Monday, July 14, 2014

Summer Reading: Week Six

I had writing critique group this Sunday (hurray!), so my top priority was to read the excerpts from my fellow writers. It's a different sort of reading than just reading. I'm reading to provide feedback, so I read each piece at least twice, making margin notes as I read about my reading experience: what bumped, what was awesome, what I don't believe, what errors my friends made, etc. It's really useful for my own growth as a writer, and not just on the days that it's my work being critiqued.

I learn a lot from being forced to define as precisely as possible what the problem is in the piece. I learn even more trying to come up with suggestions about how best to fix it. The discussions open my brain in the most exciting ways. My critique group is the best!

I also had a huge writing week. I wrote an average of 2,000 words a day, and, as a result finished the draft of Cold Spring that I was working on. In finishing the draft, I did a lot of nonfiction reading (web articles and books) about various historical details that came up. How did writers write historical fiction before the internet? I'll have a lot of research to do before I can really take on book two in that saga.

So, the only novel reading I did was casual and light. I didn't finish anything at all this week! I continued to read Greatshadow by James Maxey and Mothers by +Michelle Read  but can't really report on those yet as I've not finished. I can tell you that I'm still engaged with both and intend to finish them. That's saying something as I've become, in recent years, more willing to abandon a book that doesn't really pull me in.

My other reading was online: blogs, articles, etc. I followed the Hobby Lobby decision and the opinion articles afterwards. I grew up thinking our society was past the most blatant and rampant sexism of our past, so this and other recent political volleys have been a bit of a shock. Politics is exhausting. It's worse than housework for that Sisiphyusian feeling of futility--you win a fight, and immediately have to fight it again.

NJ's reading was much more fun. After the success of Captain Diaper Baby, we were back at the library looking for everything else we could find in that vein. Captain Underpants was all checked out, so we got Ook and Gluk. An unfortunate side effect has been rampant caveman speak from my normally articulate seven year old, but it comes with lots of laughter, so I can't complain too much.

One of the hard things right now is convincing NJ to give books back to the library. I've had to make a rule that she can't have more library books without giving back an equal number of library books we already checked out. Each trip to the library (and we go at least twice a week during the summer) requires a good twenty minutes moving the books into different piles and deciding which ones she is ready to part with. Sometimes there are tears when I insist that certain books have to go back this time because they are actually due. That girl loves her books!

Our neighborhood also has a Little Library in the community park now, so that's another place to exchange a book we're finished with for a new one. She wants to go every day, worried she'll miss a really good book, but it's even harder to let go of books she owns than it is to rotate library books.

M, the teen, is back home now (another hurray!), so soon I'll be able to update about her summer reading. I'm happy to be able to report that she does read things longer than a text message :-)

I hope you're all finding time for books in your lives this summer, too. What are you reading?


Saturday, July 12, 2014

#SaturdayScenes: No. 11

I finished a draft of my new novel on Thursday. So, in celebration, I bring you a #saturdayscenes from Cold Spring, my historical fiction piece. This scene comes near the end of the book.
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Chapter Thirty-Two: 1930, Shop Girl

Freda liked working at Whitaker’s. She liked her striped apron and little white cap. She liked listening to the women talking as they shopped. She liked the thousands of small ways that it had brought she and Simon together over the past two years. Working by his side was like getting a taste of what it would be like to be his wife someday. They worked well together, finishing each other’s sentences and knowing which way the other was going to move. It was good to see that they could work as well as play together. Of course, Simon wasn’t in the store that often anymore, his duties for City Council taking a lot of his time and energy.

When they were in the store together, Simon never failed to treat her respectfully, as he might any other employee. The occasional rumor still floated by within Freda’s earshot, but she didn’t let it worry her, trusting to her future with Simon. When they were alone together, he had began to call her “Miss Wurth,” mocking the formal tone they used with each other at the store, until her touches had him calling out her first name again. “Oh, yes, Freda.” Simon had still not yet broached the topic of their marriage again, but Freda believed in him, and trusted that he would choose the right moment. In the meantime, she could be a wife to him in spirit, if not in fact. She tried to ignore the sinking feeling in her stomach that sometimes came upon her when she thought about her position. She had to trust to the goodness of the man to whom she had given her heart. Some days that worried her more than other days.

When Simon had first proposed that Freda take the job as shop clerk, two years before, Freda had expected that he would have to fight for her. On the contrary, Mr. Whitaker hadn’t objected at all. In fact, he had welcomed her warmly, seeming glad to have the opportunity to know her better and to train her in the store management. He had paid her a good wage, too, one that Freda suspected was a little higher than another woman would have earned for the same work. It was enough to let Freda take care of the farm taxes and refill the emergency fund in the coffee can in her kitchen.

In her two years at the grocery, Freda had worked most of the jobs in the store. She had weighed the vegetables and bagged them up for delivery. She had helped fussy ladies choose material for their dresses and cut the requested amounts from the huge heavy bolts. She helped Mr. Whitaker count up the money at day’s end and do the inventory. He said that she had a better head for figures than his son did. Freda had beamed all day from the compliment. Most days it was wonderful.

This, however, wasn’t one of those days. Freda had been alone in the shop most of the day. Mr. Whitaker had stayed home nursing his sore back and Mrs. Whitaker had excused herself late in the morning to see to her husband. The store had been very busy, and Freda felt like she had been running all day. It was going to be very good indeed to get home and put her feet up.

Her tiredness made it hard to muster a smile when Mary Perkins, the mayor’s daughter, came in at nearly the end of the work day. Mary had been rude to Freda over and over again during her tenure at the store. While other women who shopped in the store called Freda by name if they knew her or “Miss” if they didn’t, Mary always called her “shop girl.” There was something in Mary’s tone that made the two innocuous words sound more like “insect” or “mongrel.”

She didn’t speak to Mr. and Mrs. Whitaker with that tone. In fact, she seemed to become simperingly sweet if one of them were nearby. She was also polite and even somewhat friendly if young Mr. Gibson, the other shop clerk, waited on her. Freda had no idea why, but Miss Perkins seemed to have singled her out as the target for all her sharp-tongued ill-nature.

It was even worse when Mary simpered at her Simon. If Simon were in the store, she’d always manage to make sure it was he who helped her with her purchases. She’d touch him more than was necessary and flutter her eyelashes at him. Sometimes, Simon seemed to flirt back. Freda reminded herself that Simon was a politician now and that his personal charm was essential to his success, but she wished he would be a little less charming when it came to Miss Perkins. She didn’t complain directly, but she was sure Simon knew how she felt about it.

Given this history, Freda tried to keep herself busy in another part of the shop whenever Mary was in the store and let someone else wait on Mary and her friends. Today, though, she was alone in the shop. Freda would have to deal with the mayor’s daughter herself. Taking a deep breath, Freda drew herself up straight and waited for the strident call of “Shop girl!”

Freda knew that Mary had been to a finishing school in Boston. She overhear her lamenting to the other town girls about the lack of refinement and breeding in Cold Spring. Obviously, she didn’t think much of the small Kentucky town her father had brought her to. The fabrics Whitaker’s stocked were never elegant enough for her. The home goods were not appropriate for the home of a lady of sophistication. Even the produce, apparently, was of larger size and higher quality in Boston.

Though she dearly wanted to, Freda never spoke up to defend her store, her employer or her town. She knew that Mr. Whitaker would want her to provide quiet service, not give her cause for complaint. So, she bit her tongue yet again today, listening to Mary chatter to her friends as they made fun of the new table linens the store had just gotten in the week before. Freda thought them lovely and often fingered them when she was alone in the shop, imagining buying them to use on her own table when she hosted a fine dinner party for her husband and his friends. It hurt to hear them disparaged, almost as if they were already hers.

Fighting down her anger, Freda stepped to the back of the shop and brought out more bags of beans. It wasn’t really necessary. There were still five on the shelf. But, it gave her something to do and took her out of earshot for at least a few minutes.

She was surprised when she turned around after placing the beans and found Mary standing directly behind her. “Can I help you, Miss?” Freda asked, her voice even and her face carefully blank.

“No. It simply can’t be true,” Mary said.

Freda blinked. What couldn’t be true? She held her tongue, giving Mary the opportunity to speak her mind, but not asking. Curiosity killed the cat, she thought. There was definitely something cat-like about Mary Perkins, and Freda felt instinctively that, were she to respond, she’d see the claws up close.

Mary seemed disappointed by her response, or lack thereof, and flounced away, speaking loudly as she left to make sure that Freda heard her hurtful words. “They say that frumpy spinster once had the heart of Mr. Whitaker’s handsome son. I simply refuse to believe it!”

Freda leaned heavily against the counter. It was a relief the woman had left, and at least now she knew why Miss Perkins hated her so much. She was interested in Simon. She could hardly wait to tell him what had happened. He would laugh with her over the idea of a silly and shallow little thing like Miss Perkins setting her cap for her Simon. She was everything he’d always said he’d hated. She lowered her hand to her stomach, trying to quiet the strange feeling that had erupted there. Had. She was quite sure that the girl said had. Not has.
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If you would like to check out more scenes by some really great writers, you should search under the hashtag #Saturdayscenes. The movement is the brainchild of +John Ward , who suggested that writers should share their work each Saturday.
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My other #SaturdayScenes contributions:

Week One: Elopement Day from WIP, Cold Spring
Week Two: Linda Makes a First Impression from WIP, Her Father's Daughter, sequel to Going Through the Change
Week Three: Claiming Alex, from unpublished novel His Other Mother
Week Four: Things Get Hairy for Linda, from unpublished novel Going Through the Change
Week Five: a poem: A Clear Day in Kodiak, Alaska
Week Six: a snippet from an idea barely begun, Lacrosse Zombies
Week Seven: Mathilde's Visit, from WIP, Cold Spring
Week Eight: Sherry bakes, from His Other Mother
Week Nine: I Said So, Didn't I? (a scene in dialogue)
Week Ten: Losing Faith (a poem)

Wednesday, July 9, 2014

Gotham/Metropolis

Okay, okay. This is going to sound crazy, I know. But hear me out, man. What do you mean, am I high? I don't do that stuff. Yes, I've had a lot of coffee. Now, just listen.

What if Gotham and Metropolis are actually the same place? Like they both exist in the same space at the same time, each completely parallel and unaware of the other side of its own nature, the light and dark of one city.




Gotham is all grit and darkness and Metropolis all shining sunlight, but both are incomplete, each missing the part they hide from themselves, the part that is the "other" city. 

This is why Batman and Superman are both allies and rivals, respectful of each other, but wary. Really, they are each other. Pessimism and optimism; skepticism and belief; preparation and reaction; wariness and openness. The two sides of one complete being. Batman is Superman and Superman is Batman. 



I know, right? Mind blown. Okay. I gotta go. Stopping by Atomic Empire today. See ya, man. 


Tuesday, July 8, 2014

Meet My Main Character (Blog Tour)


It's time for another blog tour. I love these things. It's like playing a writing game with your writer friends. I learn about so many great writers and great books!

This one is the Meet My Main Character Blog Tour, begun by Debra Brown.This tour asks the authors of works-in-progress to answer questions about the main characters of their fictional novels. I was invited by Ronda Reed. Ronda's novel, The Walking Bridge, is in editing now and Ronda hopes to bring it out early next year. I'm glad she invited me. You can read her answers to these questions here.

So enough about my writing friends, let's talk about my book, His Other Mother. :-)

Like most writers, I hate trying to classify my work, but I'll try. His Other Mother is women's issues fiction, by which I mean it is realistic fiction in a real-world setting featuring a female protagonist with issues to work through. In Sherry's case, the issues are infertility and schizophrenia. The novel is structured in five sections which mirror the phases of schizophrenia.

What is the name of your character? Is he/she fictional or historical?

Sherry Morgan is completely fictional. Like any of my characters, she draws from people I have met and even loved, but, mostly, I don't even recognize the pieces that stem from my own life in my work until after the fact. It's certainly not intentional. I suspect it's my subconscious working through my own issues.

When and where is the story set?

The story takes place in a contemporary setting, for the most part, in roughly 2010. It's set in Hilltown, which is a fictionalized version of my current hometown: Hillsborough, North Carolina. I didn't want to be tied to the actual geography of the town, so fictionalizing my setting allowed me to use things as I chose and ignore things that didn't serve my story.

What should we know about her/him?

Sherry wants a baby more than anything else in this world.

This desire is at the center of this novel. It affects everything and everyone around her, including her husband, Kirk, and Maxie and Corbin, the mother and baby she fixates on.

What is the main conflict? What messes up his/her life?

Sherry's problems begin when she and her husband, Kirk, decide to have a baby. They struggle with infertility and Sherry, in particular, is a mess over it. When she loses a pregnancy, she suffers a Brief Reactive Psychosis. She fixates on another woman's child and kidnaps him from the scene of an accident at the grocery store. As you might expect, this leads to trouble.

What is the personal goal of the character?

Motherhood.

Is there a working title for this novel, and can we read more about it?

His Other Mother. I've posted some scenes from the novel on this blog over the year or so since I finished writing it.

Here's the kidnapping.

Here's the bread-baking scene.

And here's one of my favorite scenes: Kirk at the beach.

When can we expect the book to be published?

I'm pursuing traditional rather than indie publishing for this one, which means things like time tables are out of my hands. I really believe the book needs the publishing machine behind it to find its audience. So, it's out there in submission land, waiting for the next response. I've had two publishers ask for more before opting out, so I'm hopeful that the novel will find a home soon. In the meantime, I'm writing my other books (two superhero novels and a piece of historical fiction).

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That was fun.

If you'd like to read more of these posts, check out the blogs of my writing friends next week to see what they have to say about their characters!

Kristin Molnar is an urban fantasy writer and lives in North Carolina with her family.

Chad Clark is an independent author specializing in horror and science fiction.

Elizabeth Hein is a mother, author, and cancer survivor. She grew up in Massachusetts and now lives in Durham, North Carolina. She writes women's fiction with a snarky edge. When not writing, she is trying to raise two young women and a husband.

Monday, July 7, 2014

Summer Reading: Week Five

I'm still having focus issues, so not reading as much as I would like. I've been slogging my way through Absalom, Absalom! by William Faulkner (A Rose for Emily is one of the best short stories I've ever read), but I don't think I will have finished it in time for my reading group. I'll still go, because I've read other Faulkner and will want to hear what others say. Faulkner's sentences are so lush (and long!), that I find myself getting lost between the beginning and end and rereading one sentence several times like I might a poem. It's beautiful, but slow reading. It also reminds me of Gertrude Stein, where the same idea is woven in and out again in repetition and reiteration.

For example, here's one sentence: "I don't plead material necessity: the fact that, an orphan a woman and a pauper, I turned naturally not for protection but for actual food to my only kin: my dead sister's family: though I defy anyone to blame me, an orphan of twenty, a young woman without resources, who should desire not only to justify her situation but to vindicate the honor of a family the good name of whose women has never been impugned, by accepting the honorable proffer of marriage from the man whose food she was forced to subsist on."

It's the right tone for the woman telling the story. She digresses mid-digression and does not pause for breath, but it's an exhausting read.

As a break from Faulkner, I began a new book that I recently picked up: Mothers (Book One in the Invisibles Series) by Michelle Read. I'm only three chapters in, but it promises to be a lot of fun.  I picked it up because i met +Michelle Read on a community on Google+ and learned we were both writing female superheroes.  Michelle's book is engaging so far. I like the main character and sympathize with a lot of her mommy problems and am already curious about the explanation for some of the strange things she's been seeing.

Other than that, I've been guilty of binge television watching instead of reading. On the up-side, this is because I've been writing a lot myself (2,000 words a day or more), which means that my brain is tired and ready for some more passive entertainment, like the Tube.  My popcorn show right now is Lost Girl, a series about a succubus private eye. I don't do cable anymore, so all my TV watching is on Netflix or Amazon Prime. I'm in the second season of Lost Girl, and so far have only hit two episodes I thought were awful.

NJ continues to read up a storm. She's still on her graphic novels kick. She adored Lilith Dark by +Charles C. Dowd . The morning after she read it, she described it to me in breathless detail and said, that she was actually Lilith Dark. (She's not as rude to her family as Lilith, but she does bear more than a passing resemblance to the fictional child).

Tiny Titans continue to be popular. We checked out all the library had that we hadn't already read. She Adventures of Super Diaper Baby by George Beard and Harold Hutchins. I may have to buy her copies of those to keep because she wants to take them around to show her friends (especially her male friends).
also found them disgustingly charming

She's also been reading recipes from an old Strawberry Shortcake book that used to my sister's when she was small.  We've made Whizzer Fizzers (floats) and Monster Sandwiches (cleverly cut pieces of normal sandwich stuff).  NJ has a baking thumb the same way some people have a green thumb for gardening.

The elder daughter gets home next weekend (hurray!) and I'll find out what she's been reading. For NJ at least, this continues to be the summer of books.
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I wanted to take a moment to highlight the new release of a writing friend. Chad A. Clark will put out a collection of short stories on July 18. It's called Borrowed Time and I'm pleased to reveal the cover today (see below). I've got my pre-release copy and look forward to reading it soon.


Borrowed Time is a collection of six tales bridging the chilling world of horror and the mind-bending realms of science-fiction. Join a young man searching for answers in the wake of a friend’s suicide, who uncovers an evil that proves some questions are best left unasked. Journey with a young artist along haunted back-country highways, hoping to make it home while re-discovering herself in the process. Travel to the distant future where one man breaks free from the safe isolation of his existence and risks everything so that he might learn what lies beyond the confines of his reality. Read these and more in the debut book from this new author.

Storytelling has always been one of Chad A. Clark’s passions. A Midwestern raised author, he specializes in horror and science fiction. Learn more about him at his website, cclarkfiction.net. You can also enjoy a new original work of fiction every week on his website, bakedscribe.net.

Saturday, July 5, 2014

#SaturdayScenes No. 10: Independence Day

Independence Day always makes me think of my grandfather who was a WWII vet. This week for #SaturdayScenes, I bring you a poem I wrote about him and his ambivalence about his service.

Loss of Faith

He said loss
was certain in war—
we must all sacrifice for the Greater Good.
Friends, family, even faith—
surrendered like offerings,
head bowed, eyes averted.
Still, he wondered . . . wished
he had not recovered
from the scarcity of his youth.
If he had stayed home
with flat feet—
with polio—
would he still trust
in G-d and Country? 
But he had witnessed the children,
served them bread and thin soups,
their wide eyes solemn over spoons
clasped in hands grown so thin
bones float in slack skin.
If these had remained words in the paper,
pictures in Life magazine,
he could have still believed
in something, held on to his faith—
that G-d cared, that good would prevail. 

The army taught him eighty ways to kill,
but never
to forget that his enemies were his brothers.

He learned to apologize in seven languages,
but never
to look the other way.

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If you would like to check out more scenes by some really great writers, you should search under the hashtag #Saturdayscenes. The movement is the brainchild of +John Ward , who suggested that writers should share their work each Saturday.
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My other #SaturdayScenes contributions:

Week One: Elopement Day from WIP, Cold Spring
Week Two: Linda Makes a First Impression from WIP, Her Father's Daughter, sequel to Going Through the Change
Week Three: Claiming Alex, from unpublished novel His Other Mother
Week Four: Things Get Hairy for Linda, from unpublished novel Going Through the Change
Week Five: a poem: A Clear Day in Kodiak, Alaska
Week Six: a snippet from an idea barely begun, Lacrosse Zombies
Week Seven: Mathilde's Visit, from WIP, Cold Spring
Week Eight: Sherry bakes, from His Other Mother
Week Nine: I Said So, Didn't I? (a scene in dialogue)

Wednesday, July 2, 2014

#ISWG Posting: The Importance of Support at Home


I've been serious about my writing for a little over a year now. I've bumped it up from a sweet, little hobby (something I did piecemeal whenever inspiration hit, something I played at) into a consuming craft (something I do daily with specific goals and progress expectations). And my family has rolled with it.

My husband has been incredibly supportive. A lesser man might have complained about the time I've devoted to imaginary people and worlds, or about the household tasks that he's had to pick up or that were just left undone. But I'm a fortunate woman with a supportive partner who recognizes how important this is to me, at a soul level. 

When I was struggling to develop a daily writing habit, he took on extra solo parenting duty and let me disappear to a coffee shop or a room with a door. To help jumpstart me, he bought me a writing retreat weekend and took on the extra solo parenting duty that my absence entailed. (If you have children, you know how generous a gift that really is). 

It's hit me only recently how very fortunate I've been. How has it gone for you, fellow writers? Have your families been supportive? What have your struggles been as you became serious about your writing?

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This posting is part of the Insecure Writers Support Group blog hop. To check out other posts by writers in a variety of places in their careers, check out the participant list