Friday, October 6, 2017

Tales From the Underground: New Release

Don't you love the smell of a new release in the morning? Or any other time of day? I'm turning over my blog today to help some friends celebrate the release of a new anthology: Tales From the Underground. I hope you'll check out this preview and consider getting a copy of the book! -SB
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We have a challenge for you. Put your feet on the ground. Feel the earth under your feet. Now imagine… imagine what is under that earth. Imagine the Underground.

Tales From The Underground is a new collection of stories from Inklings Press – with a dozen stories from writers around the world, all imagining what might lie beneath the ground.

There are stories of fantasy, there are stories of science fiction, there are stories bringing you a shiver in the dark.

So here, join us as we discuss what lurks beneath…

What is Inklings Press?


Inklings Press started out as a collective of writers working together to publish short stories – and though the net is wider these days, that’s exactly what Inklings Press remains. Royalties are evenly divided between writers, so every book sold gives contributors more money in their pocket. The press takes a single share too, the same size as any writer’s, to pay for advertising and promoting the book.

In short, Inklings aims to provide a place for writers who are new or up-and-coming, and we’re delighted to bring those writers’ stories to the world.

Why Tales From The Underground?

Tales From The Underground is perhaps the most natural development in the Inklings collection of books so far. The idea came from the writers of previous anthologies. In discussion, the writers themselves suggested the theme, so we ran with it. And the outcome is the biggest collection of stories yet from Inklings Press.

Who is in the anthology?

There are writers from around the world in the collection – there are stories that were authored in Australia, made in Mexico, that flourished in Finland and France, emerged from England and were born in The Bahamas.

The list of authors includes those with novels to their name, and those who are still taking their first steps in publication.

The authors in the anthology are Jeff Provine, Brent A. Harris, E.M. Swift-Hook, Claire Buss, Ricardo Victoria, Christopher Edwards, Lawrence Harding, N.C. Stow, Rob Edwards, Jaleta Clegg, Jeanette O’Hagan and Leo McBride.

You would love this anthology if you loved…?


One of the nice things about this collection is the range of stories inside.

Fantasy is a strong theme throughout, as in the urban fantasy of Rob Edwards’ The Lords of Negative Space, about the world just out of sight. But there are also science fiction tales, such as Jaleta Clegg’s tale, The Angels of Mestora, in which unwary dwellers of a distant planet are lured away from civilization by “angelsong”, and Ricardo Victoria’s Buried Sins, with a battle in an ancient underground city.

Jeff Provine delves into a cavern with a reputation for weird events, while Brent A. Harris takes us on a trip through time. N.C. Stow imbues her tale with the influence of Russian mythology, while both Lawrence Harding and E.M. Swift-Hook tell us tales of mythology in worlds of their own devising. Claire Buss goes underground in more than one sense in her tale Underground Scratching, and Jeanette O’Hagan presents a team of miners fighting for their very lives against supernatural powers.

Christopher Edwards tells us a tale of strange visions in an RAF bunker, and Leo McBride follows explorers retracing the steps of an expedition that never returned. There are ghosts, there are distant planets, there are things happening in the ground under our very feet. Legends are revealed, and legends are made.

It is a delight to watch the stories take such different directions while all sharing the same theme.

Where can I get it?

Tales From The Underground is available on Amazon at https://www.amazon.com/Tales-Underground-Twelve-hidden-legends-ebook/dp/B075ZQ579N/. You can also learn more at www.inklingspress.com. Each story also includes information about the writers, so if you fall in love with one of the works, you can follow the links to learn – and read – more.

So take a peek, and come join us, down here… in the dark.

Wednesday, October 4, 2017

IWSG: Writing is my Therapy


It's the first Wednesday! Which means IWSG Day. Today's question: Have you ever slipped any of your personal information into your characters, either by accident or on purpose?

After you see what I have to say, be sure to check out other posts and our lovely and generous co-hosts: Olga Godim, Chemist Ken, Jennifer Hawes, and Tamara Narayan!
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Writing is my therapy. Often, it is through my writing that I find out what is bothering me at a subconscious level. Like many an introvert, I prefer to stay a little hidden. Like an ogre, I've got layers. Some of them are even hidden from myself at times.

I'm not comfortable with most forms of therapy. Hashing things out with a stranger has mostly caused me more anxiety than it has solved (I'm not putting down the process; I know MANY people that traditional therapy has helped. I'm just not one of them).

But if I write, especially if I write fiction, so that I fool my brain into thinking that none of this about me, I end up working my way through a lot of issues. And that is truly therapeutic.

The first novel I ever wrote (unpublished: His Other Mother) was like that. It wasn't autobiographical at all. The main character had in common with me only that she is a teacher. She was younger than me, very different from me in personality, dealing with infertility and schizophrenia which are not issues I've had to personally face. So, while I was writing the novel, I was sure it was all fiction.

But when I got to THE END and starting revising the novel, I realized that parts of me were all over that book. The husband and wife dynamic was very similar to my first marriage (though I reversed the genders, writing myself as the husband and my ex as the wife: bet Freud would have a field day with that).

Because schizophrenia makes up more than one branch in my family tree, I worry about my grasp on reality sometimes. Writing Sherry Morgan helped me feel my way through these issues, without feeling like that was what I doing.

When I discovered that, I was shocked. I'm not a fan of fiction as disguised memoir most of the time. I've never set out to write a book about myself. I just don't think I'm that interesting, not compared to my imaginary friends who go out there and do things I only think about.

But I've found a comfort in expressing my worries and doubts through my characters. Though most of my characters are not very much like me, they do share emotions and prejudices with their creator. Through my Menopausal Superheroes series, I've worked through some of my issues with the medical establishment, aging, and sexism, for example.

I've never flown without an airplane, or thrown a pick-up truck, but my heroines all reflect my experience in some ways. I definitely value writing for a way to talk to my own subconscious and come out the stronger for the experience.
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If you're not already following #IWSG (Insecure Writer's Support Group), you should really check it out. The monthly blog hop is a panoply of insight into the writing life at all stages of hobby and career. Search the hashtag in your favorite social media venue and you'll find something interesting on the first Wednesday of every month.

Tuesday, September 26, 2017

Celebrating Four Years of Writing Every Day

Tuesday, September 26, 2017, is a landmark in my writing life. It's day number 1,460 in a row in my writing chain. That's four years of writing every single day. (cue the fireworks and confetti, please)

I've written before about what a game-changer a daily writing habit has been for me: here, here, and here, most recently. It's not for everyone, of course. Creative process works in mysterious, highly individual ways, and every day is not feasible for every artist. But for me, it meant steady, forward progress, finishing things. Even more importantly, I stopped wasting time floundering around and trying to remember my own story.

I've written a heck of a lot in four years. According to Magic Spreadsheet, one of the tracking tools I use, I've written nearly two million words in that time frame. (When I'm editing and revising, I count 10% of the words I process in that session as word count). My school-day nightly goal is 800 words, my vacation-day goal is 2,000 words. A day still counts as a writing day so long as I make the rock-bottom minimum of 250 words.

(It's best when it's not just "All work and no play makes Jack a dull boy" over and over).

https://ih1.redbubble.net/image.349879360.8035/flat,800x800,070,f.jpg

I've seen three novels, a collection of short stories, and seven short stories in multi-author anthologies onto bookshelves during that span. I swear, I look at the pile of books and I feel like Ozymandias: "Look upon my works, ye mighty, and despair!" (though I hope that doesn't leave me crumpled in the desert with dried up pages blowing by in the wind).



I still want to be more productive.

I'm a twenty-first century girl after all, and I want to make sure I live my dreams to the fullest.

I have too many unfinished projects and too many still waiting for me to develop them.

As I move into my fifth year of daily writing, I plan to be a little harder on myself. Up until now, I've counted all writing: blog posts, articles, book reviews, marketing plans, synopses, journalling, etc. I still plan to keep track of all that work, but for a day to count as a writing day, it must include at least 250 words of fiction.

After four years of building this habit, I'm not willing to let myself slack off. My expectations for myself will continue to rise.

But right now, I'm just breathing a moment of satisfaction, sticking out my chin and spreading my prideful feathers. Look how far we've come!

…I think I'll celebrate by adding 250 words to my newest novel.

Monday, September 18, 2017

Son of a Pitch: Entry Ten: Long Lost Treasure: A Promise Kept


For my regular readers, these are some special posts this week as part of a pitch contest I'm providing feedback for. My normal musings will return next week.


For participants, welcome to my blog! I'm happy to host you and excited to see what kinds of stories you've written. Please remember that only the author of this piece and the participating judges are supposed to comment. All other comments will be deleted.


We're Team Fluttershy! Because here on Balancing Act, we're both quite sweet unless you provoke us, in which case, we are terrifying.

You can check out other teams on the other hosting blogs: Rena Rocford (Rainbow Dash), Kathleen Ann Palm (Rarity), Elizabeth Roderick (Discord), Katie Hamstead Teller (Princess Luna)

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Title: Long Lost Treasure: A Promise Kept
Category and Genre: Adult Romance
Word Count: 26,000

Query:

Beth, a military widow, left her life behind ten years ago to start over. Now due to an unexpected situation, Beth is forced to return home, but without fail finds herself caught in middle of making decisions she’s not ready to make, torn between her present state of happiness and the life she left behind so long ago, and becomes quickly overwhelmed by all her past rushing towards her with so many unanswered questions. DB, Beth’s former brother-in-law and has been a best friend to Beth all her life, but now needs more than anything wants to know and most importantly understand why she left so abruptly ten years ago without even a good-bye.
So, will Beth’s visit force her to face her past and reveal more than one secret that could change her future forever? Or will DB force her to leave again and never look back?

First 250 Words:

Under a hot summer sun, sitting quietly with tears streaming down my face, listening to the 21-gun salute ringing out in the distance, and clinging to a folded American Flag, all I could think was that this was all just a dream.

Military wives always dread two things, moving and ‘the phone call’. It was earlyThursday morning, as I was getting ready to head out for my morning jog, when something told me not to leave just yet. Ten minutes later the phone rang and it was my brother-in-law, Dallas ‘DB’ Bryant. The moment I heard his voice I knew something was wrong and my life would forever be changed.

“Beth…” there was a long moment of silence, “…do you remember the promise I made?” he struggled to say.

Here’s the thing about promises, they are meant to be broken, but this one was made to ensure it would never be broken. Jackson ‘Gage’ Bryant, was my best friend and high school sweetheart, we were married two weeks after graduation in a small intimate ceremony and then six weeks later he and DB were off to boot camp. They were inseparable. DB was almost two years older than Gage, but the military was a passion they shared, other than sports and women. Against their family’s wishes because of the war in the Middle East, not to mention there was a strong family tradition of military men in the Bryant Family, they enlisted together. They insisted it was something they had to do for not only their country to preserve the freedom they cherished, but for generations of Bryants to come.

We had been married a year when their unit was scheduled to deploy to Iraq for eighteen months, with possible five-day weekend home passes every four to six months. I made them promise that if anything was to happen, for one of them to call me or their family before the military officials did.

“Beth, are you there?” a shaky voice questioned.

“Yeah,” I choked as the tears began to fall down my face knowing this was the call I didn’t want.

“Gage…” he started, “…Gage is gone Beth” he continued with another moment of silence before explaining what happened. He and three other members of his unit went out on patrol early this morning when an Improvised Explosive Device or IED, otherwise known as a roadside bomb, detonated near their Humvee. There weren’t any survivors.

Son of a Pitch: Entry Nine: The Merged


For my regular readers, these are some special posts this week as part of a pitch contest I'm providing feedback for. My normal musings will return next week.


For participants, welcome to my blog! I'm happy to host you and excited to see what kinds of stories you've written. Please remember that only the author of this piece and the participating judges are supposed to comment. All other comments will be deleted.

We're Team Fluttershy! Because here on Balancing Act, we're both quite sweet unless you provoke us, in which case, we are terrifying.
You can check out other teams on the other hosting blogs: Rena Rocford (Rainbow Dash), Kathleen Ann Palm (Rarity), Elizabeth Roderick (Discord), Katie Hamstead Teller (Princess Luna)
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Title: The Merged
Category and Genre: Adult Science Fiction
Word Count: 85,000

Query:

Two centuries ago, a fiery celestial orb ignited the night sky over Earth’s northern hemisphere. From it rained down a hive-mind of shapeless creates called Yuva. They took on human form with the peaceful goal of growing their numbers and then leaving without ever being discovered. But when years pass without a single Yuva birth, panic and confusion rises, and they begin to blame the humans for their demise.

Essence is a Yuva Commander. Just as she is trying to rein in her people’s sinister plans against the humans she believes to be innocent, her sister is stolen away by a covert team of government contractors. Essence risks her reputation and the lives of her enclave in a daring rescue effort, but discovers that saving her sister is impossible: the humans have developed biological weapons that render her shapeshifting inert, with higher dosages lethal to all Yuva kind.

Undeterred, Essence leads an escalating war to save her sister and ultimately her own kind, but when she uncovers a secret about the two very different peoples, she realizes they might not be enemies after all, and, for the ultimate price, humanity might actually be the savior of her kind.

First 250 Words:
In 213 years, Essence had never killed a human. The thought of ending such a delicate life brought on a crippling nausea only six weeks ago. The back of her teeth clenched, rotten acid dripped down her throat. But now, shivering against the metal plank, weaponized vapors burning her lungs, she knew one thing: death came for all.

A heavy door scratched at its hinges and rattled open. Essence startled. The jarring noise meant only one thing. Either they captured someone new, or they extracted someone old, neither would ever be seen again.

Today it was someone new. Down the concrete corridor outside her cell, soldiers dragged a woman along. The scrappy push and pull of resistance clanged in a lopsided rhythm. One of them limped. Maybe it was the captive, maybe it was one of the soldiers.

The unit stopped at an empty cell two down from hers. Aluminum batons shoved the woman in. She sobbed. Essence searched the vocals, isolating the rich timbre of the young voice. No. The new captive wasn't the one she searched for, the one that led her to this place, the one that got her caught. But the woman didn’t have to worry. In a few minutes, Essence would set her free. She’d set them all free.

Rubber soles turned on the linoleum floor, the squeak pitched high and hurt her ears. The soldiers headed out the same way they came in. But one of them didn’t follow his comrades.

Son of a Pitch: Entry Four: Fear Factory



For my regular readers, these are some special posts this week as part of a pitch contest I'm providing feedback for. My normal musings will return next week.
For participants, welcome to my blog! I'm happy to host you and excited to see what kinds of stories you've written. Please remember that only the author of this piece and the participating judges are supposed to comment. All other comments will be deleted.

We're Team Fluttershy! Because here on Balancing Act, we're both quite sweet unless you provoke us, in which case, we are terrifying.

You can check out other teams on the other hosting blogs: Rena Rocford (Rainbow Dash), Kathleen Ann Palm (Rarity), Elizabeth Roderick (Discord), Katie Hamstead Teller (Princess Luna)
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Title: FEAR FACTORY
Category and Genre: Adult Science Fiction Thriller
Word Count: 110,000

Query:
Sarah is an accomplished medical student whose confidence is shaken after spending months at Doctors Without Borders coping with the harsh realities of the world. Eager to restore her self-esteem before beginning her residency, Sarah agrees to participate in a new television show that pits contestants against their fears in a virtual arena. Since her greatest fear is failure, she feels that the prize money is hers to win.

Sarah is bullied by Christine, a vindictive contestant who will stop at nothing to gain competitive advantage. Sarah is disqualified when her prescription interferes with the fear-response monitoring used by the virtual reality simulator. Relegated to the role of spectator, the brutality of the arena is displayed as the line between fantasy and reality is erased. When a competitor is critically injured inside the arena, Sarah’s medical instincts propel her into action.

After a failed attempt to save the fallen competitor, Sarah learns that the show is merely a ruse to lure unsuspecting participants into a fear-response project sponsored by the government. The contestant who perseveres will be used to unlock the potential of the artificial intelligence for its intended purpose. With Christine at the helm, the arena is converted into a powerful interrogation chamber for the Department of Defense. When the stresses of the arena place Christine in peril, Sarah must push aside the bad blood between them and overcome her fear of failure to save her life.


First 250 Words:

The phone slipped from my hand and bounced on the threadbare carpet. Dr. Anders’ muted voice beckoned from the floor. “Are you still there, Sarah?”

I slid off the bed and fumbled to align the receiver with my ear. “Oh my God. Sorry, I’m still here.” Everything was moving so fast. It was like spontaneity had sucked down a Red Bull. Most people run from their fears. I was willing to fly across the country to face mine.

“I appreciate your enthusiasm. To be honest, I wasn’t certain how you would react.”

For an instant, doubt tried to gain a foothold in my mind. I was just invited to be on a new television show. An all-expenses-paid trip to Las Vegas awaited. Who wouldn’t want to go? “Is there any reason I shouldn’t be excited?”

“From what you told me, you’ve been through a lot recently.”

I nodded before realizing that he could not see me. “Yes. That’s true. But I am ready to move on.”

“Are you, Sarah? This is no joke. Fear Factory will require your full mental capacity.”

Part of me was offended that he so openly questioned my mental toughness. Medical School had prepared me for everything. Almost everything. Ghana was a different story. “I think I know where you’re going with this. Like I already said, you weren’t there.”

“Yes, of course. I don’t suppose anything could prepare you for the horrors of the outside world. And I do sympathize with your plight. It must have been hard to lose so many children. You are a very brave woman.”

Son of a Pitch: Entry Two: The Camp



For my regular readers, these are some special posts this week as part of a pitch contest I'm providing feedback for. My normal musings will return next week.

For participants, welcome to my blog! I'm happy to host you and excited to see what kinds of stories you've written. Please remember that only the author of this piece and the participating judges are supposed to comment. All other comments will be deleted.

We're Team Fluttershy! Because here on Balancing Act, we're both quite sweet unless you provoke us, in which case, we are terrifying.

You can check out other teams on the other hosting blogs: Rena Rocford (Rainbow Dash), Kathleen Ann Palm (Rarity), Elizabeth Roderick (Discord)
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Title: The Camp
Category and Genre: Adult SciFi
Word Count: 94,000

Query:

Three hundred years ago, the colonies of Drea and Baile were established, safe havens for the people when their home planet died out. Two hundred year ago, Drea went silent. Ten days ago, missiles rained down on Baile.

As a prisoner of war, twenty-four year old Celia does not make it to the work camp before she has her first run in with her captors. Beaten for using the restroom without permission, separated from the young charge she has sworn to protect, and ogled by the guards during her first shower in weeks, Celia is terrified, angry and lost. But she rejects an opportunity for an easier life in camp because it means accepting, even supporting, the Drea in their conquest. Better food and an easier job are not worth that price.

Then a chance conversation reveals Celia’s ultimate fate. The Drea plan to send her and all the other young women to breeding houses. Spending the rest of her life as a brood mare for the enemy is a future that she will do anything to avoid. When she receives an invitation to join the resistance, it’s the opportunity she has been waiting for, escape and the chance to deal a blow to the people who took everything from her.

The problem: the resistance is led by a traitor, a Bailen soldier turned Drea stooge and the man who abandoned her during the invasion. If he betrays her again, Celia will face public execution.

First 250 Words:


There is only one rule and it is strictly enforced: Stay in your seat.

But Oona’s squirming has become increasingly frantic. It’s been hours since the guards have been through and, with no one to grant permission, a trip to the train car’s single restroom is out of the question. At least it is until the little girl starts sobbing with the pain of holding it. Despite knowing her for less than a week, I can’t bear to watch her humiliate herself.

I decide to risk it.

Horrified stares follow us as we hustle down the aisle but no one says a word. No one dares, even as I stand outside the door, waiting for her to come out. And once she’s done, I place her in the only empty seat nearby while I take my turn. 

When I come out, she’s gone, her empty seat a hollow gap that draws me in. The three people remaining in the section don’t look over. They continue to stare out the window, riveted to the monotonous landscape that flashes past.

“Where is she?” I ask the woman who had been sitting next to Oona.

“We sent her away. They could have come through and she would have caused trouble.” I have to stoop low to catch the words.

I would like to ask her how much trouble a tiny, frightened child could possibly make but, when I look at her, the words crumble in my mouth.