or maybe, "Is that the Haunting of Hill House lady?" Both of those are true, and both of those works are also genius (though I think Castle is better). It's this one that wanders the backrooms of my mind, and pops out to jump scare me from time to time. 

Like a lot of Shirley Jackson, there's not anything supernatural going on. Her horror is only rarely about ghost or monsters. Mostly, it's in what people do to one another. Some call her more specific genre "domestic horror" and I think that fits well. Other than Hill House, her stories mostly take place in mundane settings:  small towns, gardens, post offices, grocery stores, homes. 

What I love about Castle is Merricat, the main character and somewhat unreliable narrator. She's intense and scary in that way that very young people can be, and as the fuller history is revealed her complicated relationship with her sister Constance becomes fascinating. 

So, that's my pick for today. How about you? Do you have a favorite novel that no one else seems to love the same way you do? I'd love to hear about it in the comments. 

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What should IWSG do next?

    

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the June 5 posting of the IWSG are Liza at Middle Passages, Shannon Lawrence, Melissa Maygrove, and Olga Godim!

June 5 question - In this constantly evolving industry, what kind of offering/service do you think the IWSG should consider offering to members?

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Once a month affirmations and celebration and engagement through the blog hop is quite a gift already, honestly. The time our monthly volunteer moderators put into helping ensure that everyone sees engagement and that the tone is positive and kind is not to be discounted!

The anthologies have also been great for encouraging writers to finish things and given quite a few among our number some publication credits. 

I know there are also other things that happen that I haven't found the time to participate in very deeply, like book clubs and social conversation opportunities in the Facebook group. There really is already a lot going on this group, and the more you invest yourself and your time, the more you can get out of it. 

Since I can't spare volunteer hours at this stage of my life to make anything happen (I'm already spread too thin), I feel odd making suggestions, but since y'all asked, here are a few things to consider:  

• In-person gatherings, regionally, like networking socials or write-in meetings
• Zoom versions of the same
• Classes and webinars members can take to learn about writing craft and the publishing business more formally
• Group readings at conventions
• Development of a directory of members, which can be used to connect with other writers who live near you or write in similar genres 
• Development of a podcast or program where writing topics can be discussed in a panel format

Clearly, all of these take time and energy though, and I know how difficult it can be to keep a writing life going alongside the "ordinary" demands of day jobs, families, households, and caregiving, so I truly appreciate the work that already happens in this organization.  

Even though I'm now stuffing a full time writing life into part-time hours and time is at a premium, I'll keep finding time for First Wednesdays because the camaraderie has meant so much over the years. Thanks, IWSG! 

Bad writing advice, an Open Book blog hop post

   

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

What's the worst piece of writing advice you've ever received? 

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I can't honestly think of one single piece of advice that stands out as "the worst." Most of what has been sent my way has been well-intentioned. 

But anything that is entirely prescriptive and acts like there's one right way to write? Yeah, that's when I stop listening. 

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I LOVE to talk writing and publishing with other writers and learn about the tools and techniques they use. I've tried a lot of things because I read about them in blog posts, or heard about them in writing groups. 

Some have worked for me (like keeping a daily writing chain). 

Others have not (like outlining). 

What's really important though is the acknowledgement that creative process is highly personal and individual. There's no single right way to do it; no silver bullet that will guarantee fame, fortune, and success; no magic words that will suddenly make it easy. Anyone who tells you there is? 

Well, keep an eye on your wallet!

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Reading for enjoyment, as a writer, an open book blog hop post

  

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

How do you turn off your internal editor when you are reading for enjoyment?

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It can be difficult, once you "know how the sausage is made" to gloss over errors, inconsistencies, and less-than-stellar stylistic choices in someone else's work like you might have done when you were "just a reader." This is especially difficult in sloppy work, where you start to wonder if the author tried anything at all, like spell check or Grammarly? 

Honestly, I've always been a fairly judgey reader in that regard: I expect good writing in published books. It has gotten worse since I started doing it myself, though. 

I get super annoyed by poor craftsmanship, because author life is hard enough without people half-assing self-publishing and making it that much harder for everyone to get readers to give indie-published work a fair shake. Readers who have been burned by poor quality work with minimal editing are less likely to reach for indie work in the future, so it hurts us all. 

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But, I can usually achieve a state of immersion and become "just a reader" again, and if I can't…well, I don't have to finish every book I start. 

I do a lot of my reading these days as audiobooks, so that helps a little. I can't see the words on the page and a good narrator can smooth out rough patches. Sometimes a good narrator can take a merely good book and make it great, or take a mediocre book and make it good.  So, that's part of it, for sure. 

Sometimes, it's an act of will, reminding myself I'm not providing a critique or a beta read, but just reading. If the story is working, it'll pull me in and my inner critic will quiet down and let me enjoy. 

If I can't achieve that feeling of immersion, then I usually set the book aside and figure it's not for me, or at least not for me right now. Sometimes the reason I can't immerse into a story has nothing to do with quality, but about my own state of mind and stage of life, or even just that I've read too much of the same sort of thing in a row. 

How about you? If you write, do you find it harder to lose yourself in reading now? What pulls you out of that feeling of immersion? I'd love to hear about it in the comments!

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DNF: did not finish, an open book blog hop post

  

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

What determines whether or not you finish a book you're reading? Do you review books you didn't finish?

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The short answer to this one is "the first few pages." 

For most of my reading, if a book doesn't have my interest by thirty or so pages in, I figure it's not a book for me, and I just let it go. That said, it doesn't happen to me very often because I know me pretty well by this point, and I seldom pick up a book that isn't for me. 

Most of the reads I don't finish weren't just personal picks, but something I was reading for a class, or for a book club, or because someone gifted it to me. Sometimes those are worth finishing, even if I don't enjoy them, for the social bit: talking about books with other people is one of my great joys in life, probably right under writing book and reading books!

One book I've made multiple attempts at and never finished is Ulysses by James Joyce. That book might be my personal reading nemesis. I've made it through plenty of dense classic novels in my time, but this one I couldn't handle. 

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Generally, I don't review books I didn't finish. That doesn't seem fair. Maybe whatever was frustrating or annoying me in that opening made sense later and, had I continued, I would have come to appreciate what the author was doing. 

How about you? Do you finish what you started in your reading life? 

Selling your books in person, an open book blog hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Do you attend book selling events? What is your best tip to sell books at one? 

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I do indeed, several times a year, attend events where I sell my books. In fact, I attended one just this past weekend, Ravencon in Richmond, Virgina, and had a lovely time! I've got Galaxycon upcoming in July, and Bookmarks Book Festival on my calendar for September, too. 

Display is key at these things, in my observation. It's one of those cases where investing in a few eye-catching items can make a lot of difference. In my case, I've invested in a table runner, a standing banner, printed bookmarks, and a couple of different types of bookracks for table display. 

Me with my table runner and upright book rack at Concarolinas in 2021

All of these help a reader make a good guess from across the room whether or not my books would be of interest to them. 

Of course, I didn't buy these all at once, but a piece at a time, with different events in mind. In fact, I had another banner before this one that became outdated when my Menopausal Superhero books got a rebrand in 2019. I expect that, in the future, I may want other banners as my catalogue expands. So, I balance that when I'm deciding how much I'm willing to spend on these display items. 

My standing banner behind my Galaxycon table in 2023, with my new spinner rack.

The logo and imprint name "Dangerous When Bored" on my table runner will often elicit a smile from someone walking past my table at an event, and that might make them slow down and look at my covers. The "half hero/half horror" with book covers gives a reader a hint even at a distance what my most common genres are. 

Once a potential reader stops by my table, I introduce myself, asking a question or making a comment when possible to try and get a conversation started. (It took me some time to build comfort with this bit, BTW, since I'm a hardcore introvert). I'm convinced more than one person has bought a book from me because I complimented their clothing or understood the reference on their tee-shirt. 

I try to gage if a reader is drawn in by any particular cover and offer a little more information about that particular book. Saying nothing at all can be bad, because you seem disinterested and the reader might need you to start the conversation, but saying too much can be overwhelming, too. I've got a very short, pithy pitch for each book at the ready and only go into more depth if that seems wanted. 

If they seem like they're going to walk away without buying, I thank them for their time and try to get them to take a bookmark, so they can check out my work online at their leisure. I often see a spike in online sales in the days following an in-person event, too. Some folks want to support you, but have burned through their budget, or have limited luggage space to consider. 

So, there you go. My best advice is to make as easy as possible for the potential reader to ascertain what kinds of books you're selling through well chosen display items and swag. 

How about you fellow Open Book bloggers? What works for you? For readers stopping by my blog today, what kinds of things will get you to buy a book from someone at in-person events? I'd love to hear about it in the comments below!

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Driven to Distraction, an IWSG post

      

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the May 1 posting of the IWSG are Victoria Marie Lees, Kim Lajevardi, Nancy Gideon, and Cathrina Constantine!

May 1 question - How do you deal with distractions when you are writing? Do they derail you?

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So, I'm one of those middle-aged women who found out she was ADD when her children were diagnosed and the waves of recognition splashed me in the face and left me sputtering. 

As a GenX woman who isn't hyperactive, I was always told that I was "right-brained" and encouraged to "develop discipline" or I'd never succeed in this world. 

And, so, I kind of did. 

Not that I recommend this approach for others--it was often painful along the way. My need for quiet was regarded as antisocial, rather than introversion or overstimulation and I spent a lot of time trying to be "normal." 

Now, I'm the list-making, calendar and alarm dependent sort of ADDer. And I just turned 53, so I've had a minute to understand my brain weasels and make peace with them, developing patterns that support me and help me get done what I need and want to get done. 

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At this point, I'm pretty good at self-regulation and using external support tools to ensure adequate productivity. My brain weasels aren't completely tamed, but they are mostly cooperative. 

My super power as a neuro-spicy gal, is that when I concentrate, I can really really concentrate. Once I'm "in the zone," I can fail to notice almost anything else, from big external things (like thunderstorms) to smaller internal things (like hunger) for as long as my focus period lasts. 

On the downside, it can be hard to settle into those deep concentration moments, and to make sure that, when I do, my focus is on the "right" thing. 

In my writing life, that means staying focused on the project at hand until I've finished it and not running madly down the street after the "new shiny" idea that wants to jump the line. 

So, I have two techniques that help me: 

1. Bribery: I promise myself that I can play with the new shiny, but only AFTER I work on the current project for a certain amount of time. (Oddly, promising myself different work motivates me to do work). Work first, then play, you silly little brain weasels. 

2. Ritual: I've tried to Pavlov myself, training myself to associate certain things with "writing time" so I can elicit that concentration regularly. I have a cup of Tension Tamer tea (smells like writing!), and I sit in my writing oasis on the green sofa (feels like writing!). So, the setting and the smell tell my brain, "It's writing time!" 

Distractions do still derail me sometimes…and sometimes, they absolutely should, because the health and wellbeing of my household is more important than my word count and my imaginary friends. 

It's always this balance of when to fight and when to give in to distraction. All work and no play does make a Jacqueline a dull girl, so sometimes a break in discipline is just the right thing and will feed future productivity, but too much distraction just builds disquiet and leaves me frustrated. 

While I do have to be disciplined about which project I keep my focus on and about just sitting down to write each day, I'm a complete pantser in the writing itself. I think this is the compromise with my brain weasels: we will be organized and focused about what we're doing, but have a lot of freedom to play once the parameters are set. 

How about you? When you struggle with distraction what works for you? 

Changes in the blog-o-sphere

    

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the April 3 posting of the IWSG are Janet Alcorn, T. Powell Coltrin, Natalie Aguirre, and Pat Garcia!!

April 3: How long have you been blogging? (Or on Facebook/ Twitter/ Instagram?) What do you like about it and how has it changed? 

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I hardly remember a time when blogging and social media weren't part of my life, but a quick check tells me that I started this blog in June 2009, apparently when I was feeling sad because my eldest was away visiting the bio-dad (AKA my ex-husband): https://samanthadunawaybryant.blogspot.com/2009/06/funny-things-make-me-sad-when-shes-away.html

That seems like an odd one to kick off a blog with, no "Hi! I'm Samantha and I'm a writer" confession? No big pronouncements about what I intended to do with the space? So maybe I had something before this and I've forgotten. 

If so, well, I've forgotten. 

From the look of it, I took off in fits and starts. 14 posts in all of 2009, only 3 in all of 2010…and there it is! 2014, the year I committed more fully to my writing life and wrote 112 blog posts apparently. 

That makes sense. I committed in a daily writing habit that year, starting a chain that remains unbroken a decade later. I had a goal of posting once a week, I remember, and it looks like I blew that out of the water! Go past me!

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Blogging has definitely changed for me over time. At first, it was just a way to make myself put some words out there into the world more often. Sort of a public diary about whatever was on my mind. It was about building a habit of writing and sharing it.

These days, I don't need my blog for those same reasons--I write every day and publish regularly enough to keep up some semblance of a writing career. But I still value having my own little piece of the web. It's a sort of record of my journey, at least for this section of my life, and since I'm bad at record-keeping in general, it's nice to have. 

Even though Blogger isn't well supported anymore and that gives me technical trouble from time to time, and even though I have need of a more robust and navigable website, I haven't moved it over. That's part nostalgia and part inertia probably. Plus I've got books to write! I don't really want to spend too much time and energy on my website. 

Sometimes "keeping up with the blog" feels like too big a chore alongside finishing the latest novel, promoting my published work, attending conventions, etc. I never let it go entirely, but I don't stress too much about whether I put something out once a week anymore, or spend too much time obsessing over metrics and numbers. 

Some of my posts have found a broad audience. Others were visited by twenty or so folks who probably all know me in real life (Hi, Mom!). 

That's okay. These posts are still ripples in the stream and have the chance to build into career-building waves. 

My posting these days is more about networking with other writers and bloggers (like you guys!), a bit of self-promotion for my writing life, and just making sure that SEO crawlers find a LOT of content with my name on it out there. Discoverability, baby!

We all do what we can, right? 

Too old or young for writing? An open book blog hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

How old is too old to be a writer? Too young? 

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One of the great things about writing is that it's something a person can do at any age. 

Once you're literate in at least one language, at whatever age that is, you can start writing. 

And even at the other end of the spectrum, when some of us start to struggle with things like fine motor control, vision, and mental endurance (if we weren't already), writing is still a possibility, even if you have to change the tools you use to do it. 

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Since I'm a writer who didn't start taking this seriously until I was 42, I'm probably a little biased towards older writers, but I've met some very talented very young ones, too (and I only get a little jealous that they've gotten it together sooner than I did). 

Each stage of life comes with its own insights and wisdom, so a writer isn't necessarily more or less prepared to take on a story or a topic based on their age. Experience isn't age-specific. Neither is imagination. I'd argue more that skill comes with practice and effort, things that a person of any age can invest in. 

Personally, I feel like I'm about 35, and I've felt like I was about 35 since I was about 15. (In reality, I'm soon to be 53). 

My writing life is going well. I'm pleased with what I create and happy to be finding an audience. I've got the confidence to say no to opportunities that aren't going to be good for me, and not eat myself up with worry about whether I've made the right decision afterwards. 

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I'm good with how it worked out for me, and only occasionally mad at myself for "wasting" time in my younger years. After all, the things I did then made me who I am now and brought the people I love into my life. Travel, home-making, reading stories to my children, and walking in the woods may not have earned me any publishing credits at the time, but all those experiences feed what I write now. So, they were worth it, both intrinsically and extrinsically. 

But you know what? People are judgy, especially on the internet. No matter what you do and when you do it, someone will disapprove and try to make you feel inadequate. 

Don't let them! 

Art is for all ages and stages. 

Do it for you!

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I Can't Wait to Read… (an open book blog hop post)

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Is there a book in your TBR pile that you're more excited about than the others? 

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My TBR isn't exactly a pile, since I read digitally (ebooks and audiobooks) more than I read on paper these days. 

And, while I do intend to read every book I put in those libraries, I don't have them ranked for urgency for the most part. I'm more of a mood reader, picking my next read based on what I feel like reading at the moment. 

So, I'm excited about all of them, or I wouldn't have purchased them, but which one I'll read in what order is more of a choice in the moment. 

There are exceptions, like book club reads, where I agreed to have read a certain book by a certain date, or review copies from colleagues, where I agreed to read it and provide a review by a certain date, or research reads for something I'm trying to write. 

I just finished The Talented Mr. Ripley by Patricia Highsmith, a choice for my First Monday Classics book club, which I read as an audiobook/ebook combination and I really enjoyed it, so I immediately bought the sequel, Ripley Underground and plan to read it soon. 

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I've been binging books by T. Kingfisher (aka Ursula Vernon). In fact, I'm reading The Hollow Places by her right now, as I write this, as an audiobook. I've read several of her darker books and her Paladin romance series as well as her humorous fantasy A Wizard's Guide to Defensive Magic. She write quirky interesting characters, and intermixes a kind heartedness with an appreciation for the weird and creepy and I'm really loving that vibe right now. 

When I find a series or a writer whose work I really enjoy, I tend to just gobble up the whole catalogue until I've read everything I can easily get my eyeballs (or ears) on. 

On my 10th T. Kingfisher this year!

I just bought Lyz Lenz's This American Ex-Wife since I read and enjoy her posts on Substack and that piqued my curiosity about her book, so that will probably float to the top of the pool soon, too. 

A long time writing friend, Nolah Reed just brought out Becoming the Cat, which I read early drafts of back when we shared a critique group, so I'm excited to read that, too.  

But, honestly, I'm excited about them all, and at this point, I'll have to live several hundred years to have time to read them all!

How about you? What are you excited about reading? 

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Writing Seasons, an open book blog hop post

   

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Is there a specific time of year when your ideas flow better and you find you're writing more? What do you think contributes to that? 

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When I was still teaching for a living, my writing life was very cyclical--in direct opposition to my teaching life. During school holidays, I wrote a lot; the rest of the time I struggled to hold onto enough energy to be able to write even a little. In some ways it was nice to be able to compartmentalize like that and focus more on my writing during the off-seasons for work. 

Now that I have more of a traditional 9 to 5 work schedule, without things like Spring Break, Winter Holiday Break, or summers without classes, I've really had to adjust how I do things. 

On the up-side, the new work is less emotionally and physically exhausting and much more flexible for getting a little time off during business hours from time to time. On the down-side, I don't get long stretches of being temporarily full-time in my writing anymore. 

Now, if we mean something more like Mother Nature's seasons, I get more done on my writing when the weather is unpleasant. If it's raining, or bleak, or too cold and I'm not really all that tempted to go outside, it's easier to hole up in my cozy little office with a cup of tea and my imaginary friends. 

My cozy little office, now with new rug!

The ebb and flow of my writing life currently doesn't seem to be influenced by the calendar or the weather patterns though as much as by how demanding all the other aspects of my life are being at the moment. 

Big deadline at work? 

Kid sick? 

Home project going on? 

Travel happening? 

Someone I love needing extra support?

Any of these things will slow my word count, but no matter what I'm still an every day writer. My chain of writing days is over a decade long now, and I don't go to bed without writing something, even if it's a struggle. 

How about you? Does your creative flow come in seasons? I'd love to hear about it in the comments!

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No AI for me, thanks

      

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the March 6 posting of the IWSG are Kristina Kelly, Miffie Seideman, Jean Davis, and Liza @ Middle Passages!

March 6: Have you "played" with AI to write those nasty synopses, or do you refuse to go that route? How do you feel about AI's impact on creative writing?

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I have not played with AI at all so far, and I don't really have any interest in it. I've got processes in place that are working for me right now. 

For one thing, I've got doubts about the ethical implications and I think I'll wait for all that to settle. 

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For another, I'm tired--I don't feel like learning new systems just now. 

Other writers I know are developing whole new skill sets surrounding prompt writing to get the system to give them something they can use…and, well, I don't want to. At least not right now. 

I don't have the spoons. I have plenty of other things to deal with right now. 

For a third thing, I haven't seen anything yet to convince me that the end product is up to my standards. 

I suppose I could take it as a draft and revise it to my liking, but I could also do that with my own crappy first draft instead of one written by a machine. 

But the most important thing is that I enjoy writing--even the parts I complain about, like synopsis writing. Passing parts of it off just wouldn't bring me the same feelings of accomplishment as doing it myself. 

There are things I take on, at least in part, because they are difficult and not just anyone can do them. One could argue that was some portion of my "why" in teaching. Sure, I had a heart to help, but I also got a bit of a charge out of doing something that many people could not. (Of course, too many years of that = burnout, so there's a balance). 

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If I just glom off the bits I think are hard and ask a machine to do my work for me? That feels like cheating, and if the end result is successful, I get no share in the credit. I wouldn't feel like I owned it anymore.

I want to be proud of myself, to feel like I really accomplished something in my writing life. So that means I'll have to do it myself. No shade meant at those who find that using AI feeds their practice--gets them past blank page paralysis, or whatever else they need. There are ethical ways to use these tools, the same as any others. But it's not for me. 

It's just a line in the sand, which means you can smooth it out with your foot and step over any time you want. But I'm okay on this side of the line for now. How about you? 

The elevator pitch, an open book blog hop post

  

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Do you have an elevator pitch (a brief 30 second or so introduction) for your books?

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The idea of an elevator pitch, I believe, came about from publishing, where an author steps into the same elevator as a muckety-muck and might have the space between two or three floors to catch the interest of a potential publisher and get them to want to read the whole thing. 

I'd never do that. Talking to someone I don't already know? In an elevator and under high pressure to sell them something? Now *that's* a horror story! No thank you.

That said, I do have to pitch my work from time to time, to convey to potential readers what it's all about and why they might want to read it. 

The Menopausal Superhero series is pretty easy to pitch. When I'm doing events, often I don't have to do much more than say the name of the series. Sometimes I don't even have to say it at all, since it's right there on the covers. The concept often makes people smile and they pick one up to read the back cover, and then the sales game is on! (or they make a face like they smell something bad and back away from me--some people can be put off by the mere word "menopause")

The Menopausal Superhero series

Easy pitching is great news for me, because I'm an introvert, so I'm not at all comfortable with the "carnival barker" method of getting readers to stop and talk with me. I rely on good displays and looking approachable. After all, folks who are attending a book fair or science fiction and fantasy convention don't need a hard sell--they came specifically to look at this kind of thing. 

Me at Bookmarks Festival of Books in Winston-Salem, NC

If someone stops and talks with me a bit, I usually first try to see if they're more likely to be interested in my hero or horror stories, usually just by introducing myself: Hi! I'm Samantha and these are my books. I write the Menopausal Superhero series and short form horror, which ones depends on whether I want to save the world today, or watch it burn." 

If they lean horror, I talk a little about the range of types of stories I've written, and wait to see what book they're eye-balling, then mention what my story in that anthology is about. 

"Stories We Tell After Midnight? That's a great collection! It's been described as Scary Stories to Tell in the Dark for grown-ups. My story in there is called 'The Cleaning Lady.' That might not sound like horror, but it's all in who you work for, isn't it?"

or 

"Crone Girls Press is one of my favorite publishers to work with. They're a feminist horror press and I love the types of stories Rachel finds for their anthologies!" 

If they lean superhero, I drop in tidbits like, "My menopausal superhero series is dram-edy in tone, intermixing superhero action with comedy about aging, with themes of female friendship." 

Or, 

"This is my more optimistic work, where heroines who are not 'spring chickens' save the day." 

I'm not a hard sell person. I hate it when people press me too hard, so I don't do that to others. I'd rather have a conversation, even if it doesn't end in a sale. 

If someone seems at least a little interested, I'll try one last push, giving them a bookmark with the link to my Amazon page on it and encouraging them to go check out the reviews and the "look inside" to see if my work is for them. 

I always thank people for stopping to talk with me, and I mean it, too. I'm grateful each time someone expresses interest in my work. 

Plus, you never know, even if you don't sell to that person in that moment, you may have put a ripple in the stream that will come back to you later. Your table guest might invite you to an event, or tell a friend about you. 

After nearly a decade of attending events and selling my books, I'm more comfortable with pitching my work, but I'm never going to accost some poor soul in an elevator. Let's all just get to the lobby in peace, please. 

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