Ideas Stalk Me

(Reminder: this site is now ONLY my blog. If you're looking for my book links or contact options, events, or any other aspects of my writer life, please visit http://dangerouswhenbored.com )

 

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG.  The awesome co-hosts for the June 3 posting of the IWSG are Victoria Marie Lees, Sarah Foster, Natalie Aguirre, and C. Lee McKenzie!

June 3 question - Do most of your story ideas come from one place (the news, dreams, etc.) or do they hit from all over the place?

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Story ideas seem to stalk me. They're EVERYWHERE. Some of them just open up like trap doors and I fall in. Others snatch at my ankles and trip me up when I'm trying to go to the grocery store. A few are responses to things I've seen or read or heard.  The weirder ones just sort of drift in like a cloud and rain on me for a moment. Every idea I have calls up her cousins and invites them to the party, too. Sooooo many ideas. 

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 The difficulty for me has never been coming up with ideas, but more in the choosing one and staying focused on it long enough to see it to fruition. I think that's part of why it took me so long to "get serious" about my writing life and start finishing things and ushering them down the whole road into publication. 

These days, I'm getting better at assessing quickly which ideas are "good" in the sense of having enough meat on their bones to make a whole story out of and which ones are more like a shower thought that might make a semi-clever social media post. The ones that are going to make it into short stories or books are persistent. They poke me more than once. That's part of how I know. 

How about you?  

Early Works by Young Samantha: an IWSG post

 

(Reminder: this site is now ONLY my blog. If you're looking for my book links or contact options, events, or any other aspects of my writer life, please visit http://dangerouswhenbored.com )

 

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG.  The awesome co-hosts for the February 4 posting of the IWSG are J Lenni Dorner, Victoria Marie Lees, and Sandra Cox!

February 4 question - Many writers have written about the experience of rereading their work years later. Have you reread any of your early works? What was that experience like for you?

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I didn't really start taking my writing life seriously, finishing things, and seeing them into publication until I was in my 40s…so "early works" in that sense is really only a decade or so ago, and while I have grown as a person and a writer in those ten years, it's not startling in the way it might be if I'd been at this longer. 

 I *did* write when I was child and young woman: poetry, essays, short stories. Mostly, when I look back at those, I'm kind of charmed at my child/younger self. Sometimes, it makes me cringe a little to see how directly autobiographical I was…but capturing your own lived experiences and considering what they might mean isn't such a bad place to start in a life of making art. 

Young Samantha and her scribblings led to the Samantha I am now, after all, and I like me and the work I do now, so I can't be too hard on her. :-)

 Somewhere along the line, I learned to be a little less "on the nose" but I do still process all the things that worry, bother, or anger me in my writing. And it still works for me. 

 

The Best Gift, an IWSG post

(Reminder: this site is now ONLY my blog. If you're looking for my book links or contact options, events, or any other aspects of my writer life, please visit http://dangerouswhenbored.com )

 

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the December 3 posting of the IWSG are Tara Tyler, Ronel Janse van Vuuren, Pat Garcia, Liza, and Natalie Aguirre!

December 3 question - As a writer, what was one of the coolest/best gifts you ever received?

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Winter Holidays, 2010. We had opened all the packages and were sitting there basking in the glow when my husband announced that there was one more gift. He left the room and came back with a little scroll, then handed it to me. 

When I unrolled it, I found that Sweetman had bought me a writing retreat! I'd be going to Pelican House for a week of quiet and writing. 

 It was quite a gift--not only in the dollar value of the retreat itself, but because it was also a promise to take on the extra labor to grant me the time. He'd be a single dad to our kids (they were nine and two at the time), take care of our house and dog, and leave me free to ignore my part of those responsibilities for a whole week and just focus on my writing!

 It was an amazing show of support.  

That week ended up being really important to my writing life. Not only did I make great progress on the book, but I made friends with a group of supportive women who boosted my confidence and helped me see the value in my work. It did a lot to fight my imposter syndrome and make me feel like this was something I could actually do. 

It's easier to find writing time now. Our kids are older. I changed jobs to something less stressful. I've got better at focusing under less-than-ideal conditions. But the writing space inside my head still looks a lot like the room at the top of the cupola at Pelican House. 

What I thought a writing life was, an IWSG post

 

 

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the November 5 posting of the IWSG are Jennifer Lane, Jenni Enzor, Renee Scattergood, Rebecca Douglass, Lynn Bradshaw, and Melissa Maygrove!

November 5 question - When you began writing, what did you imagine your life as a writer would be like? Were you right, or has this experience presented you with some surprises along the way?

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 I "began" writing several different times in my life. 

The first time, I was a child, so I had no idea how money and life in general really worked. I imagined that I'd have a tower room to write in, a horse to ride in the forest, and I could simply dream away every day making up stories. 

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Somewhere along the way, I realized that the likelihood of my ever having the money to afford that life, as a writer or anything else, was low. 

I began again as a college student, when I was around twenty. This version continued into my early thirties. Although I taught for a living, I aspired to be poet. Not just to write poems, but for writing poems to be my vocation. 

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I understood it wouldn't make me famous and that I'd need to do something else to make a living by then, but I wanted to write poetry that changed and moved people, poems that got quoted and that I was invited to read at big public events. 

It's hard to pin down why--becoming a mother? different kinds of inspiration? the lure of other artforms?--but I moved away from poetry in my mid thirties, at least with the kind of intensity I brought to it when I was younger. I still write poetry, but it's gotten to be a more private art form for me these days, something I do for myself and not something I write to share. 

The third time I began was in my later thirties. I joined a novel-writing critique group to light a fire under my creativity and help pull myself out of a pretty deep post-partum depression spiral. I had never really considered writing a novel before, and most of those early efforts were pretty terrible, but I kept going. I think part of me thought I could still be Jo March all these years later. 

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When I finished my first novel (unpublished, and probably never will be--it was the book I wrote to learn how to write a book), I started to imagine what that kind of writing life would be like. I imagined that having a book accepted for publication would be life-changing and allow me to stop my other money-making pursuits. After all, movies and TV certainly present it that way. 

Now I am really am a novelist, with five of them published, and three more in process for next year. It's up and down so far as what it earns me. I'll have a stellar month with lots of sales and new acceptances, followed by a month or two or three with no flow. 

Though the income and reception may not be steady, I am. I write every day, and I'm always working on something new as soon I've finished a project. At this stage, the writing life I imagine and am building toward is the one that comes with being retired and not being tied to the time and mental space the day job takes up now. I've got a writing life that can easily fill full-time hours…but not the income to allow me to give it full time hours. 

All the same, I never seriously consider giving it up, even when the going gets rough. I can't imagine NOT having a book I'm working on. That would be like not reading, not eating, not breathing, it's so ingrained into my life. My tower room may never become a reality, but I can write one for my characters and it feels almost the same. 

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PS--unrelated to today's prompt. I've built a new author website through BookBub. You can check it out at http://dangerouswhenbored.com  But it's not going to work for blogging, unless they make some updates, because their blog pages don't include comment functionality. Blogger, where I've been since 2009, is no longer well supported. I'd love suggestions about what to use! Feel free to comment here to to contact me another way (email: samantha at samanthabryant dot com, samanthabwriter on most social media) to give me your suggestions or feedback on my new website!

Wasting time? Or filling the well? An open book blog hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

What is your favorite way to waste time? (be non-productive) Bird watching? Long walks? Does it help your writing?

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I'm…not very good at being nonproductive. Or as other have put it, I don't know how to relax. 

I've got a restless energy most of the time and a drive that can be unhealthy at times. This feeling that there isn't enough time to get all I want out of this life. 

But I have learned to value a few activities that aren't directly productive for the recharge, reset, and brain-wandering time that lets my subconscious figure things out.  

Plants are a big one for me. I'm a plant appreciator, even though I'm not an especially skilled gardener. I love to go on long walks in the woods or in parks, or even just in my neighborhood and "see what's growing." I have a plant app that tells me interesting things like the variety of names that plant is known by and whether this is a healthy specimen or not. I take a lot of photos so I can share my joy in all these small beauties with friends and on social media.

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A post shared by Samantha Dunaway Bryant (@samanthabwriter)

 

 Baking and cooking is another one, though not in the summer--I melt! I love picking something I've never made before and trying it out. Bonus if it means I get to try out a new-to-me ingredient or piece of kitchen equipment. Bonus bonus: you get to eat your work!

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A post shared by Samantha Dunaway Bryant (@samanthabwriter)

 

I also enjoy board games, watching old movies (with popcorn), and playing with my dogs. 

When I need to just zone out, my ADD brain requires multi-tasking. I put on an audiobook or a television show/movie that doesn't require my full visual attention, and listen/watch while I play a pattern matching game on my handheld video-gaming device. Currently, I'm back on Dr. Mario on my Switch, but the game changes every few months.  

 None of these feel like wasted time to me though. I can feel the ways that they feed me, fueling me for other endeavors. So maybe the truth is that I still don't know how to waste time.  

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Revision: An open book blog hop post

 

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Discuss: "Write the book you want to rewrite—because most of writing is revising! Don’t agonize over every word in a first draft; that will only slow you down. Just write the story. Get it onto the page. Drafting is the stage where you capture the idea. Revising is where you figure out how to really tell the story well." -Beth Kander, author of I Made It Out of Clay
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Revision works differently for everyone. Heck, I feel like it works differently for me depending on the project. Never the same game twice.

This quote from Beth Kander sounds to me like it's advocating for what I've heard termed the "vomit draft" or "garbage draft" where you write a complete draft without letting yourself go back and revise while you're still drafting. I have quite a few writer friends and critique partners who swear by this technique. 

It doesn't work for me though. 

I'm more of an iterative writer, working in loops. As we've discussed here before, I'm a discovery writer, or a pantser, which means I'm not working from an outline of any sort, but just following my writing where it takes me and shaping it into an effective narrative throughout the drafts. 

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 I write linearly for the most part, most of the time, but if I hit upon an idea that will significantly change the rest of the book, I've got a decision to make: fix it now or later.

Fix it later: Sometimes, I just pop a comment or a note into the document to remind future me to go back and change something later. That's usually if it's small and won't have a huge effect on the story, but is important to address for continuity. Something like changing a detail about a character like their name, appearance, etc. Or adding a bit that will change a particular moment in the plot, but won't spillover into the whole thing.

Fix it now: On the other hand, if it's a bigger change where it feels like it's harder to predict how that will affect the larger narrative, I might not be able to move on until I've figured out how that changes what I've already written. It all builds after all, and if this significantly alters a character, it might affect other choices they've made in the narrative and take the whole story in a new directions. So, I need to go back to the beginning and pull that thread through before I move forward again.

Now, that said, I definitely agree that, especially for a book-length work, it's important that you're invested enough in the idea to be really dedicated, because you are going to be living in that imaginary world for months, maybe even years. 

 It took me ten years to write the entirety of the Menopausal Superheroes series from the first page to the final "The End" and I couldn't have stayed with it without true passion about the story and the characters. It's a real commitment! 

Usually, by the time I'm ready to send a book off to a publisher for consideration, it's been through three or four of those weird looping drafts I do my own, plus one or two rounds of revision based on feedback from critique partners and beta readers. 

If a publisher accepts it, then it will go through at least two more rounds of revision based on editorial and proofreading feedback. Then, there's the final "spit and polish" read through in hopes of catching any little errors that made it through all of that uncorrected. By my count, that's at least eight rounds of revisions--and that's when the process goes relatively smoothly. 

I have one published novel (the third in my series: Face the Change) that went through a revise and resubmit process because I tried to rush it and what I sent the first time wasn't really ready. So, that was the whole process over again. Whew! 

It's definitely a lot. But I actually enjoy revision. It can be very satisfying in the same way that reorganizing a closet or spring cleaning is--you see the difference it makes and you know that life will be better now because you made the effort.

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A letter to my readers, an open book blog hop post

 

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Write a letter to your readers.
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Dear Readers, 

Thank you! It means so much to me that you have been willing to spend time and money engaging with my imaginary friends and me. While I love writing, and would probably still write at some level even if no one ever read it, having an audience is very motivating and keeps me going when I struggle. 

That writer-reader connection is magic--reaching across space and time and finding someone who picks up what you're putting down? (or when I'm the reader--finding someone who articulate the truths of my heart and lifts me out of my woes with wonderful stories and imaginative characters) Wowzers. Powerful stuff.

I hope you're enjoying the ride! You're already doing me a favor by giving my work a chance, but if you're up to help even further, I can always use more reviews for my books and that even-more-valuable word of mouth recommendation to your reading friends. Making any kind of living from art is difficult, so anything that increases visibility of my work is a boon. 

In the meantime, I'm working hard to bring you lots of new things to read and I hope you'll enjoy them when I get them out there in the world. You rock! 

Love,

Samantha

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The Hardest Format, an Open Book blog hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

What has been the hardest format to write in for you?
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I've tried on a lot of different literary forms over the years. They're all difficult at first, because they're new. And each project is it's own critter, so even if it's a form I've written before, it's still a new challenge.

I began, in childhood as a poet, in formal and free-verse styles. I stopped pursuing poetry seriously (i.e. with an eye to publication) in my thirties, but I still write it for myself and sometimes share it. I might still someday produce a collection if I ever have enough that fit together that way. (My published poetry is all under my maiden name--Samantha Dunaway).

I really got into personal essays in my later twenties, writing a few that made it into magazines and newspapers. I was especially proud of a few that made it into We Alaskans. That led directly into some newspaper work as a book columnist for the Bering Strait (now defunct) and the Nome Nugget and attracted me to blogging where I could "sound off" more freely in this not-journalism-but-not-fiction area. 

I played with short stories off and on along the way but didn't really start to feel like I understood and made good use of the form until 2014 or so. Now I LOVE writing short stories, especially for anthologies, for the opportunity to try on different styles and genres without the long-term commitment that a novel entails. At this point, I've had 25 or so short stories published of 73 that I currently have in my pieces list on Duotrope. I'm in the middle of writing two new ones right now.

(SIDEBAR: Duotrope has been really useful to me for tracking submissions and helping me find places to submit my work. I pay $5 a month and consider it well worth it. It's great for folks like me who struggle to organize this stuff, and it's searchable, so I can make sure I didn't send that same story to that venue a year ago and just forgot.)

After my second child was born (2007) and I needed something to help pull me out of Post-partum depression, I joined a group of novel writers and started trying to write a novel. I started and abandoned three before I finished one. That one remains unpublished and is shelved for now, but I've since written an entire five novel series (The Menopausal Superheroes I'm always talking about) and seen it accepted for publication by two different publishers. So excited to bring that one to a close this summer! I've got several other partially completed novels I plan to finish up soon.

Novels are BIG, and it took me a while to develop a process and be able to track work that large and keep it consistent over a longer creation period. But discovering Scrivener software helped me a lot. It's so easy to re-arrange work and use color coding and image labels to help track things like POV or then-and-now timelines.

I've also written a couple of novellas along the way. I quite enjoy this form--longer than a short story, but not as involved as a novel, bridging what I love about short stories and what I love about novels. In fact, the project I'm working on now is a trilogy of romance novellas and I'm loving working on them. 

So that's a long-winded answer to a relatively simple question. The short version: short stories took me the longest to feel competent at, so I guess they've been the hardest for me. 

But I LOVE to try new things. Maybe screenplays will be next. I've got some friends who do some writing for indie films and that could be amazing to try my hand at.

So, how about you? Have you tried a variety of formats? What proved most challenging for you?

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Fact-finding missions, an open book blog hop post

 

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

How do you find the facts that inform your work?
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You end up needing to know a lot of strange little things when you're writing a book. Sure, you're making things up, but your story still needs grounding in reality, especially if your work is set in a realistic or near-realistic setting. 

For my Menopausal Superheroes series, there's obviously a lot of "hand-wave-ium" about the science of how things are possible. Jessica "Flygirl" Roark can fly and there's some exploration as to how and why, but I'm not trying to make this impossible thing realistic, so I was free to be playful and imaginative in making that part up. 

Still, I did research about buoyancy and flight, trying to decide if I'd pull more from bird, balloon, or machine in my decision-making about how Jessica's flight works. I enjoy that reading, finding facts to extrapolate from and play with. In fact, I enjoy research so much, that if I'm not careful, I can fall down a research rabbit hole and get distracted from actually writing my story. 

For many things, I pull from my own experience and from stories I've heard all my life from other people. I know what it feels like (at least from my own experience) to fall in love, to be ill, to become frustrated, etc. So, I can use my own experiences and what I've observed as a baseline.

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On the other hand, I don't know what it feels like to be shot by a gun (and I hope I never find out), so when Leonel "Fuerte" Álvarez took a bullet wound in Book 2, Change of Life, I did a lot of reading and asking questions in online groups about the medical aspects of that, making sure he was shot in a way that he could recover from, and that his recovery could be reasonably realistic. 

For some of my other work, I've needed historical details of dress and legal status, so I read nonfiction books, look details up online (always corroborating with more than one source because the Internet lies), and ask questions of experts. I'm in a couple of Facebook groups where writers can ask lawyers and doctors legal and medical questions and that's SUPER useful as those kinds of things come up in fiction all the time. 

Those little details add veracity to a story and make it easy for the reader to stay engaged in a story, so they really do matter. I know I've been frustrated by books I've read that got details wrong that conflict with own knowledge and experience. If there's enough of them, I stop reading. So, I try not to do that to my own readers. 

How about you? What do you do to make your own work feel real? Where do you learn what you need to know? What kinds of details throw you out of a story you're reading? I'd love to hear about it in the comments!

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Looking Backward, an IWSG post

 

      

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the February 5 posting of the IWSG are Joylene Nowell Butler, Louise Barbour, and Tyrean Martinson!

This month's question:

February 5 question - Is there a story or book you've written you want to/wish you could go back and change?

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 Short answer: no. 

Longer answer: 

I'm always growing and learning, as a writer, and as a human. And, at least from my own biased perspective, my writing is getting better the longer I focus on it and work on it. 

But, all those poems, essays, stories, and books in my past can stay just the way they are. 

 

Sure, if I was to write the same thing now, I might be able to improve upon the craft or come up with a more original take on the theme--but past Samantha wrote those and I'm just not her anymore. Present Samantha has her own stories she's passionate about telling and future Samantha will have her own, too.

 

 

So, no time travel for me, at least not down my own timeline. I'll just take what I've learned along the way and use it to make the next thing even better. 

How about you? Do you/would you go back and change some of your past creations? I'd love to hear about it in the comments!

Knowledge is power, an open book blog hop post

 

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

What new learning do you have on your list for the upcoming year?
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I've got big plans to release my first all-indie project in 2025, so I'm guessing I'll be learning a lot, including some things that I don't know I don't know yet. 

 

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But I know I'll be learning:

• to wrangle Vellum software for book layout
• how best to hire a book cover done
• the whole ISBN business
• how to understand my metrics for sales
• marketing for a new genre

So I'm hoping to learn a LOT of new writing-life skills in 2025. 

In other parts of my life, I'm hoping to learn:

• more about how all our household electronics systems work so I can troubleshoot for myself instead of always bugging Sweetman about it.  
• New recipes! I stay interested in cooking by always trying new things
• The secret to sleeping well 
• more about parenting adult children as my youngest crosses that threshold this year

How about you? What do you hope to learn this year? 

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Grammar school, an IWSG blog post

    

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG.  The awesome co-hosts for the September 4 posting of the IWSG are Beth Camp, Jean Davis, Yvonne Ventresca, and PJ Colando!

September 4 question - Since it's back to school time, let's talk English class. What's a writing rule you learned in school that messed you up as a writer?

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Overall, I've been able to separate lessons meant to apply to academic essay writing from my fiction writing life. I have a tendency to use "good grammar" even in more casual writing, but that's not all bad. 

I do remember being told I couldn't start sentences with conjunctions. And that's something I do all the time now. 

I was also advised to write in full sentences and eschew fragments. Don't really do that either. 

Joking aside, I really don't spend a lot of time angst-ing over grammar. I make up words. I mix up phrases. Perfect correctness isn't necessarily right when the writing is art--fiction, poetry, plays. What matters is taking the reader with you on the journey and using words to elicit the effect you're after. 

Words are fun and stringing them together in unique ways? Even better!

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(BTW, FYI writer friends: I'm scheduling this post ahead of time because I won't be available on IWSG day--I'll still pop by and visit all your blogs as soon as I can! Thanks so much for stopping by mine)

 

Tools of the Trade, an IWSG post

    

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG.  The awesome co-hosts for the July 3 posting of the IWSG are JS Pailly, Rebecca Douglass, Pat Garcia, Louise-Fundy Blue, and Natalie Aguirre!

July 3 question - What are your favorite writing processing (e.g. Word, Scrivener, yWriter, Dabble), writing apps, software, and tools? Why do you recommend them? And which one is your all time favorite that you cannot live without and use daily or at least whenever you write?

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Scrivener was a game-changer for me for novel-writing (and other long-form works, like nonfiction, essay collections, or short story collections). 

A great visual of why I love Scrivener

When I was writing my first novel, back in 2009 or so, I was using Microsoft Word and it was frustrating AF for me. One giant document, with no way to jump around within it quickly and easily to get to the piece I wanted? 

(My understanding is that Word has upped its game since then, but too late, I've moved on. I now only use Word for processing edits from my publisher). 

I'm not 100% sure in my memory of how I found Scrivener. Maybe by doing National Novel Writing Month? But it won me instantly with the corkboard. Suddenly I could keep the whole thing in view in a way that really worked for me. 

See, I'm a writer who writes in layers. 

My drafts begin kind of thin and bare-bones, and as I work, I come back around in loops and add depth, descriptions, breadcrumbs, interiority, setting, as it comes to me. So that means I don't necessary start on page one and finish on page three hundred, but I might write a scene that I know isn't coming for a while to give myself sort of a goal post to aim at, then go back and fill in what happens to get us there. Or I might have an inspiration in chapter 17 and go back and pull that thread through the whole book before I move forward. It's probably not an efficient process, but it is working for me.  

chapter organizational view

I've never been all that great at holding the whole thing in my head at once, balancing the big picture, small focus thing. But Scrivener makes it easy for me to off-load parts of that. I can color code my folders, use symbols to indicate different organizational elements, pick up entire chapters and drag them to a different part of the book with ease. I've never lost something to a messy cut-and-paste or glitched out the document and screwed up the formatting like often happened to me Word. 

The novel I'm finishing now (series ender for the Menopausal Superheroes--still settling on a title), for example, is organized by day, with chapters that all take place on the same day grouped together. 

Within each day, there are chapters with different points of view. Patricia, the Lizard woman of Springfield, gets a green book symbol, Leonel "Fuerte", the strongman, gets a yellow book. Jessica "Flygirl" gets a cloud, Sally Ann gets a light bulb, Mary gets a magnifying glass. This lets me see at a glance when I've left a character out too long and need to consider what they're up to during this section. 

corkboard view

When I look at this in "corkboard" I get the same symbols, my chapter title, and a bit of the text for the page. If I choose, I can write more of a summary of that chapter to show here and I have done that sometimes, using the "scene cards" technique I read about in the DIY-MFA book by Gabriela Pereira, which asks you to record 4 pieces of information for each chapter/scene:

• a title for the scene
• the major players
• the action
• the purpose (structurally)

It's a kind of outlining or at least record-keeping that works for me, even though I'm a pantser and am sometimes writing this down AFTER I wrote the scene, and has been really helpful in revisions. 

I don't use half of what Scrivener can do, but it has still revolutionized the whole process for me and alleviated a lot of stress and worry. 

So, thanks for coming to my TED-talk :-) In all seriousness, I am quite a fan-girl of Scrivener, but you should always remember how individual this process is and find the tool that works best for you and your process. No matter what we're talking about, your mileage my vary. 

So, how do you organized your creative life and projects? I'd LOVE to hear it about in the comments. And don't forget to check out the rest of the blog hop and see what else is out there to try!

What should IWSG do next?

    

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the June 5 posting of the IWSG are Liza at Middle Passages, Shannon Lawrence, Melissa Maygrove, and Olga Godim!

June 5 question - In this constantly evolving industry, what kind of offering/service do you think the IWSG should consider offering to members?

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Once a month affirmations and celebration and engagement through the blog hop is quite a gift already, honestly. The time our monthly volunteer moderators put into helping ensure that everyone sees engagement and that the tone is positive and kind is not to be discounted!

The anthologies have also been great for encouraging writers to finish things and given quite a few among our number some publication credits. 

I know there are also other things that happen that I haven't found the time to participate in very deeply, like book clubs and social conversation opportunities in the Facebook group. There really is already a lot going on this group, and the more you invest yourself and your time, the more you can get out of it. 

Since I can't spare volunteer hours at this stage of my life to make anything happen (I'm already spread too thin), I feel odd making suggestions, but since y'all asked, here are a few things to consider:  

• In-person gatherings, regionally, like networking socials or write-in meetings
• Zoom versions of the same
• Classes and webinars members can take to learn about writing craft and the publishing business more formally
• Group readings at conventions
• Development of a directory of members, which can be used to connect with other writers who live near you or write in similar genres 
• Development of a podcast or program where writing topics can be discussed in a panel format

Clearly, all of these take time and energy though, and I know how difficult it can be to keep a writing life going alongside the "ordinary" demands of day jobs, families, households, and caregiving, so I truly appreciate the work that already happens in this organization.  

Even though I'm now stuffing a full time writing life into part-time hours and time is at a premium, I'll keep finding time for First Wednesdays because the camaraderie has meant so much over the years. Thanks, IWSG! 

Bad writing advice, an Open Book blog hop post

   

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

What's the worst piece of writing advice you've ever received? 

 ______________________

I can't honestly think of one single piece of advice that stands out as "the worst." Most of what has been sent my way has been well-intentioned. 

But anything that is entirely prescriptive and acts like there's one right way to write? Yeah, that's when I stop listening. 

image source

I LOVE to talk writing and publishing with other writers and learn about the tools and techniques they use. I've tried a lot of things because I read about them in blog posts, or heard about them in writing groups. 

Some have worked for me (like keeping a daily writing chain). 

Others have not (like outlining). 

What's really important though is the acknowledgement that creative process is highly personal and individual. There's no single right way to do it; no silver bullet that will guarantee fame, fortune, and success; no magic words that will suddenly make it easy. Anyone who tells you there is? 

Well, keep an eye on your wallet!

You are invited to the Inlinkz link party!

Click here to enter

Driven to Distraction, an IWSG post

      

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the May 1 posting of the IWSG are Victoria Marie Lees, Kim Lajevardi, Nancy Gideon, and Cathrina Constantine!

May 1 question - How do you deal with distractions when you are writing? Do they derail you?

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So, I'm one of those middle-aged women who found out she was ADD when her children were diagnosed and the waves of recognition splashed me in the face and left me sputtering. 

As a GenX woman who isn't hyperactive, I was always told that I was "right-brained" and encouraged to "develop discipline" or I'd never succeed in this world. 

And, so, I kind of did. 

Not that I recommend this approach for others--it was often painful along the way. My need for quiet was regarded as antisocial, rather than introversion or overstimulation and I spent a lot of time trying to be "normal." 

Now, I'm the list-making, calendar and alarm dependent sort of ADDer. And I just turned 53, so I've had a minute to understand my brain weasels and make peace with them, developing patterns that support me and help me get done what I need and want to get done. 

image source

At this point, I'm pretty good at self-regulation and using external support tools to ensure adequate productivity. My brain weasels aren't completely tamed, but they are mostly cooperative. 

My super power as a neuro-spicy gal, is that when I concentrate, I can really really concentrate. Once I'm "in the zone," I can fail to notice almost anything else, from big external things (like thunderstorms) to smaller internal things (like hunger) for as long as my focus period lasts. 

On the downside, it can be hard to settle into those deep concentration moments, and to make sure that, when I do, my focus is on the "right" thing. 

In my writing life, that means staying focused on the project at hand until I've finished it and not running madly down the street after the "new shiny" idea that wants to jump the line. 

So, I have two techniques that help me: 

1. Bribery: I promise myself that I can play with the new shiny, but only AFTER I work on the current project for a certain amount of time. (Oddly, promising myself different work motivates me to do work). Work first, then play, you silly little brain weasels. 

2. Ritual: I've tried to Pavlov myself, training myself to associate certain things with "writing time" so I can elicit that concentration regularly. I have a cup of Tension Tamer tea (smells like writing!), and I sit in my writing oasis on the green sofa (feels like writing!). So, the setting and the smell tell my brain, "It's writing time!" 

Distractions do still derail me sometimes…and sometimes, they absolutely should, because the health and wellbeing of my household is more important than my word count and my imaginary friends. 

It's always this balance of when to fight and when to give in to distraction. All work and no play does make a Jacqueline a dull girl, so sometimes a break in discipline is just the right thing and will feed future productivity, but too much distraction just builds disquiet and leaves me frustrated. 

While I do have to be disciplined about which project I keep my focus on and about just sitting down to write each day, I'm a complete pantser in the writing itself. I think this is the compromise with my brain weasels: we will be organized and focused about what we're doing, but have a lot of freedom to play once the parameters are set. 

How about you? When you struggle with distraction what works for you?