So, if you've been reading my blog in April, you already know that I posted A LOT. I'm usually more of a once a week blogger, but I decided to participate in the A to Z blogging challenge. I liked the idea of creating a thematic alphabet (mine was evocative words) and the whole social networking bonanza surrounding it seemed like it might be good for me.
And it was! Part of the intended deal is for all us participants to read each other. So, I looked at least five blogs per day. That in itself was an education in how diverse blogs and bloggers are. I saw many design choices I admired and read many interesting things on topics I might never have sought out otherwise. Fascinating.
I found some new people to follow. A few you might want to check out are: Marlene Moss of On Writing and Riding; Chad A. Clark of The Baked Scribe; Holli Moncrieff of A Life Less Ordinary; Colin D Smith's self-titled blog; and Chris of The Pedestrian Writer.
Of course, as someone who hopes to eventually give up her day job and make it as a writer, I was also interested in building my networks. And I did. My twitter following grew substantially. I gained some direct followers of my blog, too. I'm hopeful that some of the people I made contact with will stay in my life and I will hear from them long after this exercise has ended.
So here's a round-up of all the posts I did for this challenge. I'm proud of all of these posts and I'm very proud of some of these posts. It was good for me as a writer to explore the myriad of topics brought up by these evocative words. As E.M. Forster said, "How do I know what I think until I see what I say?"
A: Ambivalence
B: Benefit
C: Compromise
D: Drama
E: Elegance
F: Frenetic
G: Gross
H: Haunted
I: Individualism or My Inner John Wayne
J: Juxtapose
K: Kleptomanic
L: Languid
M: Mendacity
N: Negligent
O: Obsequious
P: Pulp
Q: Querulous
R: Rapacious
S: Seder
T: Tegucigalpa
U: Utopia
V: Villain
W: Wendigo
X: Xenophobia
Y: Yield
Z: Zealot
Monday, May 5, 2014
Saturday, May 3, 2014
#SaturdayScenes: Elopement Day
My google-friend +John Ward presented an interesting idea recently. He's asking writers to share a scene we've written each Saturday and label it with the hashtag #SaturdayScenes.
I'm always looking for ways to get my work out there to readers while I continue to hack my way through the publishing jungle, so I'm jumping on this bandwagon quick. (It's a good band: they can do both ska and funk, and there's an amazing trumpet player; the wagon isn't bad either).
So without further ado: a scene from one of my current works-in-progress. The book is tentatively titled Cold Spring and I hope to have a complete draft finished by the end of this summer. It's a piece of historical fiction, set in the early nineteenth century in a small town in Kentucky and focusing on the relationship between two sisters who take two very different paths in life.
This scene is roughly one third of the way into the story and focuses on the younger sister, Freda. I hope you enjoy it!
I'm always looking for ways to get my work out there to readers while I continue to hack my way through the publishing jungle, so I'm jumping on this bandwagon quick. (It's a good band: they can do both ska and funk, and there's an amazing trumpet player; the wagon isn't bad either).
So without further ado: a scene from one of my current works-in-progress. The book is tentatively titled Cold Spring and I hope to have a complete draft finished by the end of this summer. It's a piece of historical fiction, set in the early nineteenth century in a small town in Kentucky and focusing on the relationship between two sisters who take two very different paths in life.
This scene is roughly one third of the way into the story and focuses on the younger sister, Freda. I hope you enjoy it!
__________________________________________________
At last the chosen day arrived. Freda rose very early, dressing in the cold of her bedroom one last time. She put on a new white and pale blue dress her sister had worn for her own wedding and re-made for her to wear as she wed Simon. The judge-uncle was on call and the pair was due to meet him in his offices at eight o’clock. Simon’s sister and brother-in-law would serve as witnesses.
There was no mirror in the room for her to check her appearance in, but she knew that the dress fit her well and made her almost pretty. When she had tried it on at Lena’s house, she had turned in front of the long standing mirror in the bedroom, admiring the flow of the material around her slender hips. The style was, perhaps, old-fashioned. Lena, after all, was hardly a woman of fashion, and, truth be told, neither was Freda herself. The design was Lena’s own, not copied from a magazine or made from a store-bought pattern. It was designed to flatter her sister’s body, while still preserving her modesty and freedom of movement. Freda could feel the love and support as well as the expense of the material. It was a rich gift indeed.
The shoes were delicate boots, purchased as a gift for her by Simon’s mother. Lena left them in the suitcase, donning her regular brown working shoes for the walk from the house and down the lane to where Simon was meeting her in his father’s store cart. She didn’t wish to spoil them with the clay from the farmyard. She touched the small cameo broach she had affixed to her camisole. She didn’t wear it in view because it was somewhat shabby and didn’t fit the look of her dress, but she was proud to have this small memento of her mother with her on her special day. It was both her “something old” and “something blue.” Lena had pressed it into her hand on the dress-fitting day.
“I wish I had something finer to give you, but this is all I have. It was Mother’s.” Emotion had filled Lena’s voice and Freda had thrown her arms around her sister in gratitude. Shows of emotion were rare from her sister and she knew better than to comment, but Lena seemed appreciative of the hug. She squeezed her sister’s hands and whispered, “You are lovely. Simon is a very fortunate man.”
So it was with a heart full of hope for the future that Freda crept down the attic stairs and into the living room of the only home she had ever known. She hardly glanced at the room in her hurry to get to the door. She was not a sentimental person and there was little here to inspire nostalgia on her part. She cared only for where her life might go from here and she was giddy with excitement.
She might have walked out the door and never even seen her father sitting in front of the fireplace if his chair hadn’t squeaked. She always wondered afterward if he squeaked his chair on purpose or if he had intended to let her walk out the door and out of his life without comment. The creak of the wood slats of the chair caught her attention and she whirled around and saw him there.
He was not in his usual chair, the soft one stained by years of tobacco use and spilled drinks. He was sitting in the hard-backed chair their mother had favored. Usually that chair sat empty. Freda could remember the ire she had raised in her father by sitting in it one evening. There were few signs of mother around the house. Her few belongings had been packed away in the days after her death, and Gustav Wurth did not display any photographs, finding them off-putting. He said he didn’t like their eyes looking out at him from the walls. It made him feel watched.
So, the chair was the one thing that represented the woman who had married Gustav and birthed and raised his children. Gustav often turned his chair toward the empty chair at night as if there were someone in it to talk to. Those were bad nights, usually. Nights on which he drank too much and began to rant at the wrongs of his household, his children, this country and the world. Often his rantings were in German, which made them easier for his children to ignore. There was no one left living in the house who understood more than a few words of German.
The fact that her father was sitting in her mother’s chair raised the hairs on the back of Freda’s neck. She couldn’t have said what she thought was going to happen, but the scene felt ominous. His face was black with dark emotions swirling. She couldn’t tell if he were angry or hurt or jealous, but she could feel the violent energy emanating from him like heat lightning streaking across the space between them. She sought to calm him. “Good morning, Papa,” she said, smiling as if she were pleased to see him. “Have you come to wish me luck?”
The idea that her father was there to wish her well was beyond the scope of possibility, but Freda was hoping to escape unabused. She’d give him the chance to take the high road and hoped he might comply. He couldn’t stop her now. Simon was just around the bend of the road with the cart that would drive her to her new life as his wife. She was moments from her freedom. She could afford largess. A glimmer of hope sparked in her heart that her father would let go his stubbornness and continue their relationship, that her marriage did not have to mean she’d never see her father again.
Wordless still, Gustav Wurth reached behind him to the fireplace front. Freda was puzzled. What could he be doing? She withdrew in horror when she saw the gun he brought back to his lap. Was he planning to shoot her? “Papa!” she cried. “What are you doing?”
He looked at her, beseechingly. His eyes were full of unshed tears and she pitied him. “Put down the gun, Papa. There’s no need for it now.” Her voice was kind and soft, full of all the love she harbored for him despite the years of indifference and abuse, full of the desire to earn his esteem and love in return.
“He is waiting for you?” he asked. He spoke quietly. Somehow that was more frightening than his yelling would have been. She nodded, clasping her hands at her waist like one hand could lend strength to the other. “And you intend to leave me for him?” She nodded again, tears rising to her eyes. He had left her no other recourse. He was the one who made her choose. Simon would never have asked her to abandon her father if he had left the smallest room for her happiness.
“I hope, daughter, that you can live with your decision,” he said, his voice grave. He picked up the gun from across his knees and turned it on himself. Before Freda could say a word, he had aimed it at his own throat and pulled the trigger.
Freda blinked, disbelieving. Her throat was completely dry and she felt frozen. There was no sound. It was as if she had gone deaf. Then, she heard the dripping as blood dripped from her father’s cheek and ear. She dared to look. The left side of his face was a mass of blood and gore. Heat flowed back into her body and suddenly she could move again. She ran to the kitchen and grabbed clean rags. She pressed them into the wound, crying out and screaming. She had no idea what she was screaming, what words, if any, cleared her throat.
Her father stayed slumped in the chair, shockingly still, the rifle at his feet where it had fallen. His eyes darted around the room and his chest rose and fall in hitching breaths. He was alive! She pressed against the wound with her body, trying desperately to staunch the bleeding. Her mind whirled, trying to figure out what she could do. She had to get help, but if she let go her hold, he would bleed to death.
Suddenly, the front door flung open. Simon was there in the doorway, his face and hair wild with fear. Relief flooded her. “Freda!” he yelled, not seeing her in the still-darkness of the room. “Freda! Are you all right? I heard a gun!”
Finding her voice, she responded. “It’s Father.”
His hand on his chest in what she would later remember as an almost theatrical gesture of concern, Simon rushed to her side. Taking in the scene quickly, he asked, “What’s happened?”
“He shot himself, Simon. We’ve got to save him!” Freda fought a wave of nausea, feeling the pulsing of her father’s wound under her hand. The rags were becoming soaked and wet in her grip.
A resolution grew on Simon’s face. In a flash, Freda saw the strength in him and was shocked to find it reminded her of her father. He turned her face towards him, “I’ll fetch the doctor. You can do this. Keep pressure on the wound.”
As quickly as he had flown into the room, he was gone. Slowly, Freda became aware of her surroundings again. She felt the pain in her hands from applying pressure with all her strength. Looking down, she saw the splatters and smears of fresh red blood on her white gown. She heard the ticking of the clock on the mantelpiece. She smelled the acrid smoky smell of the gun still lying at their feet. She tasted blood and had no idea if it was her own or her father’s. She heard the wet, elastic sound of her father’s mouth opening and closing and the quiet moaning sounds he made. “Shhhh! Papa, don’t try to speak. Simon has gone for the doctor.” Her voice shook, but had a steadiness to it all the same. She thought to herself, “You can do this, Freda Elena. You are strong. You are strong. You are strong.”
The minutes stretched out endlessly. Freda shifted her body to the other side of her father’s head, pulling his head against her stomach. The gesture was a tender one, and Freda began to cry in earnest, sobs wracking her body.
Then, Simon was back, the doctor flying through the door behind him, a hand on his hat as if what mattered was keeping the hat upon his head. He pushed a protesting Freda away from the patient, instructing Simon to get the woman out of the way. It took her a few seconds to comprehend that it was okay to let go, that the doctor would treat him now. She collapsed onto the sofa where Simon had led her, exhausted.
Simon was a flurry of movement, running back and forth between holding her on the sofa, trying to offer her reassurance, and fetching whatever the doctor asked for. The stove had not yet been stoked for the day and there was no hot water. He had to get her to explain how the ancient machine worked. She did so, mechanically, her voice seeming to come from some distance away.
Freda felt cold, though she knew it had been a temperate morning. She shivered and wrapped her arms around herself. Now that Simon was here, she could let go and her mind felt cloudy and distant. Her eyes didn’t seem to want to focus. A feeling of unreality took her over and she wondered if this were a nightmare. She earnestly hoped she might wake soon and start the day over again.
The sounds of medical activity continued behind her. Her father had been moved to the floor and a lamp brought to light the area. Freda felt as if there had been a jump forward in time. She had no idea when the changes to the scene had taken place. Her mind was a muddle of horror and confusion. Part of her wished the man dead, and part of her was frozen by guilt that she had caused him to take this rash action.
She turned away from her father and the doctor, looking instead at the sunlight on the other side of the door, which had been left hanging open to let in more light. Her suitcase lay next to the door, the cardboard splattered with red dots. The light outside was a rosy pink, a joyful color. It would have been a beautiful day for a wedding.
Wednesday, April 30, 2014
Z: Zealot (A-Z Blog Challenge: Evocative words)
| A card from a favorite game: Ascension |
Enthusiasm is generally regarded as a good thing, but a person can go overboard, and zealots often do. Zealots are not content merely to love something with all their hearts, they want you to do so, too. They've got pamphlets and manifestos for you to read. They are evangelical.
Zealotry is often associated with religion or politics (which might actually be the same thing for some people). In any case, with big systems. Fanatic and cult are other words that you might hear tossed around with zealot. The suggestion being that zealots might be just this side of crazy.
In thinking about the word, I thought of Simon the Zealot. I'm hardly a Bible scholar, but I am drawn to Biblical narratives and Simon is interesting because I know so little about him. I remember his name from my foray into Christianity when I was fourteen or so.
He's one of the twelve. Different sources give me different reasons for his moniker. Some suggest that he is called zealot because he was a rigid adherent to Jewish law. Some that he was just really fervent in his following of Jesus. Others that he had been known as a political activist (zealot being a political designation) before signing on as an Apostle.
I wonder if the nickname was simply to distinguish him from other Simons, like I might say "Tall Michael" or "Bearded Michael" to indicate which of three men named Michael in the room I am indicating. Or was his zealotry his overriding feature? The first thing that others would notice about him?
His representation in the Bible is pretty much limited to the mentioning of his name in a list of apostles. He doesn't have any good lines or independent story lines. Whoever he was, what remains of him in history and legend is little more than this name, and, at least for me, curiosity.
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This post is part of the Blogging from A-Z Challenge.
Tuesday, April 29, 2014
Y: Yield (A-Z Blog Challenge: Evocative words)
When to stand your ground and when to yield. It's one of life's great questions.
It's a question we face hundreds of times a day, each time a conflict moment comes. And, if your life involves other people, there is bound to be conflict.
A person who always insists on having her way is in for trouble. Then, again, so is a person who never insists on her rights. You can't live your life as a closed door anymore than you can live it as a doormat. In the extremes, neither is a viable position.
Either you end up like Dr. Suess's north-going Jax and south-going Jax, trapped in a standoff while the world whistles by you, or you're laying there wondering what just ran over you.
One of the characters in my current WIP struggles with this. Patricia O'Neill (of the, as yet, unpublished Going Through the Change and the, as yet, untitled sequel) likes to get her way. So much so that she tends to steamroll the people around her into doing what she wants. She's observed that many people are doormats, especially other women. All it takes is someone with a little force of will and the tide opens before her parting like the Red Sea. Patricia strides through in her designer suit, tossing a quip over her shoulder.
That is, until she meets Linda/Leonel Álvarez. Before her sudden transformation into a man, Linda would have been intimidated by a woman like Patricia. She would also have felt sorry for her. She's sure that someone that pushy must be terribly lonely. When the two try to work together to defeat the mad scientist who has messed up both their lives, they butt heads in a serious way. As they find their way through their new abilities and the problems that come with them, they find that they need each other. Linda learns to insist on taking the lead--at least when she's sure she's right, and Patricia learns to yield--at least when Linda might be right. It's the start of a beautiful friendship, as they say.
I've had such a wonderful time writing this friendship. The give and take has been exciting to shape. In fact, I want to get back to them right now. Patricia's gotten herself kidnapped and Linda/Leonel is trying to find her. I can't wait to see what happens! (don't you love it when it's going so well you feel like you're just along for the ride?)
________________________________________
This post is part of the Blogging from A-Z Challenge.
It's a question we face hundreds of times a day, each time a conflict moment comes. And, if your life involves other people, there is bound to be conflict.
A person who always insists on having her way is in for trouble. Then, again, so is a person who never insists on her rights. You can't live your life as a closed door anymore than you can live it as a doormat. In the extremes, neither is a viable position.
One of the characters in my current WIP struggles with this. Patricia O'Neill (of the, as yet, unpublished Going Through the Change and the, as yet, untitled sequel) likes to get her way. So much so that she tends to steamroll the people around her into doing what she wants. She's observed that many people are doormats, especially other women. All it takes is someone with a little force of will and the tide opens before her parting like the Red Sea. Patricia strides through in her designer suit, tossing a quip over her shoulder.
That is, until she meets Linda/Leonel Álvarez. Before her sudden transformation into a man, Linda would have been intimidated by a woman like Patricia. She would also have felt sorry for her. She's sure that someone that pushy must be terribly lonely. When the two try to work together to defeat the mad scientist who has messed up both their lives, they butt heads in a serious way. As they find their way through their new abilities and the problems that come with them, they find that they need each other. Linda learns to insist on taking the lead--at least when she's sure she's right, and Patricia learns to yield--at least when Linda might be right. It's the start of a beautiful friendship, as they say.
I've had such a wonderful time writing this friendship. The give and take has been exciting to shape. In fact, I want to get back to them right now. Patricia's gotten herself kidnapped and Linda/Leonel is trying to find her. I can't wait to see what happens! (don't you love it when it's going so well you feel like you're just along for the ride?)
________________________________________
This post is part of the Blogging from A-Z Challenge.
Monday, April 28, 2014
My Writing Process
I've been invited to be a part of a blog tour. This blog tour is where writers and authors answer questions about their writing process. My fellow Magic Spreadsheet user and A-Z Blog Challenge writer Chad Clark posted his last week. Chad A. Clark is an independent author who specializes in genre fiction, horror and science fiction in particular. You can check out his blog at www.bakedscribe.net
What am I working on?
I'm working on three things right now. I like having multiple things going so there's always something I can make progress on.
How does my work differ from others of its genre?
I write in two distinct genres.
My literary fiction (His Other Mother, unpublished--a scene can be read here; and Cold Spring, unfinished) features female characters trying to find their way in the worlds they live in, and learning to overcome the obstacles in their way. They may or may not be successful. It's the struggle that interests me, the moral ambiguities.
My speculative fiction (Going Through the Change, unpublished; its untitled sequel, unfinished; the short stories in Shadowhill) is unlike a lot of what I read elsewhere in that it features strong female characters over thirty, living in small, ordinary places. So, not urban and not young.
Why do I write what I do?
The more I write, the more I realize that writing is my therapy. It's how I deal with all my issues. I realized halfway through the writing of His Other Mother, for example, that I was working out my relationship issues and analyzing what went wrong in my first marriage. It also let me work out some of my worries about mental health and mothering. I didn't realize the depth of my issues with the American medical system until I created Dr. Liu for Going Through the Change.
So, I'd say I write what I do to deal with whatever is bothering me at the time.
How does your writing process work?
I always write on my Apple laptop with the cool superhero decals on the keyboard while sitting at my dining room table, often with a warm drink (caffeinated or not depending on time of day). I make paper notes in bound books or pieces of scrap paper that I tack to an art banner in my dining room so I won't lose them. Novels are written in Scrivener. Short stories, poems, and essays are written in Word.
I always begin as a pantser. I have some piece of an idea and I just sit down and write from there for a while. I write this way until I hit my first stall. That might be one scene or several chapters.
Then, I go back and look at what I've done and think about where it could go from there. I take long walks and think. I talk to my husband, daughter, sister and mother (my favorite sounding boards for this early stage). I make a lot of charts and graphs. I do a lot of reading either of work in the same genre or of research materials that apply.
Then, I try to write an ending. It really helps structure the rest of what I do if I know where I think this is going. Often, the ending changes between this early draft and actually arriving there in the narrative, but it still gives me a ballpark and helps keep me on track. Then, I start writing from where I left off in the first part and try to get to the ending.
I'm a part of a writing critique group called WIP (works in progress). I joke that it should be called WHIP for the beatings they administer, but truly, they are all worth their weights in gold. We share excerpts of our works in progress, and ask questions and give reactions and advice that I find invaluable to my process. They also serves as my first round beta readers when I have a complete draft I feel good about.
I'm a mother and a teacher, so my writing time is limited. If I can get out of school early enough, I can write from 4:00-5:00 before I have to pick up my kids from their after school stuff. If I can't, I can write from 8:00 (littlest kid's bedtime) until I fall asleep, to the extent that the teenager, dog, husband, and sad excuse for a social life allow.
About a year ago, I committed to a daily writing habit, using a tool called the Magic Spreadsheet (you can find them on Facebook). Basically, it's a gamification system and a support group. You get points for meeting your daily word count, which then eventually up your level and your expected daily word count. This was vital to me finally finishing some things. I started at 250 words per day, and am now at 600 words per day as my minimum. That adds up into a substantial piece of work pretty quickly. It's been just over a year, and I've written over 300,000 words that way, one little chunk at a time. That's probably why my first novel took four years to write and the second only took about six months.
Thanks for reading my post! You can read the posts of some of my writing friends next week:
Holli Moncrieff is a world-traveling kickboxing writer with a taste for adventure and a great love for animals. She blogs about how to live a life less ordinary at www.thekickboxingwriter. blogspot.ca.
Marlene Moss writes young adult and middle grade novels, based in our reality, but with a fantasy or scifi twist. Her education is in physics, which, historically has given onlookers a sense of hte fantastic. She lives in Colorado and trains and compete endurance horses--which explains the title of her blog--On Writing and Riding. Her current WIP is called MIGHTY MIKE AND THE INTERGALACTIC CANDY DISPENSER and is about a boy who has to save the future of space-flight by helping an alien catalog the potential results of humans visiting other planets. Sounds boring? Each test candy gives Mike a temporary superpower!
Colin D. Smith is an unpublished writer and blogger who has written a few novels, some novellas, and a lot of flash fiction. He hopes to be in the query trenches soon with his latest story about a teenage alien stuck in Victorian London.
What am I working on?
I'm working on three things right now. I like having multiple things going so there's always something I can make progress on.
- The sequel to my superhero novel (Going Through the Change, not yet published). It doesn't yet have a title. Like the first novel, the plot centers around four menopausal women who developed superpowers after using products developed by a mad scientist. This time, the mad scientist herself is the one in need of rescue. If you'd like to meet one of my characters, she can be seen in this short story (Patricia Saves the Beauty Queen) published on FreedomFiction.
- A historical fiction novel with the working title Cold Spring. It's the story of two sisters growing up in rural Kentucky in the early twentieth century. It pulls loosely from some pretty dramatic personal family history, and has strong themes of sisterhood and the changing expectations for women in America over time.
- A collection of short stories with the working title Shadowhill. They are all weird tales, with a sort of Twilight Zone or Ray Bradbury feel, all set in a suburban neighborhood a lot like the one I live in. So far, I have five. I've had one of them accepted for publication recently. It will come out in the inaugural issue of The New Accelerator, a magazine published for Apple's Newsstand. It's called "Lawn Wars" and features a man at war with his lawn--and a lawn at war with a man.
On top of my works in progress, I also keep a blog. I'm usually a once-a-week-or-so poster, but I'm just finishing the A to Z blogging challenge, which had me writing a post nearly every day in April. Whew! It was fun, but I'll be happy to blog less often and have more time for what I consider my "real" work.
I write in two distinct genres.
My literary fiction (His Other Mother, unpublished--a scene can be read here; and Cold Spring, unfinished) features female characters trying to find their way in the worlds they live in, and learning to overcome the obstacles in their way. They may or may not be successful. It's the struggle that interests me, the moral ambiguities.
My speculative fiction (Going Through the Change, unpublished; its untitled sequel, unfinished; the short stories in Shadowhill) is unlike a lot of what I read elsewhere in that it features strong female characters over thirty, living in small, ordinary places. So, not urban and not young.
Why do I write what I do?
The more I write, the more I realize that writing is my therapy. It's how I deal with all my issues. I realized halfway through the writing of His Other Mother, for example, that I was working out my relationship issues and analyzing what went wrong in my first marriage. It also let me work out some of my worries about mental health and mothering. I didn't realize the depth of my issues with the American medical system until I created Dr. Liu for Going Through the Change.
So, I'd say I write what I do to deal with whatever is bothering me at the time.
How does your writing process work?
I always write on my Apple laptop with the cool superhero decals on the keyboard while sitting at my dining room table, often with a warm drink (caffeinated or not depending on time of day). I make paper notes in bound books or pieces of scrap paper that I tack to an art banner in my dining room so I won't lose them. Novels are written in Scrivener. Short stories, poems, and essays are written in Word.
I always begin as a pantser. I have some piece of an idea and I just sit down and write from there for a while. I write this way until I hit my first stall. That might be one scene or several chapters.
Then, I go back and look at what I've done and think about where it could go from there. I take long walks and think. I talk to my husband, daughter, sister and mother (my favorite sounding boards for this early stage). I make a lot of charts and graphs. I do a lot of reading either of work in the same genre or of research materials that apply.
Then, I try to write an ending. It really helps structure the rest of what I do if I know where I think this is going. Often, the ending changes between this early draft and actually arriving there in the narrative, but it still gives me a ballpark and helps keep me on track. Then, I start writing from where I left off in the first part and try to get to the ending.
I'm a part of a writing critique group called WIP (works in progress). I joke that it should be called WHIP for the beatings they administer, but truly, they are all worth their weights in gold. We share excerpts of our works in progress, and ask questions and give reactions and advice that I find invaluable to my process. They also serves as my first round beta readers when I have a complete draft I feel good about.
I'm a mother and a teacher, so my writing time is limited. If I can get out of school early enough, I can write from 4:00-5:00 before I have to pick up my kids from their after school stuff. If I can't, I can write from 8:00 (littlest kid's bedtime) until I fall asleep, to the extent that the teenager, dog, husband, and sad excuse for a social life allow.
About a year ago, I committed to a daily writing habit, using a tool called the Magic Spreadsheet (you can find them on Facebook). Basically, it's a gamification system and a support group. You get points for meeting your daily word count, which then eventually up your level and your expected daily word count. This was vital to me finally finishing some things. I started at 250 words per day, and am now at 600 words per day as my minimum. That adds up into a substantial piece of work pretty quickly. It's been just over a year, and I've written over 300,000 words that way, one little chunk at a time. That's probably why my first novel took four years to write and the second only took about six months.
Thanks for reading my post! You can read the posts of some of my writing friends next week:
Holli Moncrieff is a world-traveling kickboxing writer with a taste for adventure and a great love for animals. She blogs about how to live a life less ordinary at www.thekickboxingwriter.
Marlene Moss writes young adult and middle grade novels, based in our reality, but with a fantasy or scifi twist. Her education is in physics, which, historically has given onlookers a sense of hte fantastic. She lives in Colorado and trains and compete endurance horses--which explains the title of her blog--On Writing and Riding. Her current WIP is called MIGHTY MIKE AND THE INTERGALACTIC CANDY DISPENSER and is about a boy who has to save the future of space-flight by helping an alien catalog the potential results of humans visiting other planets. Sounds boring? Each test candy gives Mike a temporary superpower!
Colin D. Smith is an unpublished writer and blogger who has written a few novels, some novellas, and a lot of flash fiction. He hopes to be in the query trenches soon with his latest story about a teenage alien stuck in Victorian London.
X: Xenophobia (A-Z Blog Challenge: Evocative words)
I wrote earlier in this alphabet about mania and phobia words. Like many a future word-nerd, I went through a phase of being in love with these types of words as a child. I still think they are fascinating words.
Xenophobia is an especially interesting word. A good "X" word is hard to come by. Ask anyone who's ever try to do an alphabet theme.
Xenophobia is an especially interesting word. A good "X" word is hard to come by. Ask anyone who's ever try to do an alphabet theme.
Xenophobia comes from the Greek words ξένος (xenos), meaning "strange," "foreigner," and φόβος (phobos), meaning "fear." So "fear of strangers."
To some degree, fear of strangers is a healthy thing. Don't we spend hours haranguing our children about the dangers represented by people we don't know? Stranger danger!
But, a true xenophobe takes this pretty far. Anyone who is unlike them is a cause for fear. That could
be people who have a different color of skin, lifestyle, style of dress, or just a different way of pronouncing words. It's a very short step from here to outright hatred and persecution.
be people who have a different color of skin, lifestyle, style of dress, or just a different way of pronouncing words. It's a very short step from here to outright hatred and persecution.
So, that's the line we all have to learn to walk: between self-protective caution and bigotry.
As a Spanish teacher, I am often faced with people who are standing on this line and trying to figure out where to stand. Kids who feel frustrated by language learning or are just parroting what they hear at home will complain that "they should all just speak English."
That generic "they" or worse "you" is the first step towards ugly. When you can think and talk about people in generic terms like this, it's easy to think of them as less human. If you can think of people as less than human, then it's easier to abuse them.
Us and Them is dangerous territory indeed. Tread lightly.
Saturday, April 26, 2014
W: Wendigo (A-Z Blog Challenge: Evocative words)
I first heard of the Wendigo was I was a college student in eastern Kentucky. I had a summer gig working for the college's public radio station and was sent to cover a storytelling festival. Storytelling festivals were big in Appalachia in the 1990s. I hope they still are because they are wonderful.
A woman came to the stage and told this story that had us all spellbound. What I remember about it now is the high, mournful voice she used as the voice of the wendigo. In her story, it was sad, tormented creature, forced to move at incredible speed that burned off its feet. It was looking for rescue.
I've since run across this creature in other stories (it was even on Supernatural). It's not one of those myths that gets explored to death (like vampires and werewolves), but it's coming to the edge of more people's consciousness. The basic idea is that the wendigo was once human, but became transformed into a wendigo through madness. It's cannibalistic, and terrifying in that it attacks in the woods, in the dark, mostly unseen.
Like many of these myths, the power lies in what it has to say about what constitutes humanity and whether a person can lose her hold on humanity. In this case, the creature quite literally eats the flesh of other humans, but it could easily be a metaphor for all the ways we consume and feed on each other.
The wendigo doesn't have one set appearance. When I googled art for this blogpost, I saw many interpretations. There were large, muscular, wolf-like creatures; hybrid human and deer forms; even some that were just sort of ugly humans with sharp, bloody teeth.
The ones that chilled me the most were skeletally thin. This is especially awful when you consider their reputation for ravenous consumption of human flesh. It definitely makes you feel the cursed aspect--they eat, but they are still starving all the time.
They often are depicted with antlers of some kind, either looking like they are part tree or part deer. That makes a lot of sense for their invisibility in the forest. It would help them blend in as they wait for prey.
Extra long arms and fingers tipped with claw or talon-like nails (like Nosferatu) were also a common feature. There's something that really disturbs me about skewed proportions like that. It reminds me of the exaggerated shadows on my bedroom walls when I was a child, and what my child's imagination made of them.
(shiver) (shudder) (disturbed sound effect). Wendigos.
I think I'll stay out of the woods today.
________________________________________
This post is part of the Blogging from A-Z Challenge.
A woman came to the stage and told this story that had us all spellbound. What I remember about it now is the high, mournful voice she used as the voice of the wendigo. In her story, it was sad, tormented creature, forced to move at incredible speed that burned off its feet. It was looking for rescue.
I've since run across this creature in other stories (it was even on Supernatural). It's not one of those myths that gets explored to death (like vampires and werewolves), but it's coming to the edge of more people's consciousness. The basic idea is that the wendigo was once human, but became transformed into a wendigo through madness. It's cannibalistic, and terrifying in that it attacks in the woods, in the dark, mostly unseen.
Like many of these myths, the power lies in what it has to say about what constitutes humanity and whether a person can lose her hold on humanity. In this case, the creature quite literally eats the flesh of other humans, but it could easily be a metaphor for all the ways we consume and feed on each other.
The wendigo doesn't have one set appearance. When I googled art for this blogpost, I saw many interpretations. There were large, muscular, wolf-like creatures; hybrid human and deer forms; even some that were just sort of ugly humans with sharp, bloody teeth.
The ones that chilled me the most were skeletally thin. This is especially awful when you consider their reputation for ravenous consumption of human flesh. It definitely makes you feel the cursed aspect--they eat, but they are still starving all the time.
They often are depicted with antlers of some kind, either looking like they are part tree or part deer. That makes a lot of sense for their invisibility in the forest. It would help them blend in as they wait for prey.
Extra long arms and fingers tipped with claw or talon-like nails (like Nosferatu) were also a common feature. There's something that really disturbs me about skewed proportions like that. It reminds me of the exaggerated shadows on my bedroom walls when I was a child, and what my child's imagination made of them.
(shiver) (shudder) (disturbed sound effect). Wendigos.
I think I'll stay out of the woods today.
________________________________________
This post is part of the Blogging from A-Z Challenge.
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