Showing posts with label money. Show all posts
Showing posts with label money. Show all posts

Monday, April 20, 2026

A to Z: Going Indie: Q is for Questions

 

Welcome to Blogging A to Z! My theme this year is Going Indie. I hope you enjoy it. Don't forget to check out the other participating blogs.  

So, I had (and have!) so many questions about indie publishing. The wonder and the curse of publishing in 2026 is that there are so many options. So many paths you might take, tools. you might use, ways you might go about the whole thing. That's freeing and paralyzing at the same time…because how are you supposed to know what's "right" even when you just mean "right for me"? 

So, I ask questions. I reach out to other writers and ask what they do and why they do it the way they do. Sometimes those answers mean I try what they were doing, sometimes they don't. 

For example, SEVERAL romance writers advised me to go with Kindle Unlimited since so many romance readers are book gobblers and they LOVE those one-fee services. They say I'm shooting myself in the foot by not having my book available in that program. 

But I hear from so many other writers that KU is a worse and worse deal for writers every year. I mean, I know "the house always wins" but do they have to win by such a LARGE margin? Makes it so some of us can't afford to play at all. I'm not willing to let Amazon exploit me for their profits if I'm getting so little in return.

So, I asked a lot of questions, and settled on what they call "going wide" which basically means that I'm not enrolling in KU or any other exclusive agreements, but am making my books available broadly. 

Is it a good idea, going this way? Time will tell, I suppose. All you can do is keep asking questions and making the best decisions you can with what you know at the time.  

 

Saturday, April 18, 2026

A to Z: Going Indie: P is for Profitability


 

Welcome to Blogging A to Z! My theme this year is Going Indie. I hope you enjoy it. Don't forget to check out the other participating blogs.  

So now that I'm trying to treat my writing life with a little more respect and be more of a businesswoman about it, I have to pay attention to things like profits. And the big question is how to measure that. 

There's a lot that I've bought for my writing life (see my M post on Money for details), but which things count in my reckoning for whether a book is profitable yet? 

Mostly, I've decided that things I buy that are for author life in general or serve as infrastructure don't go in the reckoning for any single book. So, buying an author banner, getting bookmarks made, paying a table fee at an event, doesn't count. 

But things specific to that book like editing, book cover, buying copies, etc. DO count. 

So for Not Too Late as an example:  I came up with $726.10 as my starting number, my "sunk cost." 

That includes: 

  • $62.50 for Vellum (not sure this should actually count, because I'll use it for ALL my future books, but if it does count, that is 1/4 of what the software cost me, since I've used it on 4 books so far)
  • $59 for two ISBNs, one for ebook, one for paperback (since I bought in a group of ten--they're cheaper if you buy more at a time)
  •  $196.80 editing
  • $400 book cover 
  • $7.80 for a paper proof copy 

Since then, I've purchased 68 copies of the book for resale. I know that's a weird number, but it's because I shipped to bookstores in weird amounts for consignment arrangements as well as buying for my own in-person re-sale. I've sold 9 copies at full price in person, three at lower price to the cover artist, and one through one of those consignment arrangements. 

When I track how much I spent buying books, I always include the shipping, too. So each book costs me between $4 and $5 on average. So, the copy that sold through consignment paid me $9, but it's really $4 or $5 profit since I had to buy the book in the first place. I hope that makes sense. The copies I sell in person make me $10 or $11 each, for comparison. 

So I've put all that into a spreadsheet and currently, I'm further in the hole than I started, at $834.35. I'm not worried though, because, like I said, this book hasn't actually released yet. This is all PRESALE still.

My *hope* is that the book will be "in the black" within its first six months. So, just in time for Halloween. I'll let you know how it pans out! 

 

Wednesday, April 15, 2026

A to Z: Going Indie: Money

 

Welcome to Blogging A to Z! My theme this year is Going Indie. I hope you enjoy it. Don't forget to check out the other participating blogs

So, let's talk about money. I know some people consider that rude, but I think transparency about numbers is useful.  What did it actually cost me (in dollars) to publish Not Too Late and the other Gen X romances? 

So, I broke down my math in the first month recap in my Substack series about Going Indie, but here's the money bits: 

So far, I’ve spent:

  • Vellum software for formatting: $249.99 (August 2019--bought when I thought about doing this the first time). I’ve used it for 4 books so far, so that makes Not Too Late‘s share: $62.50

  • ISBNs: $295 for 10 from Bowker June 2025 which amounts to $59 for the two I used for ebook and paperback of this book. (These are cheaper per ISBN the more you buy at a time, but I figured 10 would keep me busy enough for a year or two—at this point, I’ve used eight of them).

  • Editing: $196.80, July 2025 (I got a friends and family rate from a FANTASTIC editor)

  • Bookcover: $400 Pd. July 2025 (I hired a person I met through convention life to do all three covers)

  • Proof copy from Ingram: $7.80 (September 2025)

That’s a total of $726.10 by my reckoning, but notice the dates in that list. I didn’t spend all of that at once, but spread it out across several months. And the software purchase is an unlimited license, so the more I use it, the less it costs per book.

Buying paper copies of my book (I get them from Ingram) costs me roughly $4-$5 per book depending on  how many I order at a time. I sell them for $15 at in-person events and the pricing will be similar online come release day. That pricing seems to be pretty standard. No one balks at the number if they were thinking of buying it. 

There are other expenses not there in my production costs, but that still matter. To be able to sell at in-person events, I've collected a bunch of things: 

  • bins for books storage/hauling: I use a 19 qt from Container Store that is easy for me to manage alone. Roughly $14 per tub and each holds 15-30 books depending on size of the books. 
  • 6 foot folding table: $50-70 (I happened to already have one I bought as "the cookie mom" some years ago)
  • 4 foot folding table $60 (I happened to already have one I bought in support of gaming parties at my house)
  • wagon for hauling stuff around: $60-$200. I have a $60ish dollar one I bought when my kids were doing soccer, but I covet a more expensive one that I can push as well as pull and with better wheels. 
  • canopy tent for outdoor events: $120 or so. I bought one years ago, the first time I had an opportunity for an outdoor event and recently upgraded to one that's easier to put my by myself. They can be cheaper if you buy them off season. 
  • Tent weights: gotta keep that tent from flying away! $40 bought my the first time a venue required them.  
  • standing banner: I've had a couple of retractable ones from Vistaprint. $100-ish. But after the last one broke, I haven't replaced it and haven't decided if I'm going to or not. You can't use them everywhere and they're fussy. 
  • table runner: $80 or so. I LOVE mine because it "brands" my table and looks nice, but folds into a tote bag and is machine washable. 
  • bookmarks: cheaper the more you buy at a time. My most recent set was $70 for 500 booksmarks. 
  • postcards: cheaper the more you buy at a time. My most recent batch was $50 for 100. I used them to create cards that let people buy ebooks from me at in-person events. 
  • stickers: again, cheaper the more you buy at a time. My last batch was $117 for 300. 

Me under my canopy with my table runner

You don't *have* to have all that, but some infrastructure definitely helps! There's also stuff I subscribe to not for just one book but for my general writing life: 

  • Canva for making graphics: $120 a year
  • Mailerlite for newsletter management: how much depends on number of subscribers. Mine is $40 a month. 
  • Bookbub websites for my website (not this free one, just for blogging--my other one for branding/selling). $5 a month. 
  • Bookfunnel: where I provide download opportunities for readers and can connect with bundle opportunities. $250 a year
  • Duotrope: where I find publication opportunties and track my submissions: $5 a month.   

Do you HAVE to do all this? No, not at all. There are a lot of ways you can do this, and you have to balance your goals and desires against financial feasibility and your skillset. 

For example, if you're going Amazon only, you can just use their free ASINs and not buy ISBNs at all. I bought them because I wanted to go wide and not be beholden to the Big River Overlords. Ingram and Amazon also have online formatting options you can use for free. I wanted more flexibility and something easier for me to use. So I bought Vellum. You can also hire people to do layout for you, usually not that expensively. 

There are cheaper cover options, using ready-mades for example. But I'm anti-AI for creative works and it was important to me to work with an artist.  

Each of us has to make our choices about how we invest in our writing lives. These are just the choices I've made. We'll see which ones I later regret and which ones were worth the investment as time goes by!  

Monday, July 21, 2025

She works hard for the money, an open book blog hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Continuing on the topic of money what is the hardest thing you have done to earn money?

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Most of the hardest work I've done in my life, I did not get paid for: raising children, medical support, home renovation, clean up after a disaster, etc. Free labor for and with the people I love, paid only in love and appreciation, maybe with food. 

 To earn a living, I've only had a few kinds of jobs: teaching, writing, librarian, secretary/receptionist, DJ, and my current day job as a content strategist for a big financial company. (If you're asking "what's a content strategist" here's how my Dad explains it to the rest of the family: "she listens to the business people and lawyers and translates what they said into regular English people can understand." That's not a bad explanation, honestly.)

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 Out of all those, the hardest was teaching. Physically, emotionally, and psychically demanding. I survived for 27 years before I finally left that abusive spouse of a career I was staying with "for the children" and found something more tenable and sustainable to finish my working years. 

I don't want to rehash all my concerns about the way American school systems exploit and abuse their employees. I'm sure you've heard them all before. But I will say, it's great here on the other side of the classroom door. I loved teaching, and really felt like I made a difference in the world when I was doing it. But, I eventually had to choose myself before it killed me. 

 How about you? What's the hardest work you've had to do? 

You are invited to the Inlinkz link party!

Click here to enter

Monday, July 14, 2025

Money or Fame? An open book blog hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

What would you rather have: money or fame?

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Um. Money. That's not even a hard question for me. There's a lot I might accomplish given money, especially in copious amounts. Selfish things like taking time for travel and becoming a full time writer (no day job!). More generous things like paying off debts for people I love and Philanthropic things like giving scholarships and grants, supporting charities, endowing things, etc. 

 Fame looks to me like it comes with more trouble than delight. I don't need that kind of attention. I wouldn't know what to do with it, other than hope it would go away.  

 How about you? Do you want to be famous? How about rich? I'd love to hear your musings in the comments.  

You are invited to the Inlinkz link party!

Click here to enter

Wednesday, March 5, 2025

If I could be anything or anyone…an IWSG post

 

      


Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the March 5 posting of the IWSG are Ronel Janse Van Vuuren, Pat Garcia, and Liza @ Middle Passages!

This month's question:

March 5 question - If for one day you could be anyone or *thing* in the world, what would it be? Describe, tell why, and any themes, goals, or values they/it inspire in you.

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What a fun question this month! So many possibilities. 
 
Should I be a dog? A bird? A whale? I've often wondered what it would be like to be any number of animals. To be able to fly, or swim, or leap with their abilities. I wonder if it would be like Selkie stories, though, where there's some danger I'll forget who I used to be and just remain forever in my animal form. Then again, maybe that could be amazing. 
 
 
It could be cool to be a man for a minute. To see what all this business is like from that point of view. Maybe it would help me understand what's going on with some of the males in my life…or maybe it would be more like trying to drive an unfamiliar vehicle. Maybe I'd need more than one day to try this one out. 
 
 
Is one day long enough to wreak havoc in the life of one of the bigwigs in my country? How quickly could I dismantle a financial empire and turn the money to uses I believe in instead? Avoiding names, but could I take over RichDude's life for a day and fund every GoFundMe out there, give scholarships galore, spoil scientists and librarians with resources, and fund every food scarcity charity in the country for the foreseeable future? I bet my signing hand would hurt by then end of day, and boy howdy, would RichDude be in for a surprise when he took his life back over. 
 
Yeah, I think I'll go with that third one. If you see some RichDude out there seeming like he had an Ebeneezer Scrooge experience? That was me :-)

Wednesday, July 1, 2020

IWSG: When Smaller is Better


Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking.

If you're a reader, it's a great way to peek behind the curtain of a writing life.

July 1 question - There have been many industry changes in the last decade, so what are some changes you would like to see happen in the next decade?

The awesome co-hosts for the July 1 posting of the IWSG are Jenni Enzor, Beth Camp, Liesbet @ Roaming About, Tyrean Martinson, and Sandra Cox!
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In most of aspects of life, I'm a believer in the power of the small. I shop small businesses, live in a
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small town, and teach in a small school. I look for small beauties in daily life and take small steps toward my goals. I don't like crowds or high pressure socializing. I lack good small talk. I'm impatient with slick insincerity. 

I've come to believe that the fewer rings in the circus, the more likely it is that the performance will hold together. 

When I began seeking publication though, I looked "big" to begin with: The Big Six publishers (now the Big Five), agent representation, publicists, etc. I'd bought into the idea that you had to do it that way--that you weren't a "real writer" if you didn't. 

It didn't take long to learn that I wasn't well suited to that rarified atmosphere. 

I became impatient with the glacial pace of giant companies and agencies that can take six months to a year just to send a nonspecific rejection. I lost faith that having an agent would actually benefit my career, having watched several colleagues share their small incomes with an agent in hopes of "hitting it big" only to find that it didn't really bring them any opportunities they couldn't have garnered on their own. I learned that profit share was often not that high, even if you hit it big. 

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I still dream big, imagining my books being picked up and turned into a movie or a Netflix series: who wouldn't like to see more attention for their work and more money in their pockets? 

But, I'm not sure I have the schmooze in me to handle the glad-handing, networking, and PR machinations. I'm not sure it's worth developing those skills if I feel like I lose myself in the process. 

When it comes to publishing? I've stopped spending energy on trying to get an agent or leaving manuscripts languishing in big house slushpiles for years at a time. 

Instead, I've looked small: small publishing in particular. 

While I am working on my first independent publishing project, in hopes of getting it together by October of this year, I'm not ready to make it as an author-preneur.  I do this part time, in addition to full time teaching work and there are only 24 hours in the day. I need help. 

So, that means traditional publishing is for me! 

I want a situation where a lot of the work of bringing a book to readers is handled by someone besides me: arranging for editing, designing a cover, deciding on production details, laying out and designing the book, arranging for distribution, finding reviewers, etc. 

Sure, as an author whose writing is published by a small press, some of this work comes back around to me (and I'm grateful that my input is sought and considered), but I get the advantage of having a team behind me that can fill in the skills I don't have and teach me what I need to learn to move forward. 

My main job in my writing life is to write, not to become an expert in SEO and maximizing social media. 

So, for myself anyway, I'd like to see the industry get smaller. 

Bigger is not always better. The personal is lost. Creativity can become stunted when its forced to fit into boxes--and big business doesn't like to take risks. They like *known* quantities. 

That's why so many big Hollywood movies feel just like every other big Hollywood movie, why "bestselling" novels often bore me to tears and are entirely predictable from page one. Big gets big and stays big by making safe choices, and as a creative and as a consumer of media, I want risk, surprise, and nuance. 

If that means I stay small, so be it. At least I'll be happy. 

Wednesday, March 4, 2020

Scattered Focus: IWSG March 2020


Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking.

If you're a reader, it's a great way to peek behind the curtain of a writing life.

The awesome co-hosts for the March 4 posting of the IWSG are Jacqui Murray, Lisa Buie-Collard, Sarah Foster, Natalie Aguirre, and Shannon Lawrence! I hope you'll check out their blogs as well as some of the others on this blog hop after you see what I have to say.
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In some ways, I'm a very disciplined writer. I write every day and have for more than six years now. But as my career has progressed, I feel overwhelmed by commitments and by "shoulds" sometimes to the point that my energy feels completely scattered, so even when I am being very productive, I feel like I'm not, which makes it hard to keep heart.

Currently, I try to:
  • post on instagram daily
  • blog once a week
  • participate in some kind of promotional activity for my published work once a month
  • move forward in the WIP novel every week
  • take advantage of short story opportunities (invitations, interesting open calls) as they arise
  • keep my unpublished work on submission 
  • meet deadlines for work I've got in process (edits, proofreads, submission dates, etc.)
  • keep up with communications (emails, responses to social media)
  • send a newsletter once a month to my subscribers
  • journal or do day pages often enough to let new ideas develop on the back burner
  • track the business end of things to make sure my contracts are followed and royalties are paid
  • play (write things that I don't have solid goals for, but am writing because I want to and enjoy it)
That's a lot to balance. Especially when you consider that I do this alongside a day job (teaching middle school Spanish) and house and family responsibilities. I can generally get 1-2 hours for writing life on a school day and 4-5 on a school holiday. Though I think it would still be a lot to balance if I were a full time writer without other jobs. 

When I talk to other writers about this, I get a lot of sympathetic nods, but not many solutions offered. I know I'm not alone in the struggle to pursue my dreams while still keeping a roof over my head, a car to drive, groceries, and insurance for my family. 

Saying no is scary--refusing opportunities can mean that you don't get a repeat offer or that you miss out on something that might really have served you well. But all the same, I'm learning to use that word more often, to really analyze each blip across my radar and consider whether it's helping or just keeping me from focusing "where it matters." 

I guess that's the real rub: figuring out "where it matters." 

How about all you other creatives out there? How do you choose where to focus your energy? What balls are you juggling to keep your creative life moving in the direction you want? How do you keep heart when it gets overwhelming? Inquiring minds want to know! Tell me in the comments!

Wednesday, December 4, 2019

IWSG: When I Grow Up . . .



Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop.

If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking.

If you're a reader, it's a great way to peek behind the curtain of a writing life.

The awesome co-hosts for the December 4 posting of the IWSG are Tonja Drecker, Beverly Stowe McClure, Nicki Elson, Fundy Blue, and Tyrean Martinson! I hope you'll check out their blogs as well as some of the others on this blog hop after you see what I have to say.

December 4 question - Let's play a game. Imagine. Role-play. How would you describe your future writer self, your life and what it looks and feels like if you were living the dream? Or if you are already there, what does it look and feel like? Tell the rest of us. What would you change or improve?
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I've always had a lot of dreams about what my life would be like when I grew up. If you went back and talked to six-year-old Samantha, you'd have heard about the giant house she'd have on a cliff above a raging sea, with a tower room where she kept her art supplies and dancing shoes. The gardens would rival the ones I'd seen at Biltmore that one time on vacation and there would be a waterfall in my backyard.

I planned to finance all that by being a teacher, which shows that I didn't have much of a practical understanding of money, but was full of optimism. That's probably still true to some extent :-)

I wasn't much older than six when I decided I'd be a writer, too. Of course, my dreams about how that looks have changed a bit since then. 

When I was a kid, I imagined that a writer spent all her time walking around in long sweeping dresses across gloomy landscapes (like a Brontë sister), then went home and wrote passionate poems (like Emily Dickinson). I didn't spare a moment imagining how this writer bought her pop tarts and hot chocolate. I probably thought my mom would keep taking care of that for me. 

Now, I'm closer to living the dream of my writing life than I have ever been. I've had my first taste of success with three of my novels accepted for publication. They sell at least a few copies every month and I get invited to author events several times a year.

I'm a "real writer" by nearly anyone's estimate and I have to say it feels good. I write every single day and I get my words into print regularly. I'm more confident in my work every day, and know I'm building a career that will see me through to the end. 

My imagination, at least when it comes to imaging my own future, doesn't run as wild and free as it did when I was six. Even my "crazy dreams" are a little more realistic. They are possible, at least, even if they're unlikely.  

I imagine the Menopausal Superheroes getting picked up by Netflix and made into a series with Kathy Bates and Helen Mirren in the cast. It's a huge hit of course, and Hollywood realizes that there's a huge market for stories about strong women of all ages and they've been missing out on millions of dollars by only marketing to and casting the young.
(Menopausal Superheroes as drawn by Charles C. Dowd)
I get more offers than I can find time to fulfill to write more stories. I make so much cash that I send my second daughter to college without borrowing any money and pay off everything I borrowed for the eldest! I take my husband and family on wonderful trips to all the places we've always wished we could go see. I drive a car during the same decade it was manufactured!

Ellen DeGeneres calls and I charm everyone with my genuine awkwardness in my stint on her show. I use the opportunity to raise money for my foundation that sponsors women creators to produce the work they were meant to make. My foundation frees thousands of women from the struggle of making ends meet and their creations change the world for the better. 

I still teach, because I love teaching, but I do it part time, only for students who care about learning what I am trying to teach. I still write every day, because that's the fun part. How about you? What do your dreams of superstardom look like? 

Monday, April 1, 2019

A to Z: Letters to Dead Writers: Louisa May Alcott

This month I'm writing one post for each letter of the alphabet, all on the theme of "Letters to Dead Writers." You can see my theme reveal post here and learn more about the blogging challenge here.

Today's writer is Louisa May Alcott.
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Dear Ms. Alcott,

I'm sure you hear this all the time, but you are part of why I am a writer today.

I'm not sure how old I was when I read Little Women, but I was certainly young enough to be very impressionable. Like many a bookish girl who didn't want to be held to stereotypical expectations for women, I fell in love with Jo March.

Jo wasn't the good sister, but she was the most interesting one. She was passionate and loyal and fierce and all the things I felt in my heart even when I was afraid to express them. And she wrote stories!

Sometime later, I learned that you didn't really want to write Little Women, but had been pressured into doing so by your publisher. It's interesting because there's so much of your life in it, paralleling some of your family history. There's some evidence that Jo is lot like you, too. 

I read everything I could find of yours when I was a kid. I felt like you understood me and my life. Like you, I grew up in "genteel poverty"among loving but financially poor people who believed in that hard work and dedication would pay off.  People who valued kindness and family and love, as well as books and creativity.


Even though I studied Emerson and Thoreau in high school literature courses, I didn't put together that you and your family were part of that same set until I was in grad school, and took a bit of a literary tour of New England on my way to my summer program at Middlebury College. My mother and I toured your family home and farm and I bought a biography of you that I still treasure.

You really were a woman ahead of your time. An abolitionist, a feminist, an activist. You wrote under a pseudonym to protect the secret of your gender. I'm so glad you did!

Thank you,
With Love and Admiration,
Samantha


Wednesday, August 17, 2016

Guest Post: C. Hope Clark on Life Balance

It's my pleasure to hand over my blog today to C. Hope Clark. Mystery readers know her for her Edisto Island Mysteries; writers of all genres know her for her Funds for Writers newsletter. I invited Hope to talk to us about balancing a writing life with the rest of life now that she's where some of us still aspire to be: working full-time as a writer. 
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My fulltime job is that of a writer. At my appearances and signings, many people greet me with a wishful expression, and I know exactly what they are thinking. I wish I could stay home and write for a living. One twenty-something approached me not long ago and blurted, “Honey, you are living the dream. You are who I want to be.”
Admittedly, I am living the writer’s dream, but it’s one that comes with responsibilities and coordination. It doesn’t take much for an untended dream to slide into a nightmare.
My dream, however, isn’t self-sustaining. It requires maintenance. Every few months, I stop and analyze my schedule, goals, and purpose, because without attention to them, my dream takes off on tangents, even splintering into tasks that may or may not feed the dream, and can ultimately dismantle my days.
I wanted to leave nine-to-five to write, to pursue a deep personal satisfying quest. However, I made a plan before taking the leap. While writing fulfilled me, I had sense enough to know that it also had to take care of financial obligations. So I developed a three-year plan to pay off debt, save for emergencies, and develop a work ethic of income writing versus creative writing, then at the end of three years, I took an early retirement at age 46.
While I wanted to leave earlier, that three-year plan included qualifying for early retirement which gave me health insurance and a small pension that would always be there for a roof over my head. A necessary evil? Maybe. But in that three years, I also tested several writing avenues, weighing which would bring in the most income, which wouldn’t interfere with my novel-writing goals, and which would provide me with the best platform. I had an intense need to define a balance between responsibility and desire, getting everything I wanted out of my days without sabotaging my well-being.
Errantly, we often think of a balanced life as being one we have to think less about. A laissez-faire mindset that deters regimen or structure. In reality, without some definition we lose balance because there is no weighing in of need and purpose. Our balance goes awry because we aren’t focused.
I’ve been a fulltime writer for over a decade now, and I believe it’s worked because I periodically analyze my schedule, goals, and purpose, beginning with the last.

Purpose

While my main purpose is to write, I learned early on that an equal purpose is to be financially safe. A writer is not successful without both. So instead of saying my dream is to write fulltime, I understand that my dream is maintaining the ability to write fulltime.
Every month I study the time spent on writing for short-term income (freelancing), writing for long-term income (novels), appearances, and self-promotion. They must balance to sustain my fulltime passion, and yes, that means sometimes I write less creative work to bring in dollars in order to buy me time to delve into my novels. Without dissecting this balance regularly, the scales quickly tip in the wrong direction. Too much income writing robs me of my creativity. Too much creative writing robs me of income. My writing is a career, so it takes leveling both left-brain and right-brain tasks to allow me to maintain a fulltime dream.

Goals

Novels have multiple deadlines prior to publication, and so while they do not bring in income, they have needs. A novelist also plans several books ahead, meaning a multi-year, long-range plan, and until those novels are published and bringing in income, a certain number of short-term goals must be met to pay bills. This analysis of long-term and short-term goals takes place monthly so I do not stray.

Schedule

While goal-tending is great, day-to-day activity isn’t so precise or easy to monitor. But I left the nine-to-five partly because of a suffocating regimen, and I do not want to replace one rigid structure with another. So I go out of my way not to force-feed myself a daily schedule.
Monthly reviews of my work, covering creativity and entrepreneurialship, are sufficient for me. In the day to day, I allow a more relaxed environment.
I rise when my clock tells me to, and I go to sleep when my clock beckons. My work may make for five-hour days, or fifteen, depending upon my energy and enthusiasm, but my work week is a forty-hour minimum. The greatness about being a stay-at-home writer is that I can deem what makes for a satisfying day without worrying about a clock or overseer.
To avoid burn-out, I take breaks to walk the dogs, tend the chickens, and garden. I can make doctor appointments in the day without missing work, and I can take a break and visit the zoo with a grandson in the middle of the afternoon before it gets crowded.
I can work until three AM knowing I can sleep in. I can stop and cook dinner, watch a mystery on television, then return to the job because it’s just down the hall. While I give myself Saturday as a day off, I’ve learned that I love my work so much that I rarely reach the end of the day without checking for replies from publishers, editors, and readers.

Balance can’t be too loose or too strict, but it’s critical to feed the passion and the self-sustainability of a writing career and find that perfect level. Give yourself enough of a structure that you feel focused, but enough detachment to feel you’re not tied down.
Without a doubt I’m living the dream, and with the balance I’ve achieved, that dream will take me as long as I wish.

BIO: C. Hope Clark loves living her writing dream and will continue to the end of her days. She just released Echoes of Edisto, book three in The Edisto Island Mysteries, and has many books planned in her long-term goals. www.chopeclark.com