Goodbye, 2015. You were a great year, and a terrible year for me and mine. In some ways, I will remember you fondly; in others, I'll be happy to see you go.
2015 was painful in that I lost people I loved. I know it's the way of the world, but it doesn't make it any less terrible when the moment comes. All in all, in the second half of 2015, I lost six people in my family. I felt the last one the most. My Uncle George was one of the giants of my childhood and cancer came for him with quick and angry claws, snatching him away before I could get north to say goodbye in person. I still feel hollow from the loss.
2015 was difficult in terms of personal health. I seemed to spend way more of the year fighting "something" than in other years. No one big illness, thank goodness. No hospital stays or broken or sprained things, but lots of weakened days, and more missed school than in recent memory.
2015 was overwhelming. Adding book promotion to an already full schedule of teaching, mom-ing, wife-ing, and writing was well, whew! It was a change akin to adding a child to my life in terms of all the adjustment required. It will definitely be important for me to keep working on balance of all these different things in the new year. In fact, the whole year flew by in a blur.
But, 2015 was also the year that my first book made it into print. Going Through the Change: A Menopausal Superhero Novel has done pretty well for a book by some woman no one has ever heard of. It's been in and out of the top 100 superhero novels several times in its first eight months out there in the world, and sold enough copies to let me spoil my family a little during winter holidays. That felt good because I've really had to lean on them to make all this work!
It's leading to new opportunities, too. I've already been to one con (Atomacon!) as a guest author and will attend my second in January (Illogicon). I've been invited to contribute to blogs, podcasts, radio shows, and anthologies. 2016 is a horizon full of promise. Here's hoping for smooth sailing into those seas! Happy New Year!
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Wednesday, December 30, 2015
Wednesday, December 23, 2015
On Christmas: A Sonnet
http://thegraphicsfairy.com/wp-content/uploads/blogger/-HnU6EiaJfK0/Ttl9fPtydHI/AAAAAAAAPi0/cR-noJ9GcTE/s1600/holly%2Bvintage%2Bimage%2Bgraphicsfairy006b.jpg |
On Christmas
I’m never sure which way to
turn to sing
before the buzzing crowds of
Christmas fans
or even if a song is best to
bring
to greedy mouths and
ever-grasping hands.
It overwhelms the senses,
giddy yet
alarming, expansiveness
abounding---
the brotherhood of credit
cards and debt
the tinsel-wrapped carols
resounding.
But when, at night, it gets
quiet at last
and gifts are chosen, hidden
till the day—
the mania, the shopping
frenzy past—
I can hear it, humming my
stress away.
There is a peace. I think it
sounds like snow.
That peace. One gift I wish
I could bestow.
Saturday, December 19, 2015
Guest Post: Lunar Reality and Lunar Fiction: AmyBeth Inverness
It's my great privilege and pleasure to introduce you to AmyBeth Inverness, a friend and fellow writer. I hope you enjoy her guest post! -SB
Lunar Reality and Lunar Fiction
AmyBeth Inverness
I began writing stories about the moon back in 2013 when the Liftport Group decided to put out a monthly magazine about their endeavors to build a space elevator, first on the Moon, and later on Earth. Although I could not contribute to my friends’ efforts either scientifically or financially, I could write stories about a thriving society on the Moon in the near future.
The magazine lasted less than a year, but my stories about Luna were well-received. They sat on a shelf for a while, and now a new story comes out from Dingbat Publishing with every full moon.
The research I do for these stories is never-ending. I often become immersed in a thread of some fascinating detail I find, such as my hometown hero Vance Brand being in the back-up crew for Apollo 15. While researching an article about stuff the astronauts threw around on the Moon I discovered this list of man-made objects that are on the moon. Most of it is what one would expect; crashed satellites, jettisoned equipment, and mementos. Then there are the one hundred two-dollar-bills that Apollo 15 left behind. I have no idea why.
Anyone who has seen the Tom Hanks movie about Apollo 13 knows about Gene Kranz and his vests. The astronauts from several missions also played pranks on each other, such as inserting pictures of scantily-clad women in with the official documents for their peers to find. I was also interested to learn that, at the time the memorials to fallen astronauts and cosmonauts were placed, there were several cosmonauts whose deaths were still being kept secret by the Soviet Union.
Monday, December 14, 2015 is the 43rd anniversary of the day we left the moon. Eugene A. Cernan and Harrison H. Schmitt lifted off the lunar surface at 10:54:37 p.m.
We haven’t been back since.
All of these pieces of information, both trivial and historical, feed my imagination when I’m writing my stories. Although I leave the exact details of humanity’s return to the Moon purposely vague, I always strive to ensure that any real history is honored. I keep a bottle of little blue pills on my desk just to make sure the SciFi stays hard enough.
In The Cities of Luna, the Apollo sites are all world heritage sites. Locals and tourists alike visit the museums and tour the locations, which are carefully preserved. When I discover details such as the presence of water or other resources in a particular place, or the seismic activity on the Moon, it goes into a story.
Yet the stories are about the people. I’m not telling you about the moonquakes, I’m telling you what the people do when there’s a moonquake. I’m not describing how the orbital elevator works, I’m telling you how the people use it and how it affects their lives. I’m not lecturing about the two weeks of sunlight and two weeks of darkness, but the length of the lunar day definitely impacts the Loonie’s lives.
The next few decades will be interesting ones. Although I may not ever be able to travel to the Moon, that is a distinct possibility for my children and grandchildren. I can write the stories. My progeny will live them.
________________________________
A writer by birth, a redhead by choice, and an outcast of Colorado by temporary necessity, AmyBeth Inverness is a creator of Speculative Fiction and Romance. She can usually be found tapping away at her laptop, writing the next novel or procrastinating by posting a SciFi Question of the Day on Facebook and Google Plus. When she’s not writing, she’s kept very busy making aluminum foil hats and raising two energetic kids and many pets with her husband in their New England home.
You can find her on Facebook, Google Plus, and Twitter @USNessie or check out her Amazon Author Page.
AmyBeth's been very busy lately! Her Urban Fantasy novella The House on Paladin Court is available in electronic format at most of the usual e-book outlets. She has a weird little SciFi short story called The Immersion of the Incorporeum in the Biblical Legends Anthology Deluge. A new short story from The Cities of Luna is released with every full moon. The Day Lorinda Flew, about a little girl with special needs who believes that chickens, in the low gravity of the moon, can fly if they only have the right encouragement, came out in November. The next story is Sleighride, about a dad visiting the moon's North Pole. Since December's full moon is on Christmas, Sleighride will be out a little early. It will be released on December 19, which is the day humanity left the moon.
______________________
Lunar Reality and Lunar Fiction
AmyBeth Inverness
I began writing stories about the moon back in 2013 when the Liftport Group decided to put out a monthly magazine about their endeavors to build a space elevator, first on the Moon, and later on Earth. Although I could not contribute to my friends’ efforts either scientifically or financially, I could write stories about a thriving society on the Moon in the near future.
The magazine lasted less than a year, but my stories about Luna were well-received. They sat on a shelf for a while, and now a new story comes out from Dingbat Publishing with every full moon.
The research I do for these stories is never-ending. I often become immersed in a thread of some fascinating detail I find, such as my hometown hero Vance Brand being in the back-up crew for Apollo 15. While researching an article about stuff the astronauts threw around on the Moon I discovered this list of man-made objects that are on the moon. Most of it is what one would expect; crashed satellites, jettisoned equipment, and mementos. Then there are the one hundred two-dollar-bills that Apollo 15 left behind. I have no idea why.
Anyone who has seen the Tom Hanks movie about Apollo 13 knows about Gene Kranz and his vests. The astronauts from several missions also played pranks on each other, such as inserting pictures of scantily-clad women in with the official documents for their peers to find. I was also interested to learn that, at the time the memorials to fallen astronauts and cosmonauts were placed, there were several cosmonauts whose deaths were still being kept secret by the Soviet Union.
Monday, December 14, 2015 is the 43rd anniversary of the day we left the moon. Eugene A. Cernan and Harrison H. Schmitt lifted off the lunar surface at 10:54:37 p.m.
We haven’t been back since.
All of these pieces of information, both trivial and historical, feed my imagination when I’m writing my stories. Although I leave the exact details of humanity’s return to the Moon purposely vague, I always strive to ensure that any real history is honored. I keep a bottle of little blue pills on my desk just to make sure the SciFi stays hard enough.
In The Cities of Luna, the Apollo sites are all world heritage sites. Locals and tourists alike visit the museums and tour the locations, which are carefully preserved. When I discover details such as the presence of water or other resources in a particular place, or the seismic activity on the Moon, it goes into a story.
Yet the stories are about the people. I’m not telling you about the moonquakes, I’m telling you what the people do when there’s a moonquake. I’m not describing how the orbital elevator works, I’m telling you how the people use it and how it affects their lives. I’m not lecturing about the two weeks of sunlight and two weeks of darkness, but the length of the lunar day definitely impacts the Loonie’s lives.
The next few decades will be interesting ones. Although I may not ever be able to travel to the Moon, that is a distinct possibility for my children and grandchildren. I can write the stories. My progeny will live them.
________________________________
A writer by birth, a redhead by choice, and an outcast of Colorado by temporary necessity, AmyBeth Inverness is a creator of Speculative Fiction and Romance. She can usually be found tapping away at her laptop, writing the next novel or procrastinating by posting a SciFi Question of the Day on Facebook and Google Plus. When she’s not writing, she’s kept very busy making aluminum foil hats and raising two energetic kids and many pets with her husband in their New England home.
You can find her on Facebook, Google Plus, and Twitter @USNessie or check out her Amazon Author Page.
AmyBeth's been very busy lately! Her Urban Fantasy novella The House on Paladin Court is available in electronic format at most of the usual e-book outlets. She has a weird little SciFi short story called The Immersion of the Incorporeum in the Biblical Legends Anthology Deluge. A new short story from The Cities of Luna is released with every full moon. The Day Lorinda Flew, about a little girl with special needs who believes that chickens, in the low gravity of the moon, can fly if they only have the right encouragement, came out in November. The next story is Sleighride, about a dad visiting the moon's North Pole. Since December's full moon is on Christmas, Sleighride will be out a little early. It will be released on December 19, which is the day humanity left the moon.
Friday, December 18, 2015
This story was originally written as part of the Mocha Memoirs Season's Readings tour. I'm proud of this short story featuring Patricia O'Neill, the resident Grinch of the Menopausal Superheroes universe. I hoped the story would find more readers than it it did, so here it is again for the Deja Vu Blog Tour!
If you enjoy it, you can see more of Patricia and the other heroines in Going Through the Change. The sequel, Change of Life, is due out from Curiosity Quills in April 2016.
O Scaly Night
Patricia hadn't planned on being alone for Christmas. It just sort of ended up that way. She'd planned on staying home for a quiet few days with Suzie, until Suzie got the strong-arm to join the rest of the clan Up East. She wasn't ready to take Patricia with her, she said, and Patricia tried to seem disappointed about that to save Suzie's feelings. In reality, she was relieved. She wasn't looking forward to the whole in-laws thing. She'd avoided it for the first fifty-eight years of her life and could happily do so for all her remaining years. Heck, she wasn't even used to being with Suzie herself yet.
She didn't spare a thought for her own family. What remained of it was spread out and not what anyone would describe as close. In fact, some of it was downright contentious.
Jessica was doing the newlywed Christmas with Walter, probably embarrassing the heck out of her boys with mistletoe and the whole shebang. Sure, they'd invited her to come by, but she wouldn't be going. God no. She'd rather stab herself in the eye with a fork. Same with Leonel and David, for different reasons. Things were already tense between the two of them. She definitely wasn't going to walk into that family drama. No way. No how.
She didn't let herself think about Cindy either. It was time to let that friendship go and admit that she might never have known her best friend as well as she thought she had. Besides, Cindy never celebrated Christmas much anyway, saving her holiday energy for Chinese New Year's.
So, here it was, nearly midnight on Christmas Eve. Patricia had tried holiday movies, one cheesy and one heartfelt, and popcorn, but it all seemed to leave a bad taste in her mouth. She eyed her phone, but the screen stayed stubbornly black. Suzie would probably try to call later, but, even if she did, Patricia knew their conversation would be stilted and awkward. If she called at all, it would be late, after the rest of the family had finally gone to bed. And Patricia had no idea what she'd say.
Patricia looked out the window. The city of Springfield was awash in lights. Some of the buildings had done up full holiday displays and she could see the flashing reds and greens from across the river. Looking at it, she felt she had to get out. Her spacious condo suddenly felt as tight as a closet and she needed air.
She pulled on her long coat and stepped out into the night. It wasn't supposed to snow, but the air was crisp and felt good against her skin, clean and fresh. She realized she hadn't been outside the entire day. No wonder she felt so cooped up. Indiana farmland girls like her needed a daily quota of fresh air. She got weird when she spent too much time inside.
Shoving her hands in her pockets, she headed for the pond on the other side of the complex. There was a wooden bridge over the man-made watering hole, and it was a pleasant place to stand and look at the water, especially late at night when most of the inhabitants of the complex were sound asleep. Patricia often went there when she couldn't sleep.
The water was very still. The fountain was turned off for the season and there was no wind to speak of. The lake was probably quite shallow, but the way the surface was reflecting the surrounding buildings and streetlights made it seem miles deep. Patricia wished she had brought some bread to toss out for the koi. The ducks and geese were already gone for the season. It might have been nice to see another living thing.
Leaning against the railing, she turned and surveyed the buildings around her. There were five identical buildings. The condos on this side all had patios or balconies facing towards the lake. Patricia's own apartment had a big window at the end of a hall that afforded her a glimpse of the lake, but she preferred the view from the wall-sized windows in the living room overlooking the city. The lake, in her opinion, was better enjoyed up close.
A breeze came up and Patricia let her scales rise on her neck and cheeks. Her alter ego was less sensitive to the cold than she was. Patricia hadn't quite figured out why that was, but it was helpful sometimes. She was careful to limit her transformation, though. No reason to ruin a good coat by letting her spikes come through.
As her scales came up, her vision changed a little as well. Her lizard-eyes could see better in the night than her human ones. She spotted the man standing on the other side of the lake. She hadn't noticed him before, and, so far, it didn't look like he had spotted her. He was standing under a small tree, one of the ones that flowered white in the springtime, but was bare this time of year. He had his back to the lake and Patricia and seemed to be watching one of the apartment windows. She couldn't have explained why, but Patricia felt there was something off about the guy. She watched him more closely.
In the space of the few minutes she watched, he began and abandoned six cigarettes. Each time he threw the half-smoked cigarette into the grass and twisted his foot on it, moving like he had made up his mind and was going to go do something. Each time, he took a step, then stopped, swung his arms back and forth a few times and retreated to the space under the tree. Patricia began to walk around the lake. She wanted to be within reach, just in case. She continued to watch him as she walked, keeping her steps light and as quiet as she could, glad that her coat was black and wouldn't show up well in the darkness. He never turned.
By the light of his next cigarette, she was able to make out some details of his face and appearance. She made note of them, practicing better observation as they were training her to do at the Department. He was thirty-five or forty years old by her estimation. White, with dark brown or black hair, worn long enough that it stuck out in wings beneath his knit cap. He had an indeterminate beard, one that could mean he was just a few days unshaven or that he kept his facial hair at that Miami Vice level that had been so popular for a while. His coat was nice, but frayed at the cuffs and missing a few buttons, so that could mean he had fallen on harder times or just that he loved the coat and wore it even though he should be replacing it. He was broad in the shoulders, but not particularly tall. Patricia was sure that if she stood beside him, she'd tower over him by at least four inches.
The man hadn't done anything except for seem tense and smoke some cigarettes, but Patricia still felt that he bore watching. Maybe she was just bored and looking for something to do. Or maybe there was trouble. Watching him repeat the cigarette-decision-dance two more times, she grew frustrated with waiting. Patience had never been her strong suit.
Pulling in her scales, she walked up to the guy, being careful to crunch a few leaves along the way, so she wouldn't sneak up on him. "Can I bum a smoke?" she asked. Patricia didn't smoke, but she thought she could fake it, at least as a way to start a conversation. The man jumped. "Sorry. I didn't mean to scare you," she offered, hands spread. The man pulled out the pack of cigarettes and handed her one without comment. Patricia played with it in her fingers for a moment. "Can't sleep?"
The man turned and looked at her then. Face to face, Patricia could see that he was tired. His eyes were red and watery and the circles under his eyes were deep enough to suggest more than one sleepless night. His eyes flicked over her quickly. Patricia was sure he had categorized her as a harmless middle aged woman, too old to flirt with and unlikely to do him damage. Little did he know. "Yeah," he finally said.
"Which one is yours?" she asked, gesturing at the windows in front of them. "I'm across the lake, myself." She hoped it sounded like a regular nosy-neighbor kind of question. She also hoped he had a ready answer. He didn't. The hesitation wasn't long, but the sigh that accompanied it spoke volumes.
"If you don't mind, I don't want to talk about it." His voice was even, though the words were clipped. Patricia didn't like the tension she saw in his jaw.
She laid a hand on his arm. He jumped back as if she had stung him. "You sure? You seem like a man with something on his mind. I can be a good listener." Or at least she thought she could fake it long enough to figure out if someone was in danger here.
"You got kids?" he asked.
"Me? Hell, no."
He laughed in a way that showed he didn't find it funny. He lit another cigarette, the last in the pack. He didn't seem to have noticed that Patricia wasn't lighting hers. "Maybe that's for the best, sometimes. Me, I got four of them. Up there." He gestured at a second story balcony just to the right of the place where they stood.
Patricia followed his finger. She flipped up the collar just slightly to hide her cheeks and brought up her scales again. She really only wanted the night vision, but, at least so far, she couldn't get the eyes without the facial scales. She'd need to work on that some more. Once she could see, she could see some signs of trouble. The glass door that led to the balcony was taped, as if it had been broken and hastily patched by someone without the tools or skills to do it right. A jagged impact was evident in the glass. It looked like the glass had been punched from the inside. "What happened to the door?" she asked.
The man looked her way and Patricia took a step backwards into the shadows while she schooled her face into its normal, middle-aged woman aspect. "I think he hits them," the man said, his voice bleak as the gray afternoon had been.
"Damn." She thought it might be something like that, but she had so wanted to be wrong. She'd seen this story more than once, and not just on the evening news. She remembered her fourth stepfather, the one she'd had arrested. Her mother never forgave her for it. But even at sixteen, Patricia had no tolerance for bullies. He'd bruised her littlest sister, gripping her arm so hard it left finger marks. Of course, they both said it was "just an accident" and that he'd "been drinking" like any of that made it even remotely okay. She wasn't going to let that man hurt one of the littler kids worse before she did something about it. She wouldn't let that happen now either. "What's the apartment number?"
"Sixteen B," he said.
"Is he in there?"
"I think so."
"And the mother and kids?"
He shook his head. "At her mother's. They won't be back until morning."
Patricia smiled. The man gasped. "What's wrong with your face?"
Patricia smiled again, her scales filling in fully. "This is the face of justice." She took off her coat and tossed it over a nearby bench, then sat down and took off her shoes. The man just stared at her as she loped off across the lawn and jogged up the steps.
Patricia, as drawn by Charles C. Dowd |
A few second later, she was standing in front of sixteen B, listening. She could hear a television playing. Taking a moment to concentrate and focus, she brought out her full transformation. She heard the cloth ripping as her spikes came out and tore up the back of her shirt, but the top still held together well enough to keep her covered. She almost never wore anything anymore that wouldn't. Raising one taloned hand, she knocked on the door. She was tempted to joke, "Avon Calling," but she knew it was just adrenaline making her giddy.
Through the door, she heard some muffled cursing and heavy footsteps as someone moved to the door. "What do you want?" the man said as he threw the door open. Patricia didn't give him time to react to the sight of her. She place one hand on the door and one on the man's chest, flinging him back as she pushed the door open, then slamming the door closed behind her.
The man landed on his butt in the middle of the rug. His eyes grew wide as he took in Patricia. She knew that look. She'd seen it on many different faces in the year since her transformation took place. It was part disbelief and part fear. "What are you?" The man stuttered as he crawled away and got to his hands and knees in an attempt to stand.
Patricia leaped at him, knocking him onto his back, then standing with a heavy, taloned foot on his chest. "Me? I'm your worst nightmare. A woman who fights back."
The man tried to sit up, but she didn't give him a chance. Using the new moves she had learned in training, she rolled him over and hauled him up, tugging his arms behind his back so he was held low and awkwardly, unable to quite get his balance. She duck-walked him to the balcony door, shoving his head against the doorframe while she shoved the broken door aside. She wanted to make sure the father of these children got to see what happened here. She pushed the man so his torso fell over the railing, then let go of his arms and picked him up by his legs, so that he flailed into open air. He'd be fine if he didn't struggle too much. He tried to scream, but threw up instead.
"You like to hit people who don't hit back, don't you?" The man didn't answer her. He just sort of groaned. She lifted him a inch or two higher. "I asked you a question."
"They made me mad," he said. Patricia nearly let him fall then, but she didn't really want to make the family deal with a corpse and the police.
Instead, she pulled him back and let him fall into a heap on the balcony. "You know what makes me mad?" He didn't answer, though he seemed to be gathering himself for an attack. Patricia took a ready stance, just in case he really was that stupid. "Men who think that violence makes them men." Just as she'd suspected, he charged her, telegraphing his move as he clumsily got back into a crouching position, then hurling himself at her knees. She stepped aside, letting him collide with the doorframe. There was a crack. Patricia wasn't sure if it were the man or the doorframe that cracked but it didn't matter. The man was howling on the floor at her feet.
"Come on, bud. You've got a note to write and some packing to do."
An hour later, there was a note on the table, held down with a water glass. The handwriting was shaky, but legible. It was full of apologies, and a promise not to come back. It was a promise he'd keep. Patricia had taken his driver's license, just in case she needed to find him.
By three o'clock, Patricia and the man she'd found by the lake had managed to patch the broken door well enough to hold for a few days. When they had locked the door and replaced the extra key in the flower pot outside, they went back down to the water's edge and stood looking at the water together. Patricia could feel the man's incredulous gaze on her, but she didn't turn to look at him. She handed him back the cigarette she had never smoked. It was still inside her coat pocket. "Merry Christmas," she said, then finished her walk around the lake and headed for home. She might have something to say to Suzie after all, if she called.
________________________________
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Wednesday, December 16, 2015
On Uncles and Holidays
My Monday Classics book club read Dylan Thomas’s A Child’s Christmas in Wales as our December selection. If you’ve not read it, you should. It’s very brief. Won’t take you long at all. I think it’s best aloud. Dylan Thomas always plays well aloud. If you wish you can even listen to him read it:
Like most things by Dylan Thomas, it is beautiful and lyric and full of made up hyphenated phrases that seem like they shouldn’t make sense, but are perfect in their descriptions.
“All the Christmases roll down towards the two-tongued sea, like a cold and headlong moon bundling down the sky that was our street; and they stop at the rim of the ice-edged, fish-freezing waves, and I plunge my hands in the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.”
It’s heart-true, even when it doesn’t quite make sense. On reading it, I felt enveloped in holiday memories. Family parties of my own childhood, full of uncles and aunts and cousins and mischief. Thomas’s uncles, like mine, were large men, in front parlors, with new cigars or sitting in front of fires with loosened buttons.
It’s been a rough year for uncles in my family. I’ve already lost one. My husband has recently lost one, as well. Another has just been diagnosed with stage four cancer. I guess we’re to that time of life, where the giants of our youth are no longer young themselves. No matter when it comes, loss of those you love is … difficult. It’s cast a bit of a pall over my holidays. It made Thomas’s mix of sentimentality with an under-layer of sadness all the more apropos.
I’m heading home for a holiday party this year, something I haven’t done in several years. I think it will do my heart good, to sit surrounded by my uncles. I won’t be sitting among the Chinese lanterns and nibbling dates. More likely, I’ll be festooned with beer and pretzels, but my uncles will be there. And I’ll be home.
Like most things by Dylan Thomas, it is beautiful and lyric and full of made up hyphenated phrases that seem like they shouldn’t make sense, but are perfect in their descriptions.
“All the Christmases roll down towards the two-tongued sea, like a cold and headlong moon bundling down the sky that was our street; and they stop at the rim of the ice-edged, fish-freezing waves, and I plunge my hands in the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.”
It’s heart-true, even when it doesn’t quite make sense. On reading it, I felt enveloped in holiday memories. Family parties of my own childhood, full of uncles and aunts and cousins and mischief. Thomas’s uncles, like mine, were large men, in front parlors, with new cigars or sitting in front of fires with loosened buttons.
It’s been a rough year for uncles in my family. I’ve already lost one. My husband has recently lost one, as well. Another has just been diagnosed with stage four cancer. I guess we’re to that time of life, where the giants of our youth are no longer young themselves. No matter when it comes, loss of those you love is … difficult. It’s cast a bit of a pall over my holidays. It made Thomas’s mix of sentimentality with an under-layer of sadness all the more apropos.
I’m heading home for a holiday party this year, something I haven’t done in several years. I think it will do my heart good, to sit surrounded by my uncles. I won’t be sitting among the Chinese lanterns and nibbling dates. More likely, I’ll be festooned with beer and pretzels, but my uncles will be there. And I’ll be home.
Monday, December 7, 2015
The Season's Readings Blog Tour
It's December already! Time for the holidays. This year, I got invited to the Mocha Memoirs Press party where they are featuring some fun holiday reads. Check out the rafflecopter at the end of this post for a chance to win some great prizes and be sure to visit other participating blogs. For my own part, I offer you a short story featuring Patricia O'Neill, the resident Grinch of the Menopausal Superheroes universe.
If you enjoy it, you can see more of Patricia and the other heroines in Going Through the Change. The sequel, Change of Life, is due out from Curiosity Quills in April 2016.
O Scaly Night
Patricia hadn't planned on being alone for Christmas. It just sort of ended up that way. She'd planned on staying home for a quiet few days with Suzie, until Suzie got the strong-arm to join the rest of the clan Up East. She wasn't ready to take Patricia with her, she said, and Patricia tried to seem disappointed about that to save Suzie's feelings. In reality, she was relieved. She wasn't looking forward to the whole in-laws thing. She'd avoided it for the first fifty-eight years of her life and could happily do so for all her remaining years. Heck, she wasn't even used to being with Suzie herself yet.
She didn't spare a thought for her own family. What remained of it was spread out and not what anyone would describe as close. In fact, some of it was downright contentious.
Jessica was doing the newlywed Christmas with Walter, probably embarrassing the heck out of her boys with mistletoe and the whole shebang. Sure, they'd invited her to come by, but she wouldn't be going. God no. She'd rather stab herself in the eye with a fork. Same with Leonel and David, for different reasons. Things were already tense between the two of them. She definitely wasn't going to walk into that family drama. No way. No how.
She didn't let herself think about Cindy either. It was time to let that friendship go and admit that she might never have known her best friend as well as she thought she had. Besides, Cindy never celebrated Christmas much anyway, saving her holiday energy for Chinese New Year's.
So, here it was, nearly midnight on Christmas Eve. Patricia had tried holiday movies, one cheesy and one heartfelt, and popcorn, but it all seemed to leave a bad taste in her mouth. She eyed her phone, but the screen stayed stubbornly black. Suzie would probably try to call later, but, even if she did, Patricia knew their conversation would be stilted and awkward. If she called at all, it would be late, after the rest of the family had finally gone to bed. And Patricia had no idea what she'd say.
Patricia looked out the window. The city of Springfield was awash in lights. Some of the buildings had done up full holiday displays and she could see the flashing reds and greens from across the river. Looking at it, she felt she had to get out. Her spacious condo suddenly felt as tight as a closet and she needed air.
She pulled on her long coat and stepped out into the night. It wasn't supposed to snow, but the air was crisp and felt good against her skin, clean and fresh. She realized she hadn't been outside the entire day. No wonder she felt so cooped up. Indiana farmland girls like her needed a daily quota of fresh air. She got weird when she spent too much time inside.
Shoving her hands in her pockets, she headed for the pond on the other side of the complex. There was a wooden bridge over the man-made watering hole, and it was a pleasant place to stand and look at the water, especially late at night when most of the inhabitants of the complex were sound asleep. Patricia often went there when she couldn't sleep.
The water was very still. The fountain was turned off for the season and there was no wind to speak of. The lake was probably quite shallow, but the way the surface was reflecting the surrounding buildings and streetlights made it seem miles deep. Patricia wished she had brought some bread to toss out for the koi. The ducks and geese were already gone for the season. It might have been nice to see another living thing.
Leaning against the railing, she turned and surveyed the buildings around her. There were five identical buildings. The condos on this side all had patios or balconies facing towards the lake. Patricia's own apartment had a big window at the end of a hall that afforded her a glimpse of the lake, but she preferred the view from the wall-sized windows in the living room overlooking the city. The lake, in her opinion, was better enjoyed up close.
A breeze came up and Patricia let her scales rise on her neck and cheeks. Her alter ego was less sensitive to the cold than she was. Patricia hadn't quite figured out why that was, but it was helpful sometimes. She was careful to limit her transformation, though. No reason to ruin a good coat by letting her spikes come through.
As her scales came up, her vision changed a little as well. Her lizard-eyes could see better in the night than her human ones. She spotted the man standing on the other side of the lake. She hadn't noticed him before, and, so far, it didn't look like he had spotted her. He was standing under a small tree, one of the ones that flowered white in the springtime, but was bare this time of year. He had his back to the lake and Patricia and seemed to be watching one of the apartment windows. She couldn't have explained why, but Patricia felt there was something off about the guy. She watched him more closely.
In the space of the few minutes she watched, he began and abandoned six cigarettes. Each time he threw the half-smoked cigarette into the grass and twisted his foot on it, moving like he had made up his mind and was going to go do something. Each time, he took a step, then stopped, swung his arms back and forth a few times and retreated to the space under the tree. Patricia began to walk around the lake. She wanted to be within reach, just in case. She continued to watch him as she walked, keeping her steps light and as quiet as she could, glad that her coat was black and wouldn't show up well in the darkness. He never turned.
By the light of his next cigarette, she was able to make out some details of his face and appearance. She made note of them, practicing better observation as they were training her to do at the Department. He was thirty-five or forty years old by her estimation. White, with dark brown or black hair, worn long enough that it stuck out in wings beneath his knit cap. He had an indeterminate beard, one that could mean he was just a few days unshaven or that he kept his facial hair at that Miami Vice level that had been so popular for a while. His coat was nice, but frayed at the cuffs and missing a few buttons, so that could mean he had fallen on harder times or just that he loved the coat and wore it even though he should be replacing it. He was broad in the shoulders, but not particularly tall. Patricia was sure that if she stood beside him, she'd tower over him by at least four inches.
The man hadn't done anything except for seem tense and smoke some cigarettes, but Patricia still felt that he bore watching. Maybe she was just bored and looking for something to do. Or maybe there was trouble. Watching him repeat the cigarette-decision-dance two more times, she grew frustrated with waiting. Patience had never been her strong suit.
Pulling in her scales, she walked up to the guy, being careful to crunch a few leaves along the way, so she wouldn't sneak up on him. "Can I bum a smoke?" she asked. Patricia didn't smoke, but she thought she could fake it, at least as a way to start a conversation. The man jumped. "Sorry. I didn't mean to scare you," she offered, hands spread. The man pulled out the pack of cigarettes and handed her one without comment. Patricia played with it in her fingers for a moment. "Can't sleep?"
The man turned and looked at her then. Face to face, Patricia could see that he was tired. His eyes were red and watery and the circles under his eyes were deep enough to suggest more than one sleepless night. His eyes flicked over her quickly. Patricia was sure he had categorized her as a harmless middle aged woman, too old to flirt with and unlikely to do him damage. Little did he know. "Yeah," he finally said.
"Which one is yours?" she asked, gesturing at the windows in front of them. "I'm across the lake, myself." She hoped it sounded like a regular nosy-neighbor kind of question. She also hoped he had a ready answer. He didn't. The hesitation wasn't long, but the sigh that accompanied it spoke volumes.
"If you don't mind, I don't want to talk about it." His voice was even, though the words were clipped. Patricia didn't like the tension she saw in his jaw.
She laid a hand on his arm. He jumped back as if she had stung him. "You sure? You seem like a man with something on his mind. I can be a good listener." Or at least she thought she could fake it long enough to figure out if someone was in danger here.
"You got kids?" he asked.
"Me? Hell, no."
He laughed in a way that showed he didn't find it funny. He lit another cigarette, the last in the pack. He didn't seem to have noticed that Patricia wasn't lighting hers. "Maybe that's for the best, sometimes. Me, I got four of them. Up there." He gestured at a second story balcony just to the right of the place where they stood.
Patricia followed his finger. She flipped up the collar just slightly to hide her cheeks and brought up her scales again. She really only wanted the night vision, but, at least so far, she couldn't get the eyes without the facial scales. She'd need to work on that some more. Once she could see, she could see some signs of trouble. The glass door that led to the balcony was taped, as if it had been broken and hastily patched by someone without the tools or skills to do it right. A jagged impact was evident in the glass. It looked like the glass had been punched from the inside. "What happened to the door?" she asked.
The man looked her way and Patricia took a step backwards into the shadows while she schooled her face into its normal, middle-aged woman aspect. "I think he hits them," the man said, his voice bleak as the gray afternoon had been.
"Damn." She thought it might be something like that, but she had so wanted to be wrong. She'd seen this story more than once, and not just on the evening news. She remembered her fourth stepfather, the one she'd had arrested. Her mother never forgave her for it. But even at sixteen, Patricia had no tolerance for bullies. He'd bruised her littlest sister, gripping her arm so hard it left finger marks. Of course, they both said it was "just an accident" and that he'd "been drinking" like any of that made it even remotely okay. She wasn't going to let that man hurt one of the littler kids worse before she did something about it. She wouldn't let that happen now either. "What's the apartment number?"
"Sixteen B," he said.
"Is he in there?"
"I think so."
"And the mother and kids?"
He shook his head. "At her mother's. They won't be back until morning."
Patricia smiled. The man gasped. "What's wrong with your face?"
Patricia smiled again, her scales filling in fully. "This is the face of justice." She took off her coat and tossed it over a nearby bench, then sat down and took off her shoes. The man just stared at her as she loped off across the lawn and jogged up the steps.
Patricia, as drawn by Charles C. Dowd |
A few second later, she was standing in front of sixteen B, listening. She could hear a television playing. Taking a moment to concentrate and focus, she brought out her full transformation. She heard the cloth ripping as her spikes came out and tore up the back of her shirt, but the top still held together well enough to keep her covered. She almost never wore anything anymore that wouldn't. Raising one taloned hand, she knocked on the door. She was tempted to joke, "Avon Calling," but she knew it was just adrenaline making her giddy.
Through the door, she heard some muffled cursing and heavy footsteps as someone moved to the door. "What do you want?" the man said as he threw the door open. Patricia didn't give him time to react to the sight of her. She place one hand on the door and one on the man's chest, flinging him back as she pushed the door open, then slamming the door closed behind her.
The man landed on his butt in the middle of the rug. His eyes grew wide as he took in Patricia. She knew that look. She'd seen it on many different faces in the year since her transformation took place. It was part disbelief and part fear. "What are you?" The man stuttered as he crawled away and got to his hands and knees in an attempt to stand.
Patricia leaped at him, knocking him onto his back, then standing with a heavy, taloned foot on his chest. "Me? I'm your worst nightmare. A woman who fights back."
The man tried to sit up, but she didn't give him a chance. Using the new moves she had learned in training, she rolled him over and hauled him up, tugging his arms behind his back so he was held low and awkwardly, unable to quite get his balance. She duck-walked him to the balcony door, shoving his head against the doorframe while she shoved the broken door aside. She wanted to make sure the father of these children got to see what happened here. She pushed the man so his torso fell over the railing, then let go of his arms and picked him up by his legs, so that he flailed into open air. He'd be fine if he didn't struggle too much. He tried to scream, but threw up instead.
"You like to hit people who don't hit back, don't you?" The man didn't answer her. He just sort of groaned. She lifted him a inch or two higher. "I asked you a question."
"They made me mad," he said. Patricia nearly let him fall then, but she didn't really want to make the family deal with a corpse and the police.
Instead, she pulled him back and let him fall into a heap on the balcony. "You know what makes me mad?" He didn't answer, though he seemed to be gathering himself for an attack. Patricia took a ready stance, just in case he really was that stupid. "Men who think that violence makes them men." Just as she'd suspected, he charged her, telegraphing his move as he clumsily got back into a crouching position, then hurling himself at her knees. She stepped aside, letting him collide with the doorframe. There was a crack. Patricia wasn't sure if it were the man or the doorframe that cracked but it didn't matter. The man was howling on the floor at her feet.
"Come on, bud. You've got a note to write and some packing to do."
An hour later, there was a note on the table, held down with a water glass. The handwriting was shaky, but legible. It was full of apologies, and a promise not to come back. It was a promise he'd keep. Patricia had taken his driver's license, just in case she needed to find him.
By three o'clock, Patricia and the man she'd found by the lake had managed to patch the broken door well enough to hold for a few days. When they had locked the door and replaced the extra key in the flower pot outside, they went back down to the water's edge and stood looking at the water together. Patricia could feel the man's incredulous gaze on her, but she didn't turn to look at him. She handed him back the cigarette she had never smoked. It was still inside her coat pocket. "Merry Christmas," she said, then finished her walk around the lake and headed for home. She might have something to say to Suzie after all, if she called.
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