An Interview with the Sidekick: an Open Book Blog hop post

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. This week, we're interviewing some of our "minor" characters.  I hope you'll check out all the posts: you'll find the links at the bottom of this post. 

So, let me introduce you to Suzie Grayson, from my Menopausal Superhero series. Suzie is the youngest character in the series who isn't someone's child, and one of the few non-powered characters in the main circle of heroes. 

Series Book Covers, by arrangement with the publisher

She entered the story as Patricia O'Neill's intern in book 1 Going Through the Change, and was there when Patricia's powers erupted and by her side as she built her hero's life as The Lizard Woman of Springfield. Some might call her a sidekick, but Suzie would object to that portrayal. 

Me: Hello, Suzie, Thanks for joining us here on Balancing Act today.
Suzie: My pleasure. It's not every day I get a private audience with our author.
Me: I hope you don't feel neglected.
Suzie: No worries. I've got surprises in store for you yet!
Me: (laughing nervously) Let's get to it. I know that people tend to underestimate you. I love writing those moments when they find out that they should have given a little more thought to the cute blonde. Do you have any favorite moment like that in our books?
Suzie: Well, of course my favorite is the short story about me: Underestimated.
Me: That is a good one! I really loved it when you turned off the generator by throwing your shoe into it. Quick thinking!
Suzie: That was a good moment, though I was more proud of the way I escaped from the chair they had tied me to.

Me: Classic sidekick moment. Though, of course, you didn't sit around waiting to be rescued. 

Suzie: No way. Patricia needed me. 

Me: You guys have a special relationship. 

Suzie: (laughing) Sure. You could call it that. There's nobody like her. But let's just call it what it is: she's my girlfriend. 

Me: What's that like? Working with your significant other?

Suzie: Well, it's never easy to work with Patricia, and it hasn't gotten easier since we started dating. But she's learning that I don't need protecting any more than she does. I'm really excited to see what you settle on for us in the next book!

Me: (sigh) Me, too. It's been hard, writing the series ender. 

Suzie: (winking) We can always come back for side stories later. It doesn't have to be good-bye!

Me: (brightening) You're right! 

Suzie: Of course. I almost always am. 

So glad you had the chance to meet Suzie, a feisty, determined, and brilliant young woman who is a delight to work with on the page. You can find her spotlight story in my Menopausal Superheroes short story collection: Through Thick and Thin. 

book cover by arrangement with the publisher

Now that you've met Suzie, click on the Inlinkz party below to meet some other great characters in my colleagues' work. 

You are invited to the Inlinkz link party!

Click here to enter

Book Birthday! Through Thick and Thin

 

Today is my book birthday! The sixth release in the Menopausal Superhero series made her debut today. Through Thick and Thin is a collection of short stories, featuring Flygirl, Fuerte, and The Lizard Woman of Springfield in both their costumed and civilian identities. We've got an impending wedding, a daring escape, superpowered rescue, and heartfelt friendship moments, all within a slender volume you could read in an afternoon. 

The older I get, the less excited I am about actual birthdays…but book birthdays? They're awesome! Projects come to fruition and out there in the world looking for an audience are WAY more exciting than merely surviving to be another year older. 

But, I still like cake, and you can be sure I celebrate each and every book birthday with chocolate :-)

Check out this back-of-the-book blurb. 

Hidden in the space between chapters lurk other stories. What came before and after, and meanwhile. The other side of the story, including the part our heroines didn’t know. This collection peeks around those corners of the Menopausal Superhero series.

Through Thick and Thin will get you up close and personal with your favorites. Fuerte wasn't always Fuerte - or male. It’s confession time in "Coming Out as Leonel." Join Patricia, the Lizard Woman, as she unravels the puzzle of Dr. Cindy Liu's disappearance in "The Right Thing," then see her softer side (and her "better half," Suzie) in "Underestimated." Get ready for a wedding, and a heroic rescue, in "Flygirl's Second Chance."

These aren’t your father’s superheroes. Whether you’re already a fan or are just meeting these characters for the first time, the menopausal superhero series explores what it means to be a hero at any age or stage of life.

If you've been meaning to check out my series, this short story collection is a great introduction to the characters and concepts as well as my writing style and the drama-dy (part drama/part comedy) tone of the books. And it's available through Kindle Unlimited if that's how you roll. Paper copies will be available in the next few days. 

Can't wait to bring you more of these characters in 2021, but for now, please check out the series, and if you've read them, leave a review! Reviews are even better than cake. 

The Importance of Momentum

So, I recently had to take a hard pivot in my writing life. 

I was chugging along on a Gothic romance and loving it, when it hit me that I only had six months left to write the fourth Menopausal Superhero novel and I'd better get that puppy going. I'm grateful that I have a publisher waiting for my work, and accept that having that comfortable situation comes with costs, such as deadlines. But it wasn't easy to switch gears. 

Getting back to the Menopausal Superheroes came with some extra challenges as well. While I'd worked through edits over the past year for two new novella releases in the series (third one coming in August!), which kept a hand in, I hadn't written anything new for these characters in more than two years. There's some emotional baggage with that, including a bad breakup with a publisher. 

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So, I started by reading my own books. Re-immersing myself in the world and making notes about little character details that had grown fuzzy in the two years I wrote other stuff. 

Re-reading your own work is a fraught process. If things are going well, you're growing and learning, so looking back at your old work can be painful. You're like, "Dang, I could do this so much better now." 

And I did experience a bit of that, but I found that I still love my characters and my world, which is good news since I've promised to write at least two more of these!

I guess I thought that as soon as I'd selected a couple of threads to pick up, I'd sit down and the words would just flow. 

But that isn't what happened. I struggled. Heck, sometimes I chose to work on peeling off old wallpaper in my office rather than tussle with my imagination. 

You'd think I'd know by now, but I'd entirely forgotten the role of momentum in writing. 

In some ways, I have a lot of momentum going. I write every single day, come hell or high water, whether or not G-d is willing or the creek rises. My daily writing chain is approaching seven years in length. In that sense, at least, I've got discipline at this point. 

That's some serious momentum. 

But it's not momentum on this project. The Menopausal Superheroes lost momentum in the struggles with that first publisher and the transfer of rights, then on-boarding with the new publisher. 

In the scheme of things, I did that quickly and smoothly compared to how badly it can go, but still, momentum was lost, not just with readers, but with me, the writer! I took on other writing projects and let the superheroes sit, waiting for their moment. 

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So, of course, when their moment arrived, it wasn't instantly beautiful again. Hopefully it doesn't sound too crazy to suggest that I had to work with the characters a bit again, to get them to trust me again and start talking to me. 

But here we are one month into working on the new book, and I've hit a good stride. 

I know I'll hit more walls and have ups and downs as the process continues. After all, this isn't my first rodeo anymore. Hopefully that will keep me going when the going gets rough again. 

But, for now, I'm happy to have made the first little hill on the rollercoaster. I'm strapping in, knowing the ride will get bumpy, but all so ready for the journey! Wish me luck. 

Reading my Own Work

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I'm settling in to write novel #4 in the Menopausal Superheroes series. I've been on a hiatus from writing in that series for two years, not because I was done telling the stories but for business reasons (short version: old publisher fell apart, got rights back, republished with a new company. Details in this blog post). 

Throughout 2020, I've worked with Falstaff books to bring out two novellas and a collection of short stories (due out in August!) in the series, but these are all things that I wrote in 2015-2018. So, editing put me back in this universe again, but not in the same immersive way as actively writing with these characters. 

To get into the right head-space, I decided I had best re-read my own series, making notes about seeds I had planted or threads I had begun that might be developed for books 4 and 5. 

The good news:  I still LOVE these characters and this world. My menopausal heroes still amaze me with their bravery, honesty, and caring. I can hardly wait to spend the next few months fighting, living, and learning alongside such fabulous imaginary friends. 

And re-reading my old work is not making me cringe. I worried it might. Sometimes, it's like that--you learn so much across a writing career, and reading work by "past me" can make me want to snatch it back and do it over. I do think I'm a better writer now than I was in 2015 when the first novel came out, but I still think 2015 Samantha was a damned decent storyteller with a creative premise and good emotional engagement. 

I love the energy I'm catching from the characters: 

Wish me luck guys! I'll be working to recapture the magic and energy and form it into something new. Something you can read in 2021! 

Marketing from Home: Calling into the Void?

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Many of my writer-friends and publisher-friends are struggling this year. Convention after convention has been cancelled, and those in-person opportunities to talk about the work make up the bulk of sales for some of us. 

Attracting attention for small press and independently produced books is an uphill climb to begin with and a major tool in the kit was lost to COVID. Several have resorted to holding a Go Fund Me just to stay afloat/in business. 

I don't know yet how it's affecting my sales--there's lag when you work with a publisher. My last royalty check covered the first quarter, January-March, which still included conventions. It was higher than average. So, I'll see how the August statement compares when it gets here. 

I had two new releases in this span: Friend or Foe (novella, book 1.5 in the series) dropped right at the end of March and The Good Will Tour (novella, book 2.5 in the series) dropped in early May. So, that means I've got more revenue streams with that publisher right now. My first book in the series was on 99¢ sale on Kindle for most of the quarantine. I'm hoping all that helped. 

I've been taking advantage of online opportunities, participating in filmed Zoom panels, online convention content, podcasts, and readings. I've set a summer goal of producing one video a week for my YouTube page, which I definitely don't produce content for often enough. Some of these online opportunities take less time than my in person events would have--a couple of hours shut away in my office, but no road trip, networking meal before or after, or hotel stay. Others take longer because I have to learn new things to be able to participate. But it's much harder to gauge the reach. Who's watching? 

There's so much digital content out there, and the amount has only grown with everyone isolating at home and finding they have the time. Who's going to watch me read when they could listen to Patrick Stewart or Yo-Yo Ma? Even if I recolor my hair and buy new curtains. 

So maybe I'm wasting my time, but I try to look on the positive side. It's my nature to remain hopeful. All this digital footprint I'm building will linger and even if no one listens the week it's released, that great talk I had with Michael G. Williams on Public Domain Radio will there indefinitely. Someone could stumble across it at any time and discover an enthusiasm for the Menopausal Superheroes. 

That makes it worth it. 

And even if I don't find an audience this way, at least I still get to talk books and writing with bookish writing friends. The experiences themselves lift and enrich me. That's always worth it! 

Switching Gears

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I've been working on a novel for about a year (a gothic romance, working title The Architect and the Heir). It's going well and I want to keep plugging away on it. I gave myself "until school ends" to finish a draft…and I failed to do so. 

I made great progress, especially considering that I do this part time and you know…COVID, police violence, terrifying fascism rearing its ugly head everywhere. If 2020 is the year of seeing clearly, I sometimes wish I could back to being blind. 

And now, I have to shelve A&H and switch gears, hard turn to starboard. 

The reasons are positive. I have a contract! That's a lucky position for an author to be in: knowing I have a publisher ready and waiting for my book, willing to help bring it out there into the world. 

But contracts come with deadlines--external deadlines, imposed because of schedules for editing, proofreading, cover art, etc. My next deadline is January, which means it's time to set down Devon and Victor and pick up the Menopausal Superheroes again or I won't make it. 

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I'm also coming back to this series after a nearly two year break during which I worked primarily on other fiction: short stories, editing for work that already been submitted, and another shelved novel before this one. So, I'm feeling a little daunted. 

This is the first time in my writing career (all five years of it) that this has happened to me. I've heard other writers talk about juggling different projects and now I finally understand how wrenching it can be to slam on the brakes and screech to a halt, leaving good rubber on the road, so I can keep my promises. It's not that I don't love the other projects, too--I totally do! It's just the moment of switching gears that hurts a bit. 

I'm hopeful though, that Devon and Victor will be there waiting for me when I come back to them. I've made good notes about where the story is going. I have already managed to set it aside three times in the past few months to complete edits on novellas for the Menopausal Superhero stories, and each time I fell back in within a few days. 

Any advice for me on switching gears and finding my groove on the new thing quickly? The clock is running guys, so I need to get this booty moving! I'd love to hear your ideas in the comments!

Women's Fiction Day: Focus on Speculative Women's Fiction

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Today is Women's Fiction Day, which might have some of you saying, so what's "women's fiction"?

Like most definitions and categories, you might get a slightly different answer depending on who you ask. But I like this one from the Women's Fiction Writer's Association (a fabulous and supportive organization I am a proud long time member of):

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Women's fiction books can cross-categorize and also be thrillers, or historical fiction, or adventure stories or any number of other things. 

My Menopausal Superhero series is women's fiction. It's also science fiction or fantasy (depending on who is shelving the books today: superhero falls under both of these genre umbrellas). It's action and adventure, too. But at the heart of the story, we have a group of women struggling to come to terms with life-changing events and we follow them through that journey. So, it's women's fiction. 

GIVEAWAY! One digital copy of the volume of your choice from the series to a randomly selected commenter on this post. Please leave me an email address or another way to contact you in your comment and I'll choose a random winner on 15 June 2020. If you wish to enter without leaving contact information publicly, leave a comment and email me separately at contact@samanthabryant.com  I won't add you to my newsletter unless you ask me to (or you can do that yourself here). 

Of course, I'm only one of many women out there writing speculative women's fiction and this seems like the day to highlight some of the innovative work by my colleagues. There can't be too many stories that give us the chance to follow a woman's journey AND enjoy the pleasures of speculative fiction at the same time! Here are some books to check out to celebrate the day: 

	Stephanie Alexander's Cracked Slipper series mixes women's fiction with fairy tale enchantment. She also penned Charleston Green, a work of Southern women's fiction featuring a ghostly murder mystery.
	Virginia King writes the Secrets of Selkie Moon series, modern psychological thrillers with a mythical twist, peppered with a cast of quirky characters.
	Laurel Anne Hill’s novel, THE ENGINE WOMAN’S LIGHT, is a spirits-meet-steampunk, coming-of-age heroic journey of Juanita Elise Jame-Navarro in an alternate 19th Century California.
	Diane Byington's newest release If She Had Stayed, is a blend of women's fiction, thriller, and time travel.
	Rachel Dacus's work explores ghosts and time travel alongside friendship, romance, and sisterhood.
	A L Kaplan writes character-driven science fiction, dystopian, and fantasy. In Star Touched, 18 year old Tatiana is running from her past and her star-touched powers 8 years after a meteor devastated earth's population.

Check out the Treasure Hunt on the WFWA page for a chance to win a variety of women's fiction in celebration of the day!

IWSG: When I Grow Up . . .

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop.

If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking.

If you're a reader, it's a great way to peek behind the curtain of a writing life.

The awesome co-hosts for the December 4 posting of the IWSG are Tonja Drecker, Beverly Stowe McClure, Nicki Elson, Fundy Blue, and Tyrean Martinson! I hope you'll check out their blogs as well as some of the others on this blog hop after you see what I have to say.

December 4 question - Let's play a game. Imagine. Role-play. How would you describe your future writer self, your life and what it looks and feels like if you were living the dream? Or if you are already there, what does it look and feel like? Tell the rest of us. What would you change or improve?
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I've always had a lot of dreams about what my life would be like when I grew up. If you went back and talked to six-year-old Samantha, you'd have heard about the giant house she'd have on a cliff above a raging sea, with a tower room where she kept her art supplies and dancing shoes. The gardens would rival the ones I'd seen at Biltmore that one time on vacation and there would be a waterfall in my backyard.

I planned to finance all that by being a teacher, which shows that I didn't have much of a practical understanding of money, but was full of optimism. That's probably still true to some extent :-)

I wasn't much older than six when I decided I'd be a writer, too. Of course, my dreams about how that looks have changed a bit since then. 

When I was a kid, I imagined that a writer spent all her time walking around in long sweeping dresses across gloomy landscapes (like a Brontë sister), then went home and wrote passionate poems (like Emily Dickinson). I didn't spare a moment imagining how this writer bought her pop tarts and hot chocolate. I probably thought my mom would keep taking care of that for me. 

Now, I'm closer to living the dream of my writing life than I have ever been. I've had my first taste of success with three of my novels accepted for publication. They sell at least a few copies every month and I get invited to author events several times a year.

I'm a "real writer" by nearly anyone's estimate and I have to say it feels good. I write every single day and I get my words into print regularly. I'm more confident in my work every day, and know I'm building a career that will see me through to the end. 

My imagination, at least when it comes to imaging my own future, doesn't run as wild and free as it did when I was six. Even my "crazy dreams" are a little more realistic. They are possible, at least, even if they're unlikely.  

I imagine the Menopausal Superheroes getting picked up by Netflix and made into a series with Kathy Bates and Helen Mirren in the cast. It's a huge hit of course, and Hollywood realizes that there's a huge market for stories about strong women of all ages and they've been missing out on millions of dollars by only marketing to and casting the young.

(Menopausal Superheroes as drawn by Charles C. Dowd)

I get more offers than I can find time to fulfill to write more stories. I make so much cash that I send my second daughter to college without borrowing any money and pay off everything I borrowed for the eldest! I take my husband and family on wonderful trips to all the places we've always wished we could go see. I drive a car during the same decade it was manufactured!

Ellen DeGeneres calls and I charm everyone with my genuine awkwardness in my stint on her show. I use the opportunity to raise money for my foundation that sponsors women creators to produce the work they were meant to make. My foundation frees thousands of women from the struggle of making ends meet and their creations change the world for the better. 

I still teach, because I love teaching, but I do it part time, only for students who care about learning what I am trying to teach. I still write every day, because that's the fun part. How about you? What do your dreams of superstardom look like? 

IWSG: Taking Myself by Surprise

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking.

If you're a reader, it's a great way to peek behind the curtain of a writing life.

This month's wonderful co-hosts are Renee Scattergood, Sadira Stone, Jacqui Murray, Tamara Narayan, and LG Keltner! Be sure to check out their blogs, and some of the others in this blog hop after you see what I've got to say this month. 

The August 7 question - Has your writing ever taken you by surprise? For example, a positive and belated response to a submission you'd forgotten about or an ending you never saw coming?

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Surprise is the heart of the fun of a writing life for me. Nothing thrills me more than when a character throws a monkey wrench into the works by announcing a sudden change in what I thought was the plan. Sometimes I want to throw it right back at her--especially if it means major revisions which can be a lot of hard work--but those sudden inspirations lead to the best work and I'm always happy to see them. 

I know some writers who are heavy duty plotters, and though I've become a bit of a plantser (half-pantser, half plotter) as my career has progressed, I don't see the fun in writing if I already know where the story is going. 

I think of myself as a discovery writer--writing to learn what this story and these characters are about, what they have to say. Anything else feels too safe to me. Why would I write what I already know? 

The subconscious works in mysterious ways and it's always neat to see the groundwork my own brain has laid out in a story without telling me about it. 

In my Menopausal Superheroes series (no spoilers!), there's a character who surprised me with a love affair in book three. When I took it to my critique group in draft, I expected them to rake me over the coals for springing a romance on them out of left field. Instead, the reaction was more like, "Well, it's about time." Apparently my readers already knew, even if the characters hadn't told me yet. And sure enough, as I read back through, the breadcrumbs were there. You wouldn't think a writer could sneak up on herself like that, but, apparently, I can. 

That's also why I delight in trying new genres, styles, and types of characters in each project. I like to surprise me! And when it goes well, my readers enjoy the surprise, too. 

What kind of surprises have you enjoyed in what your reading, writing, or viewing? 

IWSG: Am I my Characters?

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking.

If you're a reader, it's a great way to peek behind the curtain of a writing life.

This month's wonderful co-hosts are Erika Beebe, Natalie Aguirre, Jennifer Lane, MJ Fifield, Lisa Buie-Collard, and Ellen @ The Cynical Sailor!

Be sure to check out their blogs (and others on this great blog hop) when you're finished here! This month's (optional) question: What personal traits have you written into your character(s)?
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I try not to just write characters that are analogues for myself--I'm rather dull, really: reliable, steady, not-that-dramatic. If I took "write what you know" to mean "write characters just like you" no one would want to read my work. Heck, *I* wouldn't even want to read my work.

I like my real life nice and boring and regular, but not my fiction, thanks. How many quiet and reliable schoolteachers who love the man they are married to and do what they say they're going to do on time would you read about?

Yeah, me either.

But I do find that fiction is accidentally confessional from time to time, revealing biases, prejudices, and preferences that I may not even really be aware I have until after I see them reflected in a character. Things that bother me in real life may end up bothering one of my characters, too. It can be a good way to take myself down a peg, too--my favorite person to poke fun at is myself.

Patricia, of the Menopausal Superhero series, is impatient with newbs. She's got her own way of doing things and doesn't like to be slowed down by having to explain herself to others.

There's a bit of me in there, always tempted to look away when they're looking for volunteers, hoping that maybe I can just do the work and not have to help someone else do it at the same time. Impatient with youth and inexperience when it slows me down.

(This is mostly in my teaching life; in my writing life: mentoring and being mentored has been a lot more natural, organic, and useful. The uselessness of most teacher training and evaluation programs could be a whole ranty blog post by itself).

Of course, Patricia isn't nearly as polite as me.

From Going Through the Change, the first in the series:

"Patricia rubbed at her forehead as if she could reach the headache forming somewhere deep behind her right eye. She had worked for this man for how long now, twenty years? A good ten years before that for his predecessor. He knew damn well she preferred to work alone and absolutely detested any kind of group project or partnership. Yet, this was the third time he had assigned her an intern to mentor. Always women, too. Or really, girls. Skinny little milksops with no real backbone. he actually used the word nurturing, like she was a freaking wet nurse. Didn't he remember that she had sent the last one home in tears?"

I also remember that when I got to the end of the first book I ever finished (unpublished, women's issues fiction: His Other Mother), I was surprised to discover that I'd written something very much like a gender-switched relationship dynamic from my first marriage. Oops. I didn't know I was doing it at the time.

Of course, there are small things, like a character who likes a food you like, or prefers the same kind

of pillow, or drives a similar car. Those slip in on me all the time because I need a small detail to add some life to a moment and I understand my own preferences from the inside, so they're easy to use.

But, I don't usually intentionally give my characters my own characteristics. I'm not using my fiction as disguised memoir. My imaginary friends are much more interesting than I am--and I like it that way!

My Year in Words

2018 was the first year since I launched my author life in earnest in which I did not publish a novel. I think that's why, here at year's end, I feel like I'm waiting for something. That could also be because I'm also literally waiting for something though. :-) (See November for what we're waiting for).

Here's a look back at 2018 in Samantha's Writing Life: the author events, the words written and revised, the works released, and the books read and reviewed. Given that it was also a year in which my daughter graduated high school, my husband changed jobs, my other daughter started middle school, two people I cared about died, and I took on a new course in my already jam-packed teaching day…I feel pretty good about these stats.

January: 
Events: Illogicon, Taught "Write Your Novel, Part I" for Central Carolina Community College.
Wrote: 35,410 words
Revised: 34,099 words
Read and Reviewed: 2 books

January feels so long ago now that it's a dim memory. I do know though, that I had picked back up in earnest on my WIP: Thursday's Children, a young adult near-future dystopian. That New Year's rush of enthusiasm and commitment kept me going at a good pace for a while.

This book has taken me longer to write than I expected (I'm still working on it in December, which means it's been about 18 months). I'd been spoiled by how much quicker it can be to continue with an established world in a series rather than creating a whole new one, but I'm still happy to be creating something new. Staying on one project too long can be stultifying.

February:
Events: First Monday Classics discussion of War and Peace, Mysticon
Wrote:  27,266 words
Revised:  24,733 words
Read and Reviewed:  3 books

Mid-way through February I lost momentum on the novel. I still wrote every day, but I was cheating on my novel with short stories and blog posts and things that I could complete with a slightly scattered focus.

Conventions are great fun, and a great way to get the word out there about your work, but they do also take a fair bit of time: prepping for your panels and events, social media promotion, and the three days of the convention itself are a pull from whatever else you might have used that time for.

This could also have something to do with the fact that I was the cookie mom for my daughter's Girl Scout troop and February is the height of cookie season…

March:
Events: First Monday Classics discussion of A Narrative of the Life of Frederick Douglass
Wrote:  28,475 words
Revised:  17,834 words
Read and Reviewed:  5 books

I read a lot in March. It was a "filling the well" sort of month. My momentum on the novel was low. Really, I only tinkered with it, revising a few thousand words and only adding 274 new ones across the entire month.

My publisher was imploding and I was worried about what this meant for my Menopausal Superhero series. I was dreading the confrontation that was coming about breach of contract and rights. I got the flu and part of me wonders if I got it in part because of the emotional stress weakening my reserves.

My support groups were so important in March! They kept me moving forward because I had commitments to uphold: promised chapters, stories, critiques, reviews, or blog posts. When you hit a rough patch, it's good to have friends and colleagues to keep you going.

April:
Events: First Monday Classics discussion of Catch-22, Ravencon
Wrote:  25,791words
Revised:  20,856 words
Read and Reviewed:  8 books

Another month where I started strong on the novel, but fizzled on momentum halfway through the month.  The month included a convention (see above: TIME) and there was a lot of personal life to balance with my writing life: one of my daughters and I both have April birthdays.

When I look back on what I got done in April, I see that my structures served me well. I had planning meetings, networking events, and critique sessions booked in advance and there's nothing like "But I promised" to get me working even when I don't feel like it. I'm very much a "keep your commitments" girl (Thanks, Mom and Dad), so I still wrote every day. It's obvious I was still hiding from the work though when you look at how many books I read.

Ravencon was a highlight. It's a well organized convention and I've enjoyed both my sojourns there as an author guest. This year, Chuck Wendig was there as a the author guest of honor. I managed to introduce myself without making a total ass of myself and we even had a nice conversation about parenting. His munchkin is still quite little, whereas I was preparing to send one to college, so we talked about how weird that is.

May:
Releases: Pen and Cape Society's The Good Fight 4: The Homefront
Events: First Monday Classics discussion of  True Grit,  Free Comic Book Day at Atomic Empire
Wrote:  29,955 words
Revised: 11,139  words
Read and Reviewed:  7 books

May is always hard on schoolteachers. Testing begins and all the work of the past year is called into account. Everyone is exhausted and a little mean, especially the other adults. (see my thoughts on why May should be optional)

Add to that a daughter taking four AP classes and two Honors classes who is about to graduate high school and is managing college and scholarship paperwork alongside a part time job and you have an idea of the tenor of our home life in May. My poor husband! (He's still here in December, so he must really love us).

The new release helped. "Coming Out as Leonel" is one of my favorite Menopausal Superhero shorts that I have written and I was happy to have a chance to get it out to a new audience. (You can get it for free by signing up for my newsletter, BTW). Leonel is a crowd favorite character. Seeing your work in print is always validating and motivating, too.

I made NO HEADWAY on the novel at all in May. 300 words revised one afternoon. I guess so I could still tell myself I was working on it?

I did, however, write a new short story that had been on my backburner for a good long while, and was really pleased with how it came out. "Late Bloomer" is one of my Shadow Hill stories (a series I work on between larger projects, weird stories that all take place in the same suburban neighborhood, suspiciously like the one I live in). The story is out on submission right now, so we'll see if it finds a good home.

I also did a fair amount of journal writing, which is useful to me when I'm going through rougher times. Getting it on paper (on into a document) seems to let me set it aside and focus where I want to.

June:
Events: First Monday Classics discussion of A Wrinkle in Time,  ConCarolinas
Wrote:  24,485 words
Revised:  29,360 words
Read and Reviewed:  4 books

So, I survived and made it to summer break. The girl graduated. The other girl became a middle schooler.

I enjoyed that side step into short stories in May, so I stayed there all of June as well, revising old stories and writing new ones. By the end of the month, I had written 7,128 new words of fiction in short stories and revised another 29,360. That feeling of finishing things is addictive, I think. It's definitely one of the appeals of writing shorter things.

Working with a friend, I built a database of what was available for submission with the intention of getting my work back out there in submission. After all, no one will publish stories that just sit on my hard drive. You've got to submit work to see it published!

That meant that I still stayed stuck on the novel though. I didn't check in on it at all during June. Not even a token afternoon of editing like I'd done in May.

ConCarolinas was contentious in 2018, and I waffled until the last minute about whether or not to keep my commitment to go after some controversy surrounding one of the scheduled guests and his behavior towards other panelists and con go-ers. He ended up not attending, and I ended up having a great con, both in terms of sales and networking, and the controversy remained low-key, at least in my presence.

I was on several panels with Seanan McGuire, the author guest of honor, an experience which only deepened my admiration of her work. I gifted her the last print copy of Going Through the Change I had with me when she expressed interest, and I'm hopeful that she might even read it someday :-)

July:
Events: First Monday Classics discussion of The Good Earth, Con-Gregate, my yearly Writers Retreat
Wrote:  34,832 words
Revised:  15,303 words
Read and Reviewed:  2 books

Thank goodness for writer's retreats! My critique group has, for the past few years, scheduled a few days away from home in July for writing. We rent a house together, share meal planning and prep, and write and talk about writing, enjoying the respite from our other responsibilities.

This year, we went to Pelican House at the Trinity Center in Morehead City, NC, a place where I have taken writing retreats solo before. I love it because the meals are prepared for me and there's a lot of lovely setting to explore when you need to clear your head.

This is where I found my footing in my novel again. I'd been reading Gabiela Pereira's DIY MFA, which is a great collection and analysis of a variety of advice surrounding writing process and productivity. There's a technique she suggests called scene cards. I've never been an outliner, but I thought it couldn't hurt and might help, so I gave it a go. I wrote about it more detail in this blog post. But the TL;DR is: it worked! I started moving forward in the story again.

August:
Events: First Monday Classics discussion of The Grifters
Wrote:  21,201 words
Revised:  16,286 words
Read and Reviewed:  2 books

So, 21,201 might not look that impressive when I just said that I found my footing in the novel again, but 3,225 new words and 16,186 revised words on a project that had all but stalled felt wonderful! I worked on it steadily, too. A little each day, with real progress on over half the days of the month. Thursday's Children was back on the road to becoming a completed novel.

August also came with a bit of an ego bump, just when I needed it. A magazine found me and sought me out for an author interview. That "out of the blue" stuff is the best! I definitely appreciate it when friends and colleagues notice and promote my work, but part of me thinks they only do it because they like me, as a person. So, it's personal rather than professional recognition. When it's a stranger, it's easier to believe that they honestly admire the work.

September:
Events: Ravencon 13.5
Wrote:  26,512 words
Revised:  13,355 words
Read and Reviewed: 6 books

Spring 2018 had been rough in terms of time management and I decided that going forward, I would do fewer spring events and show a little respect for the demands of my day job and family as well as my own physical and emotional limits. So, I was thrilled when Ravencon added a .5 event, a smaller convention in September. I signed up right away and had a wonderful time! 

Since some of the bigger name authors who travel the same convention circuit I do weren't there, I got to feel like a bigger fish in the pond than is typical. The whole convention had an intimate feel that was right for my comfort levels as an introvert faking comfort with public events.

September was also good for forward momentum on Thursday's Children, with another 2,378 in new words added and 13,355 in revisions. Revisions in my case often means serious expansion of a skeletal scene or structural re-arrangement, so those 13K words are not to be sneezed at as window dressing or surface edits. They are real progress.

October:
Releases: "The Girl in the Pool" a daylight ghost story in Off the Beaten Path 3; "Ashes" a southern gothic demon lover tale in Beyond the Pane
Events: First Monday Classics discussion of Les Misérables, Conapalooza, Real Life Ghost Stories
Wrote:  36,444 words
Revised:  0 words
Read and Reviewed:  3 books

I didn't work on my novel in October.

The difference was that it was intentional.

A friend of mine does a flash fiction challenge each October called Nightmare Fuel. She provides visual prompts and the participants write flash fiction to go with each. I've participated for a couple of years now and I find that the story-a-day format is a great refresher, a sort of vacation from the work of writing to remember that it's fun by playing with work that I'm not applying as much pressure on. (You can view the stories I wrote for the challenge here).

More than once, these play-pieces I've begun for Nightmare Fuel have grown into something I saw published, which goes to show that leaving yourself space to play can be good for your work.

I also wrote 31 blog posts here at Balancing Act in October, each celebrating an aspect of Halloween. Once in a while, it's nice to just let my inner fan girl squee about the things she loves, you know.

Conapalooza was fun, if light on sales. They're new, in an area of the country where there aren't that many conventions and geek-centric events, so I think they'll continue to see growth in upcoming years. A highlight was hearing my sister do her first public reading of her work. Yep, writing is contagious y'all. Watch out, or you might catch it, too!

The big news was that the tension with my publisher resolved. I asked for and received my rights back without struggle or animosity. I'm so relieved!

November:
Events: First Monday Classics discussion of To the Lighthouse, Local Authors Book Fair
Wrote:  27,828 words
Revised:  28,723 words
Read and Reviewed: 2 books

I jumped back into Thursday's Children with both feet on November first and made steady progress all month, adding 7,162 new words and revising 20,723.

I also made a big push on submitting all those short stories I worked on earlier in the year, which including a bit of revision time on those as well. All in all, I made 17 submissions in the month of November. For comparison, I submitted 0-1 pieces all the other months in 2018.

The Local Authors Book Fair held by my local Friends of the Public Library was a great success. I sold a fair number of books, made some new writer friends, and had a great day.

I signed with a new publisher! The Menopausal Superhero series will soon be re-released and carried by Falstaff Books, of Charlotte, NC. I'm so pleased to have signed with Falstaff. Everything I know of them is positive, and I expect to be treated fairly and expand my readership under their auspices. I'll share publication dates and information as soon as I have it!

Knowing that my books are in a stable home has me excited about the series again and I expect to get back to that long-stalled fourth book in the series in 2019.

December: (numbers as of December 21)
Releases: Tracing the Trails: A Constant Reader's Reflections on the Work of Stephen King
Events: First Monday Classics discussion of Little House in the Big Woods
Wrote:  23,172 words
Revised:  8,756 words
Read and Reviewed:  4 books

December has continued the positive trends started in November, with steady progress on the novel and continuing to get my work out there on submission. A few rejections came back and I just immediately turned those puppies around and sent them seeking a home somewhere else. 

A writing partner, Nicole Givens Kurtz, and I have sent out proposals for our nonfiction teaching book On Teaching Speculative Fiction and I'm feeling hopeful that we'll find a good home for our work. 

A nonfiction essay I wrote about Stephen King's collection of short stories, Nightmares and Dreamscapes (especially Dolan's Cadillac) was published in Tracing the Trails,  a labor of love from a long-time writing friend and my nemesis on the Magic Spreadsheet, Chad A. Clark. 

I feel as though I'm ending 2018 on a positive and productive note that will carry me into 2019 full of hope and energy. So despite the rollercoaster feeling of the year, I'm glad I got on the ride!