Cooking Disasters: An Open Book Blog Hop Post

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Have you or any of your characters experienced cooking disasters?

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Among my Menopausal Superheroes, there's a variety of cooking prowess.

Patricia "The Lizard Woman" O'Neill doesn't cook. She totally could, but she doesn't. It's takeout and restaurants for her and she's proud to have gotten to a point where she can afford that. 

Helen "Flamethrower" Braeburn burnt down her apartment in book one, and has been incarcerated here lately, so she hasn't had much opportunity to cook. She was never enamored of the culinary arts, but she was competent, once upon a time. 

Linda/Leonel "Fuerte" Alvarez is a wizard in the kitchen, and feeding people is their love language. I so want to be able to have dinner with the Alvarez family! Their tamales are divine and their tres leches cake can soothe a savage beast. 

Jessica "Flygirl" Roark, on the other hand, never learned to cook, though she has a gorgeous, fancy kitchen. In book two, she tries to impress her new boyfriend, Walter, by cooking for him. I don't know if I'd call it a real disaster, but they did end up going out for pizza. 

As for the author? Well, I have a mixed kitchen history. I've always loved baking, but didn't have much interest in cooking as a young woman. My first husband, starting when he was my boyfriend, did all the cooking for us and I happily let him. I baked bread and sweets, but not the day to day foods. 

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There was only one memorable disaster from that phase of my life: the time I made garlic bread without understanding the difference between "clove" and "head" of garlic. Let's just say we were safe from vampires. 

After we divorced, I moved back in with Mom and Dad for a while, and I quickly got frustrated with their boxes-and-cans style of cooking, so I picked up my mom's old Better Home and Gardens cookbook and started teaching myself to cook. 

It's a good learners' cookbook--straightforward, well-explained, and with the steps in logical order. After a few months, I considered myself pretty kitchen-competent. 

My then-boyfriend, now-husband was a more adventurous eater, so when I started cooking with and for him, I stretched to try new things. 

The most memorable cooking disaster from that phase of my life involved not understanding the difference between different kinds of peppers at the grocery store. My dad doesn't eat peppers in any form, so I didn't have any cooking experience with them. 

I picked habañeros because they were pretty and nearly melted both our mouths off with an otherwise pretty good curry. Sweetman gamely kept going until he was visibly sweating, poor boy. I couldn't convince him it was okay not to eat it. 

I've gotten better, and learned to do my research since then. (Jalepeños would have been more appropriate for that recipe). 

All my other disasters have been less dramatic--things like undercooked chicken because the recipe estimate for cook time was too short, or cutting myself when I tried to chop too quickly, bread that didn't rise properly, etc. 

How about you? Any memorable cooking disasters in your life or in any books you've written or read? I'd love to hear about them in the comments! 

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IWSG: The Word of the Year is "Finish"

Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. This month's co-hosts are: Jemima Pett, Debs Carey, Kim Lajevardi, Sarah Foster, Natalie Aguirre, and T. Powell Coltrin!

January 4 question - Do you have a word of the year? Is there one word that sums up what you need to work on or change in the coming year?

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I love the idea of having a focus word each year, something to come back to and remind you of what you want to accomplish, and what's truly important. 

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I didn't plan that way for 2022. 

After 2020 and 2021 (which just felt like 2020 kept going, rather than its own separate year), I didn't start 2022 with that kind of energy. 

I felt more kind of wary, like it was better to peek at 2022 from behind a door and poke at it gently with a stick to see if was going to attack me or not. If I had a phrase for 2022, it was "proceed with caution." 

2022 didn't attack me, at least not personally. There was plenty about it to scare and upset me, but it didn't get personal at least. Thank G-d for that. 

In writing life, I finished 2022 with a good push of momentum on the fifth and final Menopausal Superhero novel after nearly two years of fits and starts and struggles. 

So I'm headed into 2023 with a little more of my usual optimism and "get stuff done" attitude. 

So 2023's word is going to be "Finish." I've got a lot of in-progress work. Too many things simmering on back burners for too long. I'm going to try not to start anything new, but to finish some of the things I've already begun. 

So I'll start by finishing that series closer, then I'm hoping to pick up and finish several other projects that have been simmering--my Gothic romance, my collection of weird short stories. (This applies to some household things, too). 

Wish me luck! 

Cover Reveals as Publicity: An Open Book Blog Hop Post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Does anyone do cover reveals as part of your publicity for a new book? Do they work anymore?

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I'm still quite fond of cover reveals, but I'm probably not the most "on trend" author you'll ever meet. After all, I'm still blogging here, and I started back when blogging was more hip and cool--2009. So maybe I'm old-fashioned. 

Still, if I stay old-fashioned long enough I become retro and cool again, right? 

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Book covers are still the best opportunity authors have to succinctly let readers know what their books are about. In that instant of seeing an image, you can get so much information. A picture really is worth a thousand words! 

By color palette, font selection, and type of image, a reader can instantly gauge if a book is more dark or light, what genre umbrella it might fit under, and sometimes a hint at the plot. Honestly, it's a lot of pressure on a piece of art, to convey all of that. 

I'm always excited when I get to the book cover part of the process. So far, I'm traditionally published (meaning I work with a publishing company, rather than putting out my work myself in an independent capacity), so the cover part comes later in the process. I know a lot of indies who start with the cover and use the cover as inspiration and pre-publication publicity. 

But in traditional publishing (at least in my corner of it), the cover comes after the book is accepted and going through editing. My publishing house uses a mixture of in-house and freelance artists and does a GREAT job branding so that books of a feather flock together well. 

Here's what they've done for my Menopausal Superhero series so far. The top row are the novels and the bottom row are the novellas and shorts. Both use the silhouettes with pops of color. In the novels, we've using more vibrant colors as we've moved through the series, and choosing positions for the heroines to show where they are in their journeys. The comic book feeling stripes on the short works are one of my favorite features. 

Each time I got a new cover, I'd share it first with friends and family, and get feedback to see if we want to request tweaks or changes, then I'd share it with my newsletter subscribers and social media followers trying to build up some excitement, especially if I can announce the release date, too, or share a pre-order link. Then I use the image in all my publicity. 

They say people have to see an image seven times before it sticks with them, so I put it out there a lot. 

Does any of this help my sales? Heck if I know. I'm not spending my time crunching numbers or evaluating statistics to figure that out. What it does do is keep up my enthusiasm and excitement. In short, it brings me joy, and that's at the heart of why I do this at all. So hurray for cover reveals! 

Are you fond of cover reveals? Do they help you decide what to read? I'd love to hear your thoughts in the comments. 

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My Year in Books: What I read in 2022

 

Every year, I set a goal to read 52 books: one per week. Even alongside a full-time day job and a writing life, I can generally manage that, especially if I choose a few short ones, and do a lot of reading via audiobook. I mostly read ebook and audiobook intermixed (I buy both versions and move back and forth between them), but I did read two graphic novels in paper and three books that were just ebooks (no audio). My arthritis and my vision make paper harder to handle with each year, so I'm grateful to have so many ways to access literature. 

This year, I read 55 books. I expect to finish a couple more in the next day or two, but the calendar will have flipped by then, so they'll go into the count for 2023. Goodreads very helpfully tells me that I've read 14,730 pages this year, the shortest book come in at 38 pages (Emergency Skin by NK Jemisin) and the longest at 964 (Anna Karenina by Leo Tolstoy). The most-shelved book I read this year was Animal Farm by George Orwell and the least The Princess and the Peonies by Lucy Blue. My average rating was 4.1, which means I did a darn fine job finding Samantha-pleasing books this year. 

If you've been reading my blog for a while, then you already know that I help run the First Monday Classics book club at my library, so some 9-11 choices (depending on whether the library is open on the First Monday) each year are books for that. Since we've been reading together for five or six years now, our definition of classic has shifted depending on who is attending the meetings and we try to find wider representation across gender and ethnicity. Generally, though, we're looking for books that are at least 20 years old and that have demonstrated staying power or influence. 

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This year, we revisited authors we had already read another book by: Mrs. Dalloway by Virginia Woolf (counted on 2021 reading challenge, since I finished in December 2021), Another Country by James Baldwin, Tess of the d'urbervilles by Thomas Hardy, Sense and Sensibility by Jane Austen, The Invisible Man by HG Wells, Animal Farm by George Orwell, David Copperfield by Charles Dickens, Anna Karenina by Leo Tolstoy, Beloved by Toni Morrison, and Mrs. McGinty's Dead by Agatha Christie. 

I found all of them worth reading, though if you check out the reviews, you'll see that there were some frustrations as well. I probably enjoyed The Invisible Man the most--it was more comedic than I expected. Six of them were re-reads for me, and it's always interesting to see how your view of a books changes when read in different eras of your life. I liked Mrs. Dalloway better than I did as a young woman, and thought quite differently of Marianne in Sense and Sensibility. 

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Because I'm a bit of a book club junkie, I also have a neighborhood book club with three other women. Our picks are a lot more random, and our meetings are less regular. After we finish talking about a book, we just sit there talking about books until we agree on the next one. This year, we read: Klara and the Sun by Kazuo Ishiguro, Between the World and Me by Ta-Nehisi Coates, Better Luck Next Time by Julia Claiborne Johnson, The Personal Librarian by Marie Benedict (a did-not-finish for me), Weep, Woman, Weep by Marie DeBlassie, and Convenience Store Woman by Sayaka Murata. 

As a group, we tend to like social justice nonfiction, contemporary works from other cultures, and historical fiction, so hit me up with your suggestions for what we should read next year!

Now for the hard part: favorites! 

I've been hearing about Martha Wells's Murderbot Diary series for a couple of years now and I finally read them and can finally understand why they garner such praise! If you're going to read them, I recommend going in order, though each one is read-able as a stand alone. Start with All Systems Red and read all six! They are mostly novellas, so they go quickly. 

So, Martha was my new find this year, but I also revisited several authors who had pleased me in past years. 

• Rebecca Roanhorse Tread of Angels (Weird wild west, with demons and angels. Also check out her Between Earth and Sky series--Black Sun and Fevered Star--and her young adult post-apocalyptic The Sixth World Series--Trail of Lightning, Storms of Locusts. I've read all of those and loved them).
• Lucy Blue The Princess and the Peonies (1920s murder mystery-romance. I ADORE this series: The Stella Hart Romantic Mysteries). 
• NK Jemisin Emergency Skin (Short story, quite fun. Definitely also check out her Broken Earth series)
• Lydia Kang The Half Life of Ruby Fielding (historical espionage. I also loved several of her other novels: A Beautiful Poison, Opium and Absinthe, and The Impossible Girl). 
• Octavia Butler Unexpected Stories (a novella and a short story. I also loved her Xenogenesis series, Kindred, Wild Seed, and Blood Child and Other Stories. I plan to read all of her work)
• John Hartness Amazing Grace (cozy mystery/romance with ghosts. I also love his Quincy Harker series and have enjoyed Bubba, the Monster Hunter). 
• Mary Robinette Kowal The Spare Man (described very well as "Thin Man" in space. Definitely also read her Lady Astronaut Universe. I'm hoping to check out her Glamourist Histories series soon. 
• Silvia Moreno-Garcia The Beautiful Ones (historical with a big of magic. If you didn't read her Mexican Gothic yet, you totally should). 
• Nnedi Okorafor Nsibidi Scripts series, 1-3 (Girl meets magical world, Nigerian style. Much lighter than Who Fears Death. I also picked up one of her short stories this year: Remote Control). 
• Grady Hendrix The Final Girls Support Group (1980s horror tropes for a contemporary crowd. Also loved: My Best Friend's Exorcism). 

Of course, there are more books on my list that I didn't talk about here. Did we read anything in common? What were some of your favorite reads this year? I'd love to hear about them in the comments! 

Goalsetting 2023: An Open Book Blog Post

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Do you set monthly/yearly goals for your writing? What are your goals for the coming year?

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My goal-setting for a writing life have shifted over the years. 

I used to set a goal to write every day, but now my daily writing habit is so ingrained that's not even necessary. (I've written at least 250 words every day for the past 9 years). I use Jamie Raintree's Writing and Revision spreadsheet to track my work, and I set monthly goals there of how much progress I expect to make on which projects. 

Now, it's not a matter of just writing every day, but making sure I focus my writing time on the right thing--not letting myself play around with a new short story when I have a deadline looming for my next novel, for example. 

Having developed some discipline, I find I still need to develop a higher level of discipline. 

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The pandemic years really screwed with me in this regard though. Between the stress of managing day to day life over all the shifts and changes over the past two years and the realization that writing a series ender is a different animal than any other kind of book I've written so far, I feel like I'm stuttered my way through my writing life since 2020. 

I was grateful to be able to write *anything* at all, and now I worry that in "giving myself grace," I've been too soft of myself and given myself an uphill climb over territory I'd already covered. It's always a tricky balance to strike. 

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Then, in 2022, I changed careers in the day job, which also messed with my writing life, breaking all my established patterns of where and how I write, and forcing me to figure out new ways to do this. That's made goal-setting a little mushy. 

So my goal for 2023 is pretty simple: progress. And I reserve the right to define that how I need to. 

I have a few specifics in mind: 

1. Finish the now long-overdue Menopausal Superheroes #5 and get it to my publisher (it's WAY overdue)

2. Try at least three new approaches to selling my books.

3. Join SFWA and HWA professional organizations. (I'm pretty sure I qualify; I just haven't put in the time to gather the proof of that and submit my applications). 

4. Actually publish the collection of short stories I originally planned to release in 2020--my first indie project. 

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My 2023 keywords are discipline and balance. I don't want to push so hard I end up in burnout (it's happened to me before), but nor do I want to let my momentum slip away. 

What does your 2023 hold for you? What are you hoping to accomplish? I'd love to hear about it in the comments. 

And don't forget to check out the rest of the blog hop! 

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'Tis a gift! An Open Book blog post

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Dec 19, 2022 What gift did you want that you never got and might be bitter about? Have you bought it for yourself?

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Somewhere in the fog of childhood memory, I'm sure I was a petulant little brat over something I wanted and didn't get, but from the vantage point of my fifty-first year on planet earth, I know I've been quite spoiled across my life. I don't harbor any of this kind of bitterness apparently, because I can't remember anything like that. 

Even when we didn't have much money, my parents knew how to make gifts seem special, setting the stage and presenting them in a way that made them special. I suppose it's all in what you compare it to.

These days, I'm told I'm difficult to buy for. 

I can see that. 

Small things I need I buy for myself when they come up. Other things, I save up for, but wouldn't generally ask for as gifts because they're too expensive. Like many adults, I often receive quite practical gifts--things I actually need. 

I like giving gifts more than receiving them, though even giving them can become stressful, especially in a household like ours that celebrates both Chanukah and Christmas at this time of year. I have mixed feelings about gift-giving holidays and the sense of obligation that can take them over. 

My husband usually buys me tickets--to a play or concert, or for a trip or something like that. He knows I would enjoy an experience more than a trinket. My mother still buys me clothes, and somehow always knows what size and style are right for me, even though we live three states away and only see each other a few times a year. 

The children often make things, and those are special gifts indeed. 

So, I'll leave you with a sonnet I wrote a few years back. I'm afraid I'm not all that good at sonnets, but the sentiments are genuine. 

Check out the rest of the blog hop at the link: 

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My Year in Words: My 7th year pursuing writing for real

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2022 is coming to a close. That seems like science fiction in and of itself. How can it be 2022, let alone almost 2023? But I've survived a lot of bad predictions now.

• I made it through 1984, and if Big Brother was watching, he didn't speak up. 
• I made it through 1999, and the party wasn't over after all. 
• Y2K didn't eat my hard drive
• I made it through 2001 and AI did not kill off the humans. Sorry, Dave.
• Ancient calendars didn't end the world in 2012
• I made it through 2015 without getting hit by Michael J. Fox on a hoverboard. 
• I made it through 2019 without finding out if replicants dream of electric sheep. 
• Godzilla didn't return in 2020. Neither did the Terminator. (though both might have been preferable to what 2020 DID bring us)
• And here we are in 2022, and I'm not yet eating Soylent Green.

So maybe 2023 won't be as bad as science fiction led me to believe either.

Writing

My goals were a little mushy this year. After getting through 2020 and 2021, life didn't feel that predictable, so setting goals was harder. I didn't have my usual faith and optimism about what all I'd be able to get done. 

the Menopausal Superheroes novels so far

I've been working on the fifth and final Menopausal Superhero novel off and on for two years now. I was hoping I'd finish a draft this year. 

I didn't. 

But, I'm finishing the year strong, having written on it every day during NaNoWriMo and kept up that momentum in December, so I'm hoping to have a finished draft by March of 2023. 

Partly this was pandemic life. Partly this was me trying to close out a series for the first time, which is a very different task than just writing the next novel in the series, especially for a pantser like me. 

I tracked my word count across six projects: Menopausal Superheroes #5, Short Stories, Book Reviews, Social Posts, Business (by which I mean correspondence, blurbs, bios, etc.), and Blogs. I use Jamie Raintree's Writing and Revision Tracker, because I like how it lets me see my progress on several projects, and track both new words and revised words. Across the year, I wrote 287,642 words and revised 109,515. Not too shabby!

There are still two weeks left, so I'll add a little more to that word count before the New Year bells toll. 

Publishing: 

I did see some work into print though, even if it wasn't Menopausal Superheroes. 

My short stories made it into three anthologies in 2022: 

• Beyond: Horror Flash Fiction includes my short story "What I Can See" 
• A Woman Unbecoming includes "How Does Your Garden Grow?"  
• Post Roe Alternatives: Fighting Back includes "No Country for Young Women" 

I'm proud of all three, but especially happy to have used my writing for a bit of activism, in support of reproductive rights in the second two. 

I also had a few short stories included in magazines. You can read all of these online for free (or listen to them, in the case of the two podcasts): 

• The Beginning of You. 34 Orchard. 10 November 2022. 
• Under an Orange Sky. Allegory EZine. 1 November 2022. 
• Poison. Manawaker Studio's Flash Fiction Podcast. 8 September 2022. 
• Moondance. Night's End Podcast 13 June 2022. (my story begins about 7 minutes, 12 seconds in)
• The Mind Plays Tricks Dark Recesses 27 April 2022
• How Does Your Garden Grow The Fantastic Other, Issue 4 (page 13)  19 February 2022

I'd love it if you checked out any of my work! And, for the books, please consider leaving a review. A few words and some stars makes all the difference in a book's discoverability, and I'd love to see these small presses continue to thrive. 

Submitting

Another of my goals was to submit my work more often. I'm terrible about writing a short story, submitting it once, then letting it languish on my hard drive if it doesn't get accepted. (Hint: if you want your work to get published, you have to submit it). 

At this point, it's not even about fear of rejection for me anymore, but more about managing my limited time so that I can write new things, promote my published work, AND submit my work. 

I set a goal of submitting work 100 times this year and, as I write this, I've done so 99 times. So, you can bet I'll find time to submit one more piece of work before the calendar flips. I was helped by participating in challenges developed by a writing colleague Ray Daley. A few times a year, he collects a list of magazines he intends to submit to, one a day over the course of a month, and invites other writers to try and do the same. 

It paid off, too! Several of the year's publications are stories that met with rejection before finding success. Persistence is the name of the game. 

• What I Can See: written 2019,  submitted 4 times in total, and accepted in 2020 (for publication in 2022). 
• How Does Your Garden Grow? written 2020, submitted 5 times in total, and accepted twice in 2022. (reprints are sometimes welcome in anthologies)
• No Country for Young Women written 2022, submitted 5 times in total, and accepted in 2022 (that's pretty fast for me--to write a story and see it published in the same year)
• The Beginning of You written 2015, submitted 11 times, and accepted in 2022
• Under an Orange Sky written 2014, submitted 14 times, and accepted in 2014 (project folded without coming to fruition) and 2022
• Poison written 2020, submitted 5 times, accepted in 2020 (in a magazine), and in 2022 (as a reprint for a podcast)
• Moondance written 2019, submitted 8 times, accepted in 2022
• The Mind Plays Tricks written 2015, submitted 17 times, accepted in 2022

Promotion

Getting comfortable with promotion has been quite a journey these past seven years. 

I was a guest at ConCarolinas and Multiverse this year, and sold my books at GalaxyCon, Queen City Book Fair, Bookmarks Book Festival and PopCon. 

I also presented a workshop at Orange County Public Library and continue to run the First Monday Classics book club with writer-colleague James Maxey every month.

I've started to stretch my geographic reach in hopes of finding new audiences, and seeking out more one day festivals and events. I'm still trying to find that balance between promotion and protection of my writing time that leads to a wider audience and more sales. Now that I'm no longer a teacher, I'm a little less tied to the academic calendar and look forward to the new opportunities that will open up for me. 

I've also been taking advantage of the wider array of digital opportunities. I record panels with ConTinual Convention on the regular, as well as with Strong Women Strange Worlds, Go Indie Now, Write Hive, and other organizations. 

I try to gather all those together into a playlist on YouTube: 

I didn't put up much new material on my own YouTube channel this year, so I'm hoping to get back to this more regularly next year. 

I've also been exploring new social media options this year, building a presence and a following on CounterSocial, Mastodon, and Hive (@samanthabwriter) in case Twitter finishes imploding, while still keeping up Facebook, Instagram, and Twitter, which have been my main channels for a few years now. 

See why time management is such a thing?

How did your year go for your creative or business pursuits? Any insights to share with girls like me who want it all?