Going Indie: Month One

2026 is my year of living dangerously, by which I mean I'm becoming my own publisher. I did some foundational work for that in 2025, which I wrote about here, but the real push started with the beginning of the new year.

Now that we've flipped the first month of the calendar, I thought it was time for an update. I want to document this for myself and as a help to others. 

My wall calendar: pollinator themed this year!

For starters, I should set the stage. Context is everything, after all. 

I've been a traditionally published author for about 12 years now, through small presses. At the end of 2025, I had completed my Menopausal Superhero series, had my stories included in about 20 anthologies, and had just put out my first indie book, a short story collection that I thought of primarily as my learning project (though I do love those stories): Stories from Shadow Hill. 

I've been pretty happy with my trajectory in my writing life (despite ups and downs along the way), but I wanted to move from "hobby that pays for itself and occasionally a little better than that" to "viable side hustle" and then to "pay my bills with this." And even though working with a small press is faster than the glacial pace of a Big 5 Publisher, it's still slower than I want to go. 

I've long had an interest in "going indie" but I hadn't done it yet. I was concerned about managing all the work of it, and unsure if I could support the initial financial burden to do it the way I wanted to. But, three years ago, I left teaching for a corporate job that is less stressful and pays better. My youngest child turned 18 years old, and I started to feel like maybe I could take this on now. I had more time, more knowledge, and more money to invest. 

I don't like how Amazon exploits creatives, but I recognize the stranglehold they have on our industry, so I wanted my books available through the big river despots, but not beholden to them--no exclusivity. So, I'm "going wide" as they call it--trying to have my books available on as many platforms as possible: ebook, print, and audio. Everything, everywhere, all at once. 

I'm not very business and number oriented as a rule, but I'm trying to corral my brain weasels and improve that. My sister is an accountant and is helping me, and I sought out training, education, and learning opportunities, both casual and more formal about running a business and about some aspects of indie publishing as well as marketing. 

So, now it's 2026, and my first "real" indie book, Not Too Late, a GenX romance will launch April 28, 2026 (for my birthday). 

 So far, I've spent: 

• Vellum software for formatting:  $249.99 (August 2019--bought when I thought about doing this the first time). I've used it for 4 books so far, so that makes Not Too Late's share: $62.50
• ISBNs: $295 for 10 from Bowker June 2025 which amounts to $59 for the two I used for ebook and paperback of this book. 
• Editing: $196.80, July 2025 (I got a friends and family rate from a FANTASTIC editor)
• Bookcover: $400 Pd. July 2025 (I hired a person I met through convention life)
• Proof copy from Ingram: $7.80 (September 2025)
• Audiobook cover: $50 January 2026
• NetGalley Co-op 1 month rental: $63 January 2026 

That's a total of $839.10 by my reckoning, but notice the dates in that list. I didn't spend all of that at once, but spread it out across several months. And the software purchase is an unlimited license, so the more I use it, the less it costs per book. 

I anticipate spending about $400 more on my audiobook narrator. Rather than a royalty share, I'm opting for paying $75 per finished hour and then not having to manage periodic payments thereafter. I did look into being my own narrator, but decided that's more than I want to take on at the moment. Maybe someday. 

Not Too Late has been up for preorder since September in a lowkey way. You can find it, but I haven't promoted it yet.  I put together a books2read link I could use for social media so that people can preorder wherever they might like to. https://books2read.com/NotTooLate which is free and has been really useful for connecting with other folks. 

My big focus in January was getting some early reviews lined up. So, I made a google form that I sent to my newsletter subscribers and posted around social media. That has netted me 9 ARC readers. I set up a bookfunnel download page to use with that, figuring I'd need a bookfunnel account ongoing anyway. 

My research suggests that roughly one quarter of the people who take an ARC will actually read and review it, so I wanted more than 9 people. I checked into NetGalley. NetGalley is a great way to connect with booksellers, librarians, influencers, and just plain old readers, but it's EXPENSIVE ($575 for one book). Luckily, because I have worked on building my network these past twelve years, I had people to ask and learned about NetGalley Co-ops. I rented a month on NetGalley for $63. 

As of this writing, that netted me 127 requests with 114 who downloaded the book. So far, I have 11 reviews and one set of feedback without a review on NetGalley and 7 reviews on Goodreads (which is the only venue where people can review a book that hasn't been released yet). 

For comparison, I didn't do any of this with my learning book Stories from Shadow Hill which came out in October and as of this writing, it doesn't have any reviews at all. 

But here's the thing with going indie: while all that was going on, I was also juggling several other things in the month of January:  

• Managing that NetGalley offer, vetting and approving requests
• Arranging for audiobook narration of Not Too Late, which meant uploading the ebook separately to Amazon so I could claim it on ACX
• Realizing I'd need an audiobook version of the cover, and negotiating that with my cover designer
• Realizing I'd want audiobook versions of all three of GenX romances, so negotiating that with my cover designer
• Finalizing the cover design for the third GenX romance
• Writing the blurb for the third GenX romance (the hardest part, IMO) 
• Working with another audiobook narrator for mini-audiobook productions of one of the short stories from Stories for Shadow Hill 
• Getting Beware Cheap Houses (the aforementioned story) up on ACX (which is when I learned that there has to be an Amazon ebook to go with a book you want to make an audiobook of for ACX)
• Creating graphics for social media and other promotional stuff, then keeping up with posting and interacting on social media (I do Instagram, Facebook, Bluesky, and Threads mostly) 
• Arranging for another NetGalley rental in February for Acid Reign, the second GenX romance 
• Networking with other romance writers to set up future author events and collaborations
• Giving a reading at a local bookstore
• Arranging for several author events across the spring 
• Ordering copies of books for said events 
• Sending out press releases in my hometown for Not Too Late, since it's set in Bellevue, Kentucky 
• Beta-reading/critiquing two books, a short story, and a piece of a novel for author friends
• Finishing a promised short story for an upcoming anthology: Disruptive Intent (The story is a Menopausal Superheroes short called Ricochet Happens and I'm excited about it!) 
• Picking back up an unfinished novel to work on, a Gothic romance called The Architect and the Heir.  

See how low writing fell on that list? I feel like that'll be my new challenge: balancing all the "business" with the actual creation of new works.  

So, that's where I stand at the end of my first month of living dangerously. It's busy, but it's also exciting and I really think I'm going to love it! 

 

New author home

I've got a new author website: 

http://dangerouswhenbored.com

For now, I'll still be BLOGGING here (since my new platform doesn't support comments properly yet), but all the other stuff (info about my books, events, etc.) will be on the new site. Come check it out!

 

 

Worth the money, an open book blog hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

What is the best money you've ever spent in your writing endeavors? What's the worst?

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Up until recently, my work was traditionally published, so I didn't really spend money on the big things like editing, books covers, formatting, etc. All that was on the publisher. 

 So, I mostly spent money on infrastructure for events (tables, tents, banners, swag) and publicity. In that vein, the best thing I did was hiring an artist to make graphic versions of my characters that I could use for publicity. I've got more than my money's worth using them for social media posts, advertisting, etc. 

4 memes I made using the images by Charles C. Dowd

 

The worst/least useful was review services. They either didn't deliver, or what they delivered disappointed. And I felt skeezy for doing it, sort of shady.  

Logo from a useful YouTube channel about indie publishing

 

Now I'm working on my first indie projects, and editing is the best thing I'm spending money on. I have good critique partners, so I prepare a relatively clean manuscript, but a fresh pair of well-trained eyes at the end will catch all those little inconsistencies and unclear moments that you can no longer see because you're too close to the project. Definitely money well spent. 

I've also spent money on book covers, ISBNs, and software. So far, all of this feels worthwhile. My "sunk cost" will definitely be higher at the outset to produce indie books, but making all the decisions myslef has been exciting and I think I'll be happy at the end. We'll find out when I get there I guess :-)

So, on the indie end, I don't have any expenses I regret. I'm sure they will come, but they haven't found me quite yet.  

 How about you? If you write, what have you been spending your publishing dollars on? Any praise or regrets?  If you read, what kind of publishing things seem worth spending money on from your perspective? I'd love to hear from you in the comments. 

You are invited to the Inlinkz link party!

Click here to enter

Bringing my Heroes Home

 It's official, y'all. With the release of the fifth and final novel, the menopausal superhero series is now complete!

 

This has been the work of a little more than ten years, and there's a lovely symmetry in that the first book came out in 2015, and the final in 2025. 

Origin story: This series started because I watched an X-men movie with my husband, and we were talking, as we often do, while we walked the dog afterwards. I was joking that the underlying message of X-men stories is always that hormones cause superpowers, and if that was the case, menopausal women should have the corner on that market!

image source

 

 He laughed and told me to write it down. So I did. 

And to my surprise, it was more than just a little joke--it was the opportunity to create a group of female characters finding community, purpose, and love while they deal with the changes wrought in the life by changes in their bodies. Metaphorical AF, right? 

The journey: Writing them was cathartic, joyful, and sometimes heartbreaking, bringing together my personal struggles and fears surrounding aging, friendship, and what perimenopause was doing to my body, my brain, and my life alongside my lifetime love of superhero stories. 

 

The shirt says "what doesn't kill you, mutates and tries again" 

I LOVE how I ended the series, and can't wait to share this with readers. 

The whole series is available direct from the publisher as an ebook bundle: 

buy here

 

You can also get it a book at a time from the Big River site, or request it from your favorite bookseller in paperback or hardback. 

The series in order:

 

 

Going Through the Change, where it all begins. Meet Helen, Jessica, Patricia, and Linda/Leonel and laugh and cry with them as they struggle with the sudden development of unusual abilities amid their busy lives, and find each other along the way. 

Part of what I wanted to explore is what a heroic life might look like for a woman with a grown-up life: a career, children, a household, a partner. Responsibilities. This book was the start of all of that.  

 

 

  

 

Friend or Foe, a novella, serves as a bridge story between the first and second novels, and a peek inside the mind of the mad scientist who caused all this trouble in the first place, Dr. Cindy Liu. 

This novella is also included in Agents of Change, which collects the novellas and short stories in a single volume.  

 

 

 

 

 

 

In Change of Life, the second novel in the series, all the characters are dealing with the aftermath of the events of book one: the affects on their relationships, families, jobs, and psyches. The plot centers around Patricia, the Lizard Woman of Springfield, and her quest for answers and vengeance. 

This book introduces Daniel Price, one of my favorite creepy villains. He's been body hopping for a hundred years in a a quest to extend his own life, with no regard to who gets hurt (or killed) along the way.  

 

 

  

 

 In Face the Change, our heroes come together to work for the Unusual Cases Unit of the mysterious Department run by the Director and learn about hero life in the spotlight. As they fight The Six, a mysterious group of psychic villains, they deepen their personal connections, finding strength in each other.  

An unexpected romance came into play in this one. I LOVE it when my characters surprise me. 

 

 

 

The Good Will Tour is another novella, which works pretty well as a stand alone if you want to try the series at low investment.  Jessica "Flygirl" Roark and Leonel (formerly Linda) "Fuerte" Álvarez set out to build community good will with a celebrity visit to the local hospital and end up needing to save the day when a desperate earthquake causing woman shows up demanding experimental treatment for her wife. 

This novella is also included in Agents of Change, which collects the novellas and short stories in a single volume.   

 

 

 

Just when our heroes thought they had things figured out, a mysterious power spike challenges their control of their abilities in Be the Change. 

I had a wonderful time expanding on Patricia's backstory in this one, introducing her mother, stepfather, and some information on her siblings and half-siblings. And Daniel Price is back because he was too good not to bring back. 

 

 

 

 

 

And here's the new girl in town: the series ender: Change for the Better. Readers will probably have noticed that Jessica "Flygirl" Roark has been…odd. Things escalate in this book and the menopausal superheroes have to scramble to save one of their own, while they face down enemies within and the return of Daniel Price and the shadowy mystery man, Bertrand Dietrich.  

I'm really proud of that final fight scene and that last chapter will hit you right in the feels. 

 

 

 

 

Through Thick & Thin is a collection of side-stories for the menopausal superheroes. It’s confession time in "Coming Out as Leonel." Join Patricia, the Lizard Woman, as she unravels the puzzle of Dr. Cindy Liu's disappearance in "The Right Thing," and then see her softer side (and her "better half," Suzie) in "Underestimated." Get ready for a wedding, and a heroic rescue, in "Flygirl's Second Chance."

These can be read separately of the novels, but I think you'll enjoy them more if you've already read at least books one and two. They're also all included in Agents of Change. 

 

 

 

 This anthology collects the novels and short stories into a single volume. 

• Friend or Foe
• The Good Will Tour
• "Coming out as Leonel" 
• "The Right Thing" 
• "Underestimated"
• "Flygirl's Second Chance"  

(this might be my favorite cover in the series, combining the silhouettes we used for the novels with the stripes or rays we used in the short work) 

 

 

 

I have some readings from all this work available on YouTube or in the Menopausal Superheroes slideshow on the "Read My Work" link in this website.  

And if that's not enough Menopausal Superheroes for you, you can also read another short story, "Intervention", exploring the background of Patricia and Cindy Liu in Theme-Thology: Mad Science or read a couple of free holiday stories I created for my newsletter subscribers: O Scaly Night (Patricia's version of Santa Claus is…violent) and (Flygirl's son gets to see her in action) Max's Mommy. 

If you find me or my publisher, Falstaff Books, at a convention or other in-person event, you can also get the very cool omnibus edition (second volume coming soon), and I hope to be able to share links for audiobooks in the near future.  

I'm working on a book tour this fall and winter to celebrate the completion of this series, so you may have a chance to come see me in your neck of the woods!  

Thanks to all of you who came along with me on this journey. Writing is great, but we need readers to make it worthwhile and I am so pleased that so many of you have connected to my characters and found escape and expression with me in these stories. 

May you find strength when you need it, joy in friendship, and love in one form or another.  

The good bits of publicity, an Open Book blog hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Many of us are frustrated by publicity. It's our least favorite part of writing. But what's your favorite part of publicity?
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Talking about my imaginary friends can be a delight, so I enjoy in-person events more than any other kind of publicity-seeking. Over the years, I have gained a lot of comfort with vending at a table and having one on one conversations with readers, and I really enjoy it when the pace is good (neither overwhelming nor lonely). 

I've got two of these events upcoming: 

Bookmarks Festival and Splatterflix Movie Festival, my next two vending venue

I also enjoy being on panels with other writers at conventions, bookstores, library events, or the like. That's half networking/socializing with other writers and half engaging with readers. It's a great opportunity to get to know other writers and build community AND, especially when the other panelists are generous with their support, a way for us to help one another reach new audiences. Someone might attend because they know one of the other writers, but stick around to hear about my work, too, just because we were paired on the panel. 

I'll be a part of one of these through Horror Writers Associations in November: 

Here lately, I've been enjoying doing panels and interview for channels on YouTube or podcasts, too. It's nice that geography doesn't have to be a limiter for a taste of some of that camaraderie. 

So far as online publicity, I enjoy blogging or writing articles about some aspect of my writing life (like this blog hop, for example!). I get a kick out of choosing pull quotes and making little images to highlight them. 

The Menopausal Superheroes, as drawn by Charles C. Dowd

For me, this doesn't feel as yucky as "buy my book" types of online marketing. It's more about trying to be clever or cute and highlighting what's cool about my story and the people in it. 

I have the best time, when I look at publicity opportunities as time to engage with other artists and the public and let go the pressure to sell a lot of books. When I feel too much pressure to sell well, the interactions get tense and weird and I don't enjoy myself (and probably neither do my potential buyers). 

What about y'all? When you have to promote something, how do you like to go about it? Or when you're receiving the promotion, what's the least annoying/most engaging? I'd love to hear from you in the comments!

You are invited to the Inlinkz link party!

Click here to enter

Celebration time, an open book blog hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Do you have a special way of celebrating when you finish writing a book? Or other achievements in your journey? How do you reward yourself?
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When I finish writing the first draft of a novel, I'm so elated that I almost don't need any other celebration. I feel like I could float away from the joy of completing the book. I imagine it feels similar to what athletes experience when they get to the top of a mountain or the end of a race.  

I do, however, tell my inner support circle right away--my husband, my kids, my sister, my mother, my critique partners. Those are the folks who have been in the struggle with me for the months or years that it took to bring a project to fruition and they'll rejoice with me. 

In fact, I just got there once again at the end of June, on my writer's retreat to the mountains of North Carolina. How perfect to run into the main room, arms in the air, and take a victory lap, with my critique partners right there to whoop and holler with me. I should always try to finish a book while on writer's retreat!

image source

Of course, finishing *writing* a novel isn't really the end of that journey. There's still editing, revisions, and the actual publishing process. 

The BEST moment is when I hold the paper copy of my work in my hands for the first time. I keep a spinner rack in my office that has paper copies of all my novels and short stories in anthologies on it and it's a major boost to me just to look over and see how many books are there. 

For my first novel in this series, which was also my debut novel, Going Through the Change,  I had a book launch party at a local bookstores. Cookies and punch, copies of the book for sale, a Phil Donahue-style interview with me by a writing friend, reading from the book. My whole family came out and so did everyone local enough to me and it was one of the best nights of my life. 

Me, my daughter, and my dad, looking happy and related at my book launch party in 2015.

In fact, I think I'm going to do it again for this book. After all, it's the series ender, coming out ten years after the first book. Finishing the entire five book series (and accompanying novellas and shorts) feels like something to really celebrate. 

4 novels, 2 novellas, some shorts, and a collection of all the shorts.
One more novel coming soon!

In fact, I'm working on setting up a book tour for it, hoping to partner with some of my writer friends across the country and hit a string of bookstores, libraries, and other venues. 

(Hit me up, writer friends, if you might be interested in partnering with me on events in 2025, especially if our work has any obvious connections: feminism, aging, menopause, superheroes, female friendship, etc.)

You are invited to the Inlinkz link party!

Click here to enter

What should IWSG do next?

    

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the June 5 posting of the IWSG are Liza at Middle Passages, Shannon Lawrence, Melissa Maygrove, and Olga Godim!

June 5 question - In this constantly evolving industry, what kind of offering/service do you think the IWSG should consider offering to members?

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Once a month affirmations and celebration and engagement through the blog hop is quite a gift already, honestly. The time our monthly volunteer moderators put into helping ensure that everyone sees engagement and that the tone is positive and kind is not to be discounted!

The anthologies have also been great for encouraging writers to finish things and given quite a few among our number some publication credits. 

I know there are also other things that happen that I haven't found the time to participate in very deeply, like book clubs and social conversation opportunities in the Facebook group. There really is already a lot going on this group, and the more you invest yourself and your time, the more you can get out of it. 

Since I can't spare volunteer hours at this stage of my life to make anything happen (I'm already spread too thin), I feel odd making suggestions, but since y'all asked, here are a few things to consider:  

• In-person gatherings, regionally, like networking socials or write-in meetings
• Zoom versions of the same
• Classes and webinars members can take to learn about writing craft and the publishing business more formally
• Group readings at conventions
• Development of a directory of members, which can be used to connect with other writers who live near you or write in similar genres 
• Development of a podcast or program where writing topics can be discussed in a panel format

Clearly, all of these take time and energy though, and I know how difficult it can be to keep a writing life going alongside the "ordinary" demands of day jobs, families, households, and caregiving, so I truly appreciate the work that already happens in this organization.  

Even though I'm now stuffing a full time writing life into part-time hours and time is at a premium, I'll keep finding time for First Wednesdays because the camaraderie has meant so much over the years. Thanks, IWSG! 

Selling your books in person, an open book blog hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Do you attend book selling events? What is your best tip to sell books at one? 

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I do indeed, several times a year, attend events where I sell my books. In fact, I attended one just this past weekend, Ravencon in Richmond, Virgina, and had a lovely time! I've got Galaxycon upcoming in July, and Bookmarks Book Festival on my calendar for September, too. 

Display is key at these things, in my observation. It's one of those cases where investing in a few eye-catching items can make a lot of difference. In my case, I've invested in a table runner, a standing banner, printed bookmarks, and a couple of different types of bookracks for table display. 

Me with my table runner and upright book rack at Concarolinas in 2021

All of these help a reader make a good guess from across the room whether or not my books would be of interest to them. 

Of course, I didn't buy these all at once, but a piece at a time, with different events in mind. In fact, I had another banner before this one that became outdated when my Menopausal Superhero books got a rebrand in 2019. I expect that, in the future, I may want other banners as my catalogue expands. So, I balance that when I'm deciding how much I'm willing to spend on these display items. 

My standing banner behind my Galaxycon table in 2023, with my new spinner rack.

The logo and imprint name "Dangerous When Bored" on my table runner will often elicit a smile from someone walking past my table at an event, and that might make them slow down and look at my covers. The "half hero/half horror" with book covers gives a reader a hint even at a distance what my most common genres are. 

Once a potential reader stops by my table, I introduce myself, asking a question or making a comment when possible to try and get a conversation started. (It took me some time to build comfort with this bit, BTW, since I'm a hardcore introvert). I'm convinced more than one person has bought a book from me because I complimented their clothing or understood the reference on their tee-shirt. 

I try to gage if a reader is drawn in by any particular cover and offer a little more information about that particular book. Saying nothing at all can be bad, because you seem disinterested and the reader might need you to start the conversation, but saying too much can be overwhelming, too. I've got a very short, pithy pitch for each book at the ready and only go into more depth if that seems wanted. 

If they seem like they're going to walk away without buying, I thank them for their time and try to get them to take a bookmark, so they can check out my work online at their leisure. I often see a spike in online sales in the days following an in-person event, too. Some folks want to support you, but have burned through their budget, or have limited luggage space to consider. 

So, there you go. My best advice is to make as easy as possible for the potential reader to ascertain what kinds of books you're selling through well chosen display items and swag. 

How about you fellow Open Book bloggers? What works for you? For readers stopping by my blog today, what kinds of things will get you to buy a book from someone at in-person events? I'd love to hear about it in the comments below!

You are invited to the Inlinkz link party!

Click here to enter

Changes in the blog-o-sphere

    

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the April 3 posting of the IWSG are Janet Alcorn, T. Powell Coltrin, Natalie Aguirre, and Pat Garcia!!

April 3: How long have you been blogging? (Or on Facebook/ Twitter/ Instagram?) What do you like about it and how has it changed? 

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I hardly remember a time when blogging and social media weren't part of my life, but a quick check tells me that I started this blog in June 2009, apparently when I was feeling sad because my eldest was away visiting the bio-dad (AKA my ex-husband): https://samanthadunawaybryant.blogspot.com/2009/06/funny-things-make-me-sad-when-shes-away.html

That seems like an odd one to kick off a blog with, no "Hi! I'm Samantha and I'm a writer" confession? No big pronouncements about what I intended to do with the space? So maybe I had something before this and I've forgotten. 

If so, well, I've forgotten. 

From the look of it, I took off in fits and starts. 14 posts in all of 2009, only 3 in all of 2010…and there it is! 2014, the year I committed more fully to my writing life and wrote 112 blog posts apparently. 

That makes sense. I committed in a daily writing habit that year, starting a chain that remains unbroken a decade later. I had a goal of posting once a week, I remember, and it looks like I blew that out of the water! Go past me!

image source

Blogging has definitely changed for me over time. At first, it was just a way to make myself put some words out there into the world more often. Sort of a public diary about whatever was on my mind. It was about building a habit of writing and sharing it.

These days, I don't need my blog for those same reasons--I write every day and publish regularly enough to keep up some semblance of a writing career. But I still value having my own little piece of the web. It's a sort of record of my journey, at least for this section of my life, and since I'm bad at record-keeping in general, it's nice to have. 

Even though Blogger isn't well supported anymore and that gives me technical trouble from time to time, and even though I have need of a more robust and navigable website, I haven't moved it over. That's part nostalgia and part inertia probably. Plus I've got books to write! I don't really want to spend too much time and energy on my website. 

Sometimes "keeping up with the blog" feels like too big a chore alongside finishing the latest novel, promoting my published work, attending conventions, etc. I never let it go entirely, but I don't stress too much about whether I put something out once a week anymore, or spend too much time obsessing over metrics and numbers. 

Some of my posts have found a broad audience. Others were visited by twenty or so folks who probably all know me in real life (Hi, Mom!). 

That's okay. These posts are still ripples in the stream and have the chance to build into career-building waves. 

My posting these days is more about networking with other writers and bloggers (like you guys!), a bit of self-promotion for my writing life, and just making sure that SEO crawlers find a LOT of content with my name on it out there. Discoverability, baby!

We all do what we can, right? 

The elevator pitch, an open book blog hop post

  

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Do you have an elevator pitch (a brief 30 second or so introduction) for your books?

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The idea of an elevator pitch, I believe, came about from publishing, where an author steps into the same elevator as a muckety-muck and might have the space between two or three floors to catch the interest of a potential publisher and get them to want to read the whole thing. 

I'd never do that. Talking to someone I don't already know? In an elevator and under high pressure to sell them something? Now *that's* a horror story! No thank you.

That said, I do have to pitch my work from time to time, to convey to potential readers what it's all about and why they might want to read it. 

The Menopausal Superhero series is pretty easy to pitch. When I'm doing events, often I don't have to do much more than say the name of the series. Sometimes I don't even have to say it at all, since it's right there on the covers. The concept often makes people smile and they pick one up to read the back cover, and then the sales game is on! (or they make a face like they smell something bad and back away from me--some people can be put off by the mere word "menopause")

The Menopausal Superhero series

Easy pitching is great news for me, because I'm an introvert, so I'm not at all comfortable with the "carnival barker" method of getting readers to stop and talk with me. I rely on good displays and looking approachable. After all, folks who are attending a book fair or science fiction and fantasy convention don't need a hard sell--they came specifically to look at this kind of thing. 

Me at Bookmarks Festival of Books in Winston-Salem, NC

If someone stops and talks with me a bit, I usually first try to see if they're more likely to be interested in my hero or horror stories, usually just by introducing myself: Hi! I'm Samantha and these are my books. I write the Menopausal Superhero series and short form horror, which ones depends on whether I want to save the world today, or watch it burn." 

If they lean horror, I talk a little about the range of types of stories I've written, and wait to see what book they're eye-balling, then mention what my story in that anthology is about. 

"Stories We Tell After Midnight? That's a great collection! It's been described as Scary Stories to Tell in the Dark for grown-ups. My story in there is called 'The Cleaning Lady.' That might not sound like horror, but it's all in who you work for, isn't it?"

or 

"Crone Girls Press is one of my favorite publishers to work with. They're a feminist horror press and I love the types of stories Rachel finds for their anthologies!" 

If they lean superhero, I drop in tidbits like, "My menopausal superhero series is dram-edy in tone, intermixing superhero action with comedy about aging, with themes of female friendship." 

Or, 

"This is my more optimistic work, where heroines who are not 'spring chickens' save the day." 

I'm not a hard sell person. I hate it when people press me too hard, so I don't do that to others. I'd rather have a conversation, even if it doesn't end in a sale. 

If someone seems at least a little interested, I'll try one last push, giving them a bookmark with the link to my Amazon page on it and encouraging them to go check out the reviews and the "look inside" to see if my work is for them. 

I always thank people for stopping to talk with me, and I mean it, too. I'm grateful each time someone expresses interest in my work. 

Plus, you never know, even if you don't sell to that person in that moment, you may have put a ripple in the stream that will come back to you later. Your table guest might invite you to an event, or tell a friend about you. 

After nearly a decade of attending events and selling my books, I'm more comfortable with pitching my work, but I'm never going to accost some poor soul in an elevator. Let's all just get to the lobby in peace, please. 

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Author website pet peeves

     

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the February 7 posting of the IWSG are Janet Alcorn, SE White, Victoria Marie Lees, and Cathrina Constantine!

February 7 question: What turns you off when visiting an author's website/blog? Lack of information? A drone of negativity? Little mention of the author's books? Constant mention of books? 

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I'm pretty forgiving when it comes to author websites and blogs. People in glass houses and all that.

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This site, for example, started out as a mommy blog back in the day (like, 2009), and has slowly morphed into a blog + pages for my author life as I started to build something you might call an actual author life.

It's a bit of a Frankenstein's monster now, made out of pieces of other things, put together by someone who's not particularly skilled at that. 

image source

I'm well aware of the flaws in my own site. 

I have great plans for migrating to another platform because Blogger has been falling apart for years, but there's a lot of decisions to make and tons of actual work to that, so it keeps getting bumped down the to-do list. That constant balance of time-energy-money. Migration takes a lot of resources…even just figuring out what to pack and take with you versus what to let go. 

So, I definitely bear all that in mind when I am tempted to pass judgment on what someone else has managed to do in this crazy endeavor we call building a writing life. 

So, with all that as caveat, here are my three main pet peeves on author websites:

1. Pop-ups: Modals demanding that I subscribe to a newsletter or click over to the latest publication. Especially if those cover the thing I came there to read and are difficult to get back out of. If I like what I see, I'll seek out your newsletter--put the link at the side or in an obvious menu, but don't pop it up on me just because I scroll down or try to navigate away--that feels scammy and pushy and guarantees I will not subscribe. 
2. No contact information: that's a basic on any website. People might want to reach out to you! Maybe invite you to be a part of an event. I've had it happen. I understand the desire for privacy, but it can cost you opportunities to be difficult to reach out to. You can use a form if you don't want to post an email address. 
3. Flashing or moving displays that can't be turned off: I don't see this so much anymore, but for a little while, it was quite the fashion to have a video play, or a carousel display on a website and I hate it. An interactive element for a purpose has its place, but on an author's website? Nope. I came here for the words, read with my eyeballs, at the pace I choose. 

So there ya go, Samantha's two cents on author websites. How about you? What puts you off or pulls you in? What do you do for your own site, if you maintain one? I'd love to hear about in the comments! 

BookBub or Bust, an IWSG post

    

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the January 3 posting of the IWSG are Joylene Nowell Butler, Olga Godim, Diedre Knight, and Natalie Aguirre!

January 3 question: Do you follow back your readers on BookBub or do you only follow back other authors?

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Happy New Year! Here's hoping that 2024 bring you joy, on and off the page. I like the feeling of fresh start that comes with a flip of the calendar. 

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Maybe this will be the year that I make proper use of BookBub as an author. Because up till now, it's stayed pretty low on my priority list.

It's not that I don't see the value; it's more that I struggle to find the time. I write alongside a demanding day job and maintaining a family and household. So, mostly, my entire writing life fits into about two hours a day. Sometimes less. A few times a year, more. 

So, writing new work, promoting previously published work, networking, blogging, and keeping up a presence in the ever-changing landscape of social media keep me pretty darn busy. 

I probably visit BookBub quarterly at best. When I do, I look to see who has followed me. Whether they are readers or authors doesn't make any difference to me so far as the likelihood that I'll follow back. I just click on their link and look at what they're up to and if I spot anything of interest, I'll give them a follow. 

Then I recommend a book or two and wander off for another three months. 

I do still appreciate the newsletter offerings as a reader, though, and I know that the BookBub feature that my ex-publisher got for me at the outset really gave a boost to my number of reviews, so it's a worthwhile venture. Just not one I've really made time for yet. 

How about you? Do you make use of BookBub as a reader or writer? If so, what do you like to do with it? I'd love to hear your thoughts in the comments.