Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

Monday, August 25, 2025

Worth the money, an open book blog hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

What is the best money you've ever spent in your writing endeavors? What's the worst?

_________________

Up until recently, my work was traditionally published, so I didn't really spend money on the big things like editing, books covers, formatting, etc. All that was on the publisher. 

 So, I mostly spent money on infrastructure for events (tables, tents, banners, swag) and publicity. In that vein, the best thing I did was hiring an artist to make graphic versions of my characters that I could use for publicity. I've got more than my money's worth using them for social media posts, advertisting, etc. 

4 memes I made using the images by Charles C. Dowd 

The worst/least useful was review services. They either didn't deliver, or what they delivered disappointed. And I felt skeezy for doing it, sort of shady.  

Logo from a useful YouTube channel about indie publishing
 

Now I'm working on my first indie projects, and editing is the best thing I'm spending money on. I have good critique partners, so I prepare a relatively clean manuscript, but a fresh pair of well-trained eyes at the end will catch all those little inconsistencies and unclear moments that you can no longer see because you're too close to the project. Definitely money well spent. 

I've also spent money on book covers, ISBNs, and software. So far, all of this feels worthwhile. My "sunk cost" will definitely be higher at the outset to produce indie books, but making all the decisions myslef has been exciting and I think I'll be happy at the end. We'll find out when I get there I guess :-)

So, on the indie end, I don't have any expenses I regret. I'm sure they will come, but they haven't found me quite yet.  

 How about you? If you write, what have you been spending your publishing dollars on? Any praise or regrets?  If you read, what kind of publishing things seem worth spending money on from your perspective? I'd love to hear from you in the comments. 

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Saturday, August 16, 2025

COVID 2025: my third rodeo

Hey there strangers, how have you been? I guess it’s only been a week, but I feel like I’ve been down in the pit of COVID forever, you know? But now that I’m mostly out on the other side, I’m restless, but still not allowed to push myself, so you get a blog post since I’m back to being able to handle screentime. 



So, COVID. 

 How did it go this time? 

This was my third rodeo (the other two acquired in travel scenarios in 2022 and 2024) and my worst one for how I actually felt. I think I've kept with recommended boosters pretty well. My last shot was December 2024.

 I don’t know how I caught it. I work from home, so I don’t interact in close quarters with many people. I wasn’t traveling or spending time with anyone obviously ill, but I did go to a cooking class and go grocery shopping last weekend, so those are my best guesses.

Monday: Woke with a bit of a sore throat and stuffy head, but ignored it. After all, “stuffy head” is almost my natural state with seasonal and dust allergies and tired is sort of normal for me too, between being over 50, parenting young adults, and perimenopause. It’s everyone’s favorite game of “Am I sick, or is this just how life feels now?”

I went about a very busy day of work, taking the Kiddo’s bestie to a farewell breakfast (they're leaving for college), and taking the Kiddo out to the community college to get set up for next semester. I can only hope I didn’t actually infect anyone while I didn’t know I was ill.

Tuesday: Definitely didn’t feel good. 

Slumpy is the best descriptor I think. 

I still worked. Luckily my day job allows me to work from home and I could space out on my office sofa between meetings. I was having some weird gastro-intestinal feelings similar to how I felt before my gall bladder went bad, so I put in a call to my doctor and got a Wednesday appointment. Can’t say I put in my fullest 8 hours ever, but I muddled through. I was supposed to take the Kiddo to an open house at the college, but Sweetman took that over when it was clear how bad I actually felt. I took an antihistamine and went to bed at 8:00 p.m.

Wednesday: I already had the day off since I was supposed to help move the Kiddo’s bestie into their dorm. Sweetman took that duty over. It was clear I could NOT handle six hours of driving (there and back) and hauling boxes and the like. Sweetman suggested a COVID test because even though I had taken an antihistamine (which normally knocks me out like I’ve been punched by Mohammed Ali), I had a thrashy, restless night. 

And damnit, yes, COVID.

So, quick change of plans. Doctor’s visit moved to virtual, then cancelled all together and rescheduled for next week. They offered me Paxlovid, which I refused because so many folks I know who’ve taken it just end up getting sick twice, with a rebound case.

The day went by in a haze. I had a viscous headache that felt like a steel bolt had been driven through half my head, so mostly I laid around, moaned, and went back to sleep. Any kind of screen time spiked that pain, so I barely connected with the outer world at all.

Our family protocol for other illnesses has been to isolate, so I washed my hands really well and put on a mask whenever I had to venture out of the bedroom for dog care or sustenance seeking. It was all I could do to make myself consume Lipton’s chicken soup and some water.

Once Sweetman and the Kiddo were back, we packed him up and sent him to a hotel because I wasn’t so sick I couldn’t see to myself, and we wanted to prioritize keeping him from catching it–the sofa isn’t a great option for that tall man and we don’t have a guest room. He’d already been exposed, of course, sharing the bed with me during those first two nights, but so far he had no symptoms and was testing negative. Kiddo and I stayed home, acting like we lived in adjoining apartments and communicating only by text. Elder Kiddo (grown and flown) brought me some takeout which I ate more of than I would have anticipated being able to consume. Bedtime and antihistamines again.

Thursday: Set an alarm so I could ascertain whether I might be able to work or not. The answer was definitely “NO!” That searing headache was still there, and I’d had a horrid night of thrashing, acid reflux that led to vomiting. 

I called it, suffering through a few minutes screen exposure to let my manager know and put through my leave request. This was the worst day in terms of how I felt. I drifted in and out of consciousness, and took extra showers to try to open my head a little with steam.

Of course, because I was unable to get my brain to function, there were things to deal with. The kid was in a fender-bender accident on their way out to the college to register for classes. Now that I’m coherent again and have gotten the full story, I’m super proud of how well they handled that very stressful situation and still got out to the college and got registered. Poor Sweetman had to abandon his work early to trade cars with the kid and help handle the logistics. When they tried to talk to me about it, I couldn’t focus at all and wasn’t sure later if I hadn’t fever-dreamed the whole thing (yeah, the dreams have been WILD this whole time).

Sweetman swung by in the afternoon to drop off supplies and, masked up and gloved, helped clean up some of the detritus of my being sick for several days, taking out the garbage and bringing more supplies upstairs for me, handling one of the dog outings so I wouldn’t have to, then back to the hotel with him to keep him well if possible.

When my headache finally broke around supper time, I watched a movie (Ballerina, 2025). Great movie, but a bad idea and I went to bed with a returned headache that made it hard to sleep.

Friday: Woke with that same searing headache and called in sick once more. That pretty much finishes my sick leave for this year. I can be sick (and paid) for 12 more hours in 2025 (and it’s new that contractors like me even get sick leave at all–so there’s a small favor). Despite the headache, I fumbled through dog care in the morning (masked up for movement through the house), trying to leave the Kiddo free to get themselves out for an appointment.

After that, it was back to bed for me. Miraculously, after the next round of napping, my headache was gone. I was smart this time, though, and still stayed 80% offscreen all afternoon, only using my phone a little and that with the brightness turned as low as it could go. It was clear something had broken, because I was restless. I had the energy to feel restless. So I washed up and masked up again so I could do a couple of small things around the house like take my dirty dishes downstairs, and put on gloves so I could wash some of the dishes at low risk of infecting the Kiddo or Sweetman.

At 3:20, I got a text from my cover artist, asking me if our zoom meeting was still on (it had been scheduled for 3:00). After apologizing for ghosting her (who knows what day or time it is in COVID land…and staying off screen meant I wasn’t obsessing on my calendar like I usually do), we decided to still meet and I spent a lovely half hour looking at pictures from her trip to Iceland (SOOOOOO gorgeous–I definitely need to go there) and at sketches for the first of three covers she’s making for me.

I was energized by that–this whole process is so exciting! And the zoom meeting had NOT given me a headache (HURRAY!), so I spent my afternoon working on writing life things. No actual writing–my brain wasn’t that good yet--but administrative stuff like updating my submissions tracker, submitting a couple of stories, adding my “about the editor” page to the interior design of Not Too Late, and getting a wild hair about resurrecting a short story collection called Shadowhill that I had intended to bring out in 2020 as my first indie project, but dropped when the world went pear-shaped.

There’s a nice symmetry to resurrecting that sucker while recovering from the illness that killed the project in the first place, so I sent an email to the original cover designer, found my then-editor’s information, and went looking for files of what I had already done. It’s actually really close to done–already through edits and I’d done some layout, so if the cover artist is able to come back on board, I might be able to get the book out there pretty quickly. That’s exciting!

Looking for those things put me on some data maintenance, getting files moved over from the old laptop onto this new one and throwing away a bunch of old files that aren’t important anymore. I’m terrible about downloading things for one-time quick use and then letting them linger, taking up memory for decades. It was such a relief to be able to be back onscreen without pain, that I didn’t even mind the tedious tasks. They were probably about my speed, mentally speaking. 

It’s been a long time since I was a night owl. I generally turn in a pumpkin by 10:00 most nights. But after several days of forced inactivity and feeling joyful about being able to use screens without pain, I watched movies.

I like old movies all the time, but especially when I’m in recovery of one kind or another, so I decided on The Mutiny on the Bounty, 1935 because it had a young Clark Gable in it and I had never seen it. I’m going to need to read that book sometime, I think because it was fascinating! What is it with sea captains and obsession, huh?

Even though it was late when I finished the film, I didn’t feel able to sleep yet, and I was going to try a night without antihistamines to knock me out. So, I picked another film: How Green Was My Valley, 1941, with Maureen O’Hara. I’ve been a fan of Maureen’s my whole life, probably from the first time I watched The Quiet Man, 1952, with my mother when I was little. The glory of her red hair was absent from this black and white film, but she still shone like an angel and you could definitely see why Walter Pidgeon lost his heart to her.

It’s a very sentimental story, but has some very real human drama, centering around a large Welsh family of miners, or colliers as they called them, and narrated by the youngest son. It’s based on a novel by Richard Llewellyn by the same title which I have not read, but the plot bore a few striking similarities (with less sex) to Sons and Lovers by D.H. Lawrence, which I have read. A little research tells me that the book was touted as autobiographical, but that’s a stretch as the author was English-born and had spent very little time in Wales at all.

After that I slept again.

Saturday: As I write this, it’s noon. I have only a little headache. Morning was a little rough–getting my bodily systems online–but I’m definitely doing better than I have all week. It’s already clear that I’ll be struggling with making myself take it slow for the next bit to avoid relapse.

I’m watching a silent movie this morning, Sunrise, 1927 because the description caught my eye: “A married farmer falls under the spell of a sophisticated woman from the city, who tries to convince him to drown his wife.” Janet Gaynor who plays the wife, is the only actor in it that I think I might know, but I wonder if I’m mixing her up with Mitzi Gaynor, a more recent actress (I checked: they’re not related). George O’Brien, who plays our main character, is quite good.

Silent films are always kind of amazing. The acting style is entirely different when actors cannot use their voices to convey emotion and the photography is often startlingly beautiful. This one has some very cool effects like a ghostly image of the temptress character shown over the man when he’s struggling with his conscience and the animation of title cards. Fonts, carrying emotional weight since 1927, apparently. The way the words melt and slide off the screen when our temptress proposes drowning was very effective.

Wish me luck, y’all. For the next couple of days, I’m probably my own worst enemy and I’ve fought her before–that Samantha is stubborn and not entirely reasonable. But this Samantha will fight her to make sure I’m back on my feet for real as soon as possible.

Oh, and maybe go update your COVID shot, if that's an option for you. I know our government isn’t pushing vaccinations anymore because some insane guy thought it was a good idea to put an anti-vaxxer with a worm-eaten brain in charge of such things. But I enter myself as evidence: the virus is still out there. And it still sucks, even when it goes as well as it can.

Monday, February 17, 2025

The Hardest Format, an Open Book blog hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

What has been the hardest format to write in for you?
 ______________________

I've tried on a lot of different literary forms over the years. They're all difficult at first, because they're new. And each project is it's own critter, so even if it's a form I've written before, it's still a new challenge.

I began, in childhood as a poet, in formal and free-verse styles. I stopped pursuing poetry seriously (i.e. with an eye to publication) in my thirties, but I still write it for myself and sometimes share it. I might still someday produce a collection if I ever have enough that fit together that way. (My published poetry is all under my maiden name--Samantha Dunaway).

I really got into personal essays in my later twenties, writing a few that made it into magazines and newspapers. I was especially proud of a few that made it into We Alaskans. That led directly into some newspaper work as a book columnist for the Bering Strait (now defunct) and the Nome Nugget and attracted me to blogging where I could "sound off" more freely in this not-journalism-but-not-fiction area. 

I played with short stories off and on along the way but didn't really start to feel like I understood and made good use of the form until 2014 or so. Now I LOVE writing short stories, especially for anthologies, for the opportunity to try on different styles and genres without the long-term commitment that a novel entails. At this point, I've had 25 or so short stories published of 73 that I currently have in my pieces list on Duotrope. I'm in the middle of writing two new ones right now.

(SIDEBAR: Duotrope has been really useful to me for tracking submissions and helping me find places to submit my work. I pay $5 a month and consider it well worth it. It's great for folks like me who struggle to organize this stuff, and it's searchable, so I can make sure I didn't send that same story to that venue a year ago and just forgot.)

After my second child was born (2007) and I needed something to help pull me out of Post-partum depression, I joined a group of novel writers and started trying to write a novel. I started and abandoned three before I finished one. That one remains unpublished and is shelved for now, but I've since written an entire five novel series (The Menopausal Superheroes I'm always talking about) and seen it accepted for publication by two different publishers. So excited to bring that one to a close this summer! I've got several other partially completed novels I plan to finish up soon.

Novels are BIG, and it took me a while to develop a process and be able to track work that large and keep it consistent over a longer creation period. But discovering Scrivener software helped me a lot. It's so easy to re-arrange work and use color coding and image labels to help track things like POV or then-and-now timelines.

I've also written a couple of novellas along the way. I quite enjoy this form--longer than a short story, but not as involved as a novel, bridging what I love about short stories and what I love about novels. In fact, the project I'm working on now is a trilogy of romance novellas and I'm loving working on them. 

So that's a long-winded answer to a relatively simple question. The short version: short stories took me the longest to feel competent at, so I guess they've been the hardest for me. 

But I LOVE to try new things. Maybe screenplays will be next. I've got some friends who do some writing for indie films and that could be amazing to try my hand at.

So, how about you? Have you tried a variety of formats? What proved most challenging for you?

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Monday, January 20, 2025

Knowledge is power, an open book blog hop post

 

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

What new learning do you have on your list for the upcoming year?
 ______________________

I've got big plans to release my first all-indie project in 2025, so I'm guessing I'll be learning a lot, including some things that I don't know I don't know yet. 

 

image source

But I know I'll be learning:

  • to wrangle Vellum software for book layout
  • how best to hire a book cover done
  • the whole ISBN business
  • how to understand my metrics for sales
  • marketing for a new genre

So I'm hoping to learn a LOT of new writing-life skills in 2025. 

In other parts of my life, I'm hoping to learn:

  • more about how all our household electronics systems work so I can troubleshoot for myself instead of always bugging Sweetman about it.  
  • New recipes! I stay interested in cooking by always trying new things
  • The secret to sleeping well 
  • more about parenting adult children as my youngest crosses that threshold this year

How about you? What do you hope to learn this year? 

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Monday, September 30, 2024

Seeing my Stories Through, an Open Book blog hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

How did you decide that you finally wanted to write your stories?
 ______________________

I've always written--poetry and journals as a child; poetry, journals, essays, and stories as a young woman. But I was really haphazard about finishing things and seeking publication. I always let something else take precedence. I poured my creative energy into teaching, raising my kids, and building a life. And I wondered why I was feeling burnt out. 

For me, the moment of decision came when I was 42. Anyone who has read Douglas Adams's Hitchhiker's Guide to the Galaxy knows that 42 is the meaning of life, the universe, and everything, so I took that as my cue from the universe to get off my duff and take my writing life seriously. Stop playing at writing and do it for real. 

image source

"Doing it for real" for me meant committing to a daily writing habit and forcing myself to stay focused on a single project and bring to completion before allowing myself to chase the shiny new idea that flitted across my brain when the going got tough. It takes discipline to move from playing at writing to bringing your vision into a form where it can be shared with others. Discipline and bravery. 

I say it takes bravery because sharing your creative endeavors with the world is a highly vulnerable act. You'll meet with a mixture of responses. You may find love and support, you may find vitriol, or you may find indifference. Most of us find a little of all three.

So, that was what did it for me: I turned 42 and decided it was now or never. I chose now. 

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Monday, May 6, 2024

Selling your books in person, an open book blog hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Do you attend book selling events? What is your best tip to sell books at one? 

 ______________________

I do indeed, several times a year, attend events where I sell my books. In fact, I attended one just this past weekend, Ravencon in Richmond, Virgina, and had a lovely time! I've got Galaxycon upcoming in July, and Bookmarks Book Festival on my calendar for September, too. 

Display is key at these things, in my observation. It's one of those cases where investing in a few eye-catching items can make a lot of difference. In my case, I've invested in a table runner, a standing banner, printed bookmarks, and a couple of different types of bookracks for table display. 

Me with my table runner and upright book rack at Concarolinas in 2021

All of these help a reader make a good guess from across the room whether or not my books would be of interest to them. 

Of course, I didn't buy these all at once, but a piece at a time, with different events in mind. In fact, I had another banner before this one that became outdated when my Menopausal Superhero books got a rebrand in 2019. I expect that, in the future, I may want other banners as my catalogue expands. So, I balance that when I'm deciding how much I'm willing to spend on these display items. 

My standing banner behind my Galaxycon table in 2023, with my new spinner rack.

The logo and imprint name "Dangerous When Bored" on my table runner will often elicit a smile from someone walking past my table at an event, and that might make them slow down and look at my covers. The "half hero/half horror" with book covers gives a reader a hint even at a distance what my most common genres are. 

Once a potential reader stops by my table, I introduce myself, asking a question or making a comment when possible to try and get a conversation started. (It took me some time to build comfort with this bit, BTW, since I'm a hardcore introvert). I'm convinced more than one person has bought a book from me because I complimented their clothing or understood the reference on their tee-shirt. 

I try to gage if a reader is drawn in by any particular cover and offer a little more information about that particular book. Saying nothing at all can be bad, because you seem disinterested and the reader might need you to start the conversation, but saying too much can be overwhelming, too. I've got a very short, pithy pitch for each book at the ready and only go into more depth if that seems wanted. 

If they seem like they're going to walk away without buying, I thank them for their time and try to get them to take a bookmark, so they can check out my work online at their leisure. I often see a spike in online sales in the days following an in-person event, too. Some folks want to support you, but have burned through their budget, or have limited luggage space to consider. 

So, there you go. My best advice is to make as easy as possible for the potential reader to ascertain what kinds of books you're selling through well chosen display items and swag. 

How about you fellow Open Book bloggers? What works for you? For readers stopping by my blog today, what kinds of things will get you to buy a book from someone at in-person events? I'd love to hear about it in the comments below!

You are invited to the Inlinkz link party!

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Monday, February 19, 2024

The elevator pitch, an open book blog hop post

  


Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Do you have an elevator pitch (a brief 30 second or so introduction) for your books?

 ______________________

The idea of an elevator pitch, I believe, came about from publishing, where an author steps into the same elevator as a muckety-muck and might have the space between two or three floors to catch the interest of a potential publisher and get them to want to read the whole thing. 

I'd never do that. Talking to someone I don't already know? In an elevator and under high pressure to sell them something? Now *that's* a horror story! No thank you.

That said, I do have to pitch my work from time to time, to convey to potential readers what it's all about and why they might want to read it. 

The Menopausal Superhero series is pretty easy to pitch. When I'm doing events, often I don't have to do much more than say the name of the series. Sometimes I don't even have to say it at all, since it's right there on the covers. The concept often makes people smile and they pick one up to read the back cover, and then the sales game is on! (or they make a face like they smell something bad and back away from me--some people can be put off by the mere word "menopause")

The Menopausal Superhero series

Easy pitching is great news for me, because I'm an introvert, so I'm not at all comfortable with the "carnival barker" method of getting readers to stop and talk with me. I rely on good displays and looking approachable. After all, folks who are attending a book fair or science fiction and fantasy convention don't need a hard sell--they came specifically to look at this kind of thing. 

Me at Bookmarks Festival of Books in Winston-Salem, NC

If someone stops and talks with me a bit, I usually first try to see if they're more likely to be interested in my hero or horror stories, usually just by introducing myself: Hi! I'm Samantha and these are my books. I write the Menopausal Superhero series and short form horror, which ones depends on whether I want to save the world today, or watch it burn." 

If they lean horror, I talk a little about the range of types of stories I've written, and wait to see what book they're eye-balling, then mention what my story in that anthology is about. 

"Stories We Tell After Midnight? That's a great collection! It's been described as Scary Stories to Tell in the Dark for grown-ups. My story in there is called 'The Cleaning Lady.' That might not sound like horror, but it's all in who you work for, isn't it?"

or 

"Crone Girls Press is one of my favorite publishers to work with. They're a feminist horror press and I love the types of stories Rachel finds for their anthologies!" 

If they lean superhero, I drop in tidbits like, "My menopausal superhero series is dram-edy in tone, intermixing superhero action with comedy about aging, with themes of female friendship." 

Or, 

"This is my more optimistic work, where heroines who are not 'spring chickens' save the day." 

I'm not a hard sell person. I hate it when people press me too hard, so I don't do that to others. I'd rather have a conversation, even if it doesn't end in a sale. 

If someone seems at least a little interested, I'll try one last push, giving them a bookmark with the link to my Amazon page on it and encouraging them to go check out the reviews and the "look inside" to see if my work is for them. 

I always thank people for stopping to talk with me, and I mean it, too. I'm grateful each time someone expresses interest in my work. 

Plus, you never know, even if you don't sell to that person in that moment, you may have put a ripple in the stream that will come back to you later. Your table guest might invite you to an event, or tell a friend about you. 

After nearly a decade of attending events and selling my books, I'm more comfortable with pitching my work, but I'm never going to accost some poor soul in an elevator. Let's all just get to the lobby in peace, please. 

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Monday, February 12, 2024

Still writing, after all these years, an open book blog hop post

  


Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Do you ever ask yourself if you are still a writer?

 ______________________

Though I have plenty of moments of doubt in the pursuit of my creative life, my identity as a writer is never in question. I have always written (since I first learned how!), and will always write. 

Writing is how I process the world, my feelings, events…all of it. Like the quote from EM Forster: "How can I tell what I think till I see what I say?"

image source

Publishing is another kettle of fish though. It can really feel like there's no return-on-investment in seeking publication and audience for your work. If you let your identity as a writer get tied to your financial or critical success in publishing, losing heart is almost inevitable. 

There's going to be rejection. There are going to be poor reviews and unkindness and judgmental behavior. It's a risk you take, when you put your art out there, hoping for connection, hoping to find someone who "gets" what you're doing. 

Not everyone will. 

When it's been a long time since I've seen anything into print, I can have some doubts about my publishing career, start to feel that imposter syndrome pulling down on my soul. 

But, no, I never have to ask if I'm a writer. I write, therefore I am. Or, maybe I am, and therefore I write. Either way, it's not possible for me to give that up. 

Do you have to fight off doubting demons in your creative endeavors? How do you pull yourself out? I'd love to hear about in the comments! 

(the earworm from my title: 




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Wednesday, February 7, 2024

Author website pet peeves

     


Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the February 7 posting of the IWSG are Janet Alcorn, SE White, Victoria Marie Lees, and Cathrina Constantine!
February 7 question: What turns you off when visiting an author's website/blog? Lack of information? A drone of negativity? Little mention of the author's books? Constant mention of books? 
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I'm pretty forgiving when it comes to author websites and blogs. People in glass houses and all that.

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This site, for example, started out as a mommy blog back in the day (like, 2009), and has slowly morphed into a blog + pages for my author life as I started to build something you might call an actual author life.

It's a bit of a Frankenstein's monster now, made out of pieces of other things, put together by someone who's not particularly skilled at that. 

image source

I'm well aware of the flaws in my own site. 

I have great plans for migrating to another platform because Blogger has been falling apart for years, but there's a lot of decisions to make and tons of actual work to that, so it keeps getting bumped down the to-do list. That constant balance of time-energy-money. Migration takes a lot of resources…even just figuring out what to pack and take with you versus what to let go. 

So, I definitely bear all that in mind when I am tempted to pass judgment on what someone else has managed to do in this crazy endeavor we call building a writing life. 

So, with all that as caveat, here are my three main pet peeves on author websites:
  1. Pop-ups: Modals demanding that I subscribe to a newsletter or click over to the latest publication. Especially if those cover the thing I came there to read and are difficult to get back out of. If I like what I see, I'll seek out your newsletter--put the link at the side or in an obvious menu, but don't pop it up on me just because I scroll down or try to navigate away--that feels scammy and pushy and guarantees I will not subscribe. 
  2. No contact information: that's a basic on any website. People might want to reach out to you! Maybe invite you to be a part of an event. I've had it happen. I understand the desire for privacy, but it can cost you opportunities to be difficult to reach out to. You can use a form if you don't want to post an email address. 
  3. Flashing or moving displays that can't be turned off: I don't see this so much anymore, but for a little while, it was quite the fashion to have a video play, or a carousel display on a website and I hate it. An interactive element for a purpose has its place, but on an author's website? Nope. I came here for the words, read with my eyeballs, at the pace I choose. 
So there ya go, Samantha's two cents on author websites. How about you? What puts you off or pulls you in? What do you do for your own site, if you maintain one? I'd love to hear about in the comments! 

Monday, January 29, 2024

Pen Name or Not?

 


Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Do you use or have you considered using different pen names for different genres of your writing?

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Pen names always seem like fun to me. Choosing a new version of yourself to go with your writing, so you have a tough guy name for that noir you're writing and something soft and flowery for the romance. Maybe my Gothic romance (when I finish it) could come from someone like Violet Nightshade, instead of the more mundane Samantha Bryant. It's a fun kind of branding. 

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But in this day and age, marketing means keeping up with social media for your work, and I find that overwhelming enough without managing several different version of myself. I can't imagine keeping up with Facebook, Twitter, Instagram, YouTube, Bluesky, etc. for more than one of me. When would I actually write? 

I know some writers get around this by having their pen names be an open secret, like Gail Z. Martin writing as Morgan Brice or Ursula Vernon writing as T. Kingfisher (just to name couple from my circles), but I'm probably not a big enough fish for that, and I don't want to make it any harder for someone who enjoyed something I wrote to find the rest of it!

So, I've thought about it, but I think I'll stick to just being Samantha Bryant, regardless of what I'm writing. I'm plenty to handle. 

Do you use pen names in your work? Do you follow writers who do? 


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Wednesday, January 3, 2024

BookBub or Bust, an IWSG post

    


Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the January 3 posting of the IWSG are Joylene Nowell Butler, Olga Godim, Diedre Knight, and Natalie Aguirre!

January 3 question: Do you follow back your readers on BookBub or do you only follow back other authors?
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Happy New Year! Here's hoping that 2024 bring you joy, on and off the page. I like the feeling of fresh start that comes with a flip of the calendar. 

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Maybe this will be the year that I make proper use of BookBub as an author. Because up till now, it's stayed pretty low on my priority list.

It's not that I don't see the value; it's more that I struggle to find the time. I write alongside a demanding day job and maintaining a family and household. So, mostly, my entire writing life fits into about two hours a day. Sometimes less. A few times a year, more. 

So, writing new work, promoting previously published work, networking, blogging, and keeping up a presence in the ever-changing landscape of social media keep me pretty darn busy. 

I probably visit BookBub quarterly at best. When I do, I look to see who has followed me. Whether they are readers or authors doesn't make any difference to me so far as the likelihood that I'll follow back. I just click on their link and look at what they're up to and if I spot anything of interest, I'll give them a follow. 

Then I recommend a book or two and wander off for another three months. 

I do still appreciate the newsletter offerings as a reader, though, and I know that the BookBub feature that my ex-publisher got for me at the outset really gave a boost to my number of reviews, so it's a worthwhile venture. Just not one I've really made time for yet. 

How about you? Do you make use of BookBub as a reader or writer? If so, what do you like to do with it? I'd love to hear your thoughts in the comments. 


Monday, December 18, 2023

From idea to story, an open book blog hop post

 


Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Describe your steps for moving from a story idea to a finished story.

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Ideas are never my problem. I have several a day. But some of them will never be anything more than a passing fancy, a clever quip, a "what if?" 

I'm sure I've lost some ideas that could've become something because the idea came at an inconvenient moment (while cooking, in the middle of a work meeting, during the night) and I didn't pin it down, but I don't worry too much over those because I'll have other ideas. 

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Some ideas are special though. You have a little thought and it persists. It keeps coming back around and poking you in the brain. Like "hey, hey, hey." 

The initial inspiration for my Menopausal Superhero series was like that. It just kept flitting back into my thoughts, like some part of brain had been noodling on it all this time, even though I was in the middle of writing a completely different novel at the time.

Getting from idea to a story takes a lot of forms for me. Since I've been under contract for a novel series these past few years, I don't always have the freedom to follow a new idea right at the moment I have it--there are deadlines, after all. 

So if I really like the idea, I try to pin it down so I can come back to it later--send myself a text, keep a voice memo, use the notes app on my phone to capture a paragraph or two. Mostly, this works for me and I'm able to pick up the idea at a later time, months or even years later. I do come back and pick those up a lot of the time, but not always.

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Sometimes, though, I'm too distracted by the idea to focus elsewhere. It's TOO persistent. In those cases, I've been known to give in, and follow the new idea through a few pages or even a whole draft (if it's an idea that is poem, article, or short-story sized, as opposed to book-sized. That's probably not good for finishing the novel--I have that ADD tendency to want to follow the "new shiny" all the time, and I have to discipline myself to keep my focus in one place long enough to finish. But, it's a balance and mostly I do okay at finding it. 

There is sometimes a talking phase for me. My husband is my sounding board for a lot of these. 

We'll be driving or out walking somewhere and I'll say, "I have an idea." 

He'll say, "What's it going to cost us?" 

I think he's relieved when my idea is for a story I want to write and not for a room I want to remodel. He always has some good questions, and his initial response helps me figure out if the idea might appeal to readers or not. 

Once I've picked an idea to focus on though, I'm pretty dogged. Years of managing my "squirrel brain" has taught me how to make myself zero in and commit. 

I'm not a planner in my writing though. On that planner to pantser spectrum of writing, I'm dangerously close to being out in public without any pants. So, to my writer friends who are outliners, my process looks like I'm just flailing around, I'm sure. 

It works for me though. 

While I'm focused on a particular project, I have a rule that I have to touch it every day, even if it's just to re-read and think about it for a while. That keeps me moving steadily forward, and lets my subconscious work on it while I'm handle the mundanities of life. I write every day; I make steady progress; eventually, I get there. 

I have a regular critique group and I rely on their input to let me know when I'm done--when the story on the page works for the reader. Then, I start the publication cycle--research, submission, revision (sometimes), rinse and repeat until successful. 

So far, all my work is traditionally published, in that I submit it to a publisher who accepts it or doesn't and the process follows their procedures from there, but I do have plans for some all-indie projects in the future and I'm looking forward to figuring all that out. 

How about you? What decides which of your ideas makes it to fruition? Do you have a backlog you hope to get to someday? I'd love to hear about in the comments. 

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Monday, December 11, 2023

Top 5 of 2023, an open book blog hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Tell us the top five best things that have happened to you in the past year. (Focus on writing, but other things are allowed)

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I'm not sure these are in order, but here are five great things about my 2023 in writing: 

1. Day job success: 

This might seem off topic for a post about my writing successes, but my day job as a content strategist at a big financial company (a new career which I started in May of 2022) is going well. I like the work, but it doesn't drain me dry like teaching did. It pays better, too, which alleviates some stress. 

And all of that makes for a better writing life. It's hard to focus on your imaginary friends if you're worried about feeding your real family, after all. 

2. Convention time feeds my inspiration and energy

I went to several conventions and events this year, promoting my published work, networking, and just enjoying feeling successful and just a little bit famous. My work sold well at several of these, and I got to participate in some great panel discussions, and meet a few writing world celebrities. 

Highlights include having someone who had not read my work before buy the $100 omnibus edition of the Menopausal Superhero series (what a show of faith!), talking with horror author Gabino Iglesias about Puerto Rico and parenting while writing while we shared a signing table, and visiting the Poe Museum with Esther Friesner, a comedic fantasy author known for Chicks in Chainmail. 

In front of the Poe Museum with writing friends

Now that I've been doing "the con circuit" for eight years, I've got this whole family of writer friends and it's a joy to get time to spend with them a few times a year. 

3. Travel! Puerto Rico, Beach, PNW

The opportunity to travel is one of the great joys of my life and I had three lovely trips this year: to Puerto Rico with all the Bryants (including the elder daughter's partner), to the beach with my youngest kiddo and a few of their best friends for birthday aquarium fun, and to the Seattle area of Washington with my mom to visit my sister. That's a lot for one year!

The family in a park in PR

Travel always sets my brain and spirit alight, and that's got to be good for my wordsmithing. I wouldn't be at all surprised if El Yunque or the beach or Rattlesnake Lake shows up in something I write soon. 

4. Two new publications

I didn't publish a lot this year--my focus has been on the series-ending novel for the Menopausal Superheroes series, which hasn't left me much time to focus on submitting short stories or writing other new pieces. So, I was pleased as punch to still manage to get two new stories into anthologies this year!

My new anthologies!

You can read "The New Guy" a bit of science fiction set on an off-world botany lab in Breaking Free, an anthology from my critique group and "The Other Jack" a horror piece with urban legend vibes in Tangle & Fen from Crone Girls Press, a small feminist horror press I've had the pleasure of working with several times now. 

If you check them out, remember to leave a review! More reviews = more visibility, even if they are brief. 

5. Progress on that series-ending novel


The first Menopausal Superhero novel, Going Through the Change, came out in 2015 and I've been writing in that universe ever since, seeing three more novels, two novellas, and a collection of shorts into the world, as well as that omnibus edition I was telling you about. 

I love my heroes, and have enjoyed writing these action-adventure-comedy-women's fiction books, but it's time to move on to other projects, so I'm also happy to be wrapping it up. 

But writing a series-ender is a different sort of writing task than writing "the next one" and it's taken me longer than the others. I feel like I'm near the end now, though, and I'm hopeful that I'll be able to share the finished series with you in 2025! (That seems far away, but it'll also go quickly, I know). 

It'll be the end of an era, and I'm hoping to celebrate with a big publication party and maybe a book tour. We'll see what me and my publisher come up with :-)

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So, that's my year in words. I hope 2023 was kind to you as well, giving you a lot to feel grateful for as the year comes to an end. Don't forget to check out the other posts in this blog hop and leave me a comment letting me know how your 2023 went. 

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Wednesday, December 6, 2023

The Perils of Book Reviews, an IWSG post

   


Welcome to the first Wednesday of the month. You know what that means! It's time to let our insecurities hang out. Yep, it's the Insecure Writer's Support Group blog hop. If you're a writer at any stage of career, I highly recommend this blog hop as a way to connect with other writers for support, sympathy, ideas, and networking. If you're a reader, it's a great way to peek behind the curtain of a writing life.

Our Twitter handle is @TheIWSG and hashtag is #IWSG. The awesome co-hosts for the December 6 posting of the IWSG are C. Lee McKenzie, JQ Rose, Jennifer Lane, and Jacqui Murray!

December 6 question: Book reviews are for the readers. When you leave a book reviews do you review for the Reader or the Author? Is it about what you liked and enjoyed about your reading experience, or do you critique the author?
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I've been a reader a lot longer than I've been a writer, at least the kind of writer who finishes and publishes things. And I LOVE talking about books with other readers. (We should talk sometime about my addiction to book clubs). 

Reviews, for me, are a way to talk about books with other readers. So my format is generally to set a little context (how I came to choose this book to read, my past relationship with the author, what format I consumed it in, etc.), briefly say what I enjoyed and if anything put me off, and include a statement of what kind of reader I think would enjoy the book. 

For example, here's a review I wrote of The Devil Takes You Home by Gabino Iglesias, an author and educator I once shared a signing table with at a convention and have a cordial social media friendship with, but whom I can't claim to know well on a personal level. 

See? I try to let my fellow readers know what they're in for, so they can decide if this is a book for them, a little better informed than they might be by just looking at the promotional materials.

Now, as a writer, I'm cautious when it comes to reviewing books by living and not-yet-A-list authors. Not everyone takes criticism well, and more than a few writers have been known to seek vengeance on those who dare not to like something they've written. (Sad, but true). I'm never trying to critique the writer as a person, but some folks have trouble separating themselves from their book babies. 

Generally, I won't review the book at all if I didn't like it at least at a three-star level. I know the struggle of getting reviews and how a 2-star can tank your average when you've only got 5 reviews in total. I'm not going to be the one to tank your average just because your book wasn't for me. 

It's tricky, too, because I'm networking with some of these folks, so I don't want to burn any bridges or raise any ire. I'd rather just not write a review than write a disingenuous one, though. I have a certain level of integrity as a reviewer that won't let me praise a book unless I actually enjoyed it. 

[Small rant to follow] In fact, Amazon won't let me review any more--and won't give me a reason or respond to any of my queries about the block. My best guess is that I reviewed books by people I know because that's how building a career grows--I'm going to connect with and get to know other authors, and I'm going to read their work and have opinions about it. Not being allowed to review there is bullcrap, IMHO, but SO MUCH about Amazon's business practices is bullcrap even if it's my best option to date [Rant over]

I'm so grateful to the folks who have taken a moment to leave some stars and thoughts about my own books. 

First off, they read them! How freaking cool is that? 

And then, they cared enough to comment and help other readers determine if my books are for them. Awesomesauce. 

I'm even grateful for the low reviews, because sometimes a low review will show a reader that what that other reviewer hated is exactly what they might love about a book. 

How about y'all? Do you write reviews? Do you read them when you're deciding what books to try? What do you want out of a book review? I'd love to hear your thoughts in the comments. (And don't forget this is a blog hop--go see what some of my colleagues in IWSG have to say about the topic today, too).