Zorro, or Don Diego de la Vega, has been around for a while. The Mexican Robin Hood was created in 1919 by Johnston McCulley and has been swashbuckling around books, comics, stage and screen (both large and small) every since. He's a man of many faces, and though he's a Mexican hero, he's seldom been played by a Hispanic person (at least in English language renditions). 
Usually, he's a rich nobleman in Spanish-ruled California, fighting for the rights of the common man against the landowners and less noble noblemen. He wears a mask, which leaves room for the role to be passed on to other men (as happened in the more recent movie version with Antonio Banderas inheriting the role from Anthony Hopkins). 
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I first knew Zorro from his old movie persona with Douglas Fairbanks and the 1950s Disney program with Guy Williams, programs I watched in re-runs with my parents. Both of these went with the silly secret identity. I liked this idea that everyone thought de la Vega a useless fop or fool, but really he had the heart of a hero! No one suspects him of the acts of heroism his alter ego accomplishes. 
There are resonances with a lot of other heroes with secret identities and deep pockets, from the Phantom to Batman, Oliver Queen to the Scarlet Pimpernel. It's an idea that still resonates for me today: the advantage you can gain from having your enemies underestimate you. And it takes a special kind of brass to let your public identity be the one everyone thinks little of, so you can accomplish your mighty deeds in secret. Zorro is a tricky fox indeed. 
___________________________________Don't forget to check out my own superhero stories. Change of Life, book two of my Menopausal Superheroes series just came out a few days ago!
 





 
 














